They Shoot Pictures, Don't They? (Recommendations)

TSPDT's RECOMMENDATIONS
TSPDT's personal film recommendations are listed below. This page will be reformatted, at some stage, to be a little more user-friendly.
(500) DAYS OF SUMMER (Marc Webb, 2009, 95m)
12 ANGRY MEN (Sidney Lumet, 1957, 95m)
12 YEARS A SLAVE (Steve McQueen, 2013, 134m)
13TH (Ava DuVernay, 2016, 100m)
2001: A SPACE ODYSSEY (Stanley Kubrick, 1968, 139m)
2046 (Wong Kar-wai, 2004, 129m)
20TH CENTURY WOMEN (Mike Mills, 2016, 119m)
24 7/TWENTYFOURSEVEN (Shane Meadows, 1997, 96m)
25TH HOUR (Spike Lee, 2002, 134m)
28 UP [TV] (Michael Apted, 1985, 133m)
3 BAD MEN (John Ford, 1926, 92m)
3 GODFATHERS (John Ford, 1948, 105m)
THE 3 PENNY OPERA (G.W. Pabst, 1931, 112m)
3 WOMEN (Robert Altman, 1977, 125m)
3:10 TO YUMA (Delmer Daves, 1957, 92m)
35 SHOTS OF RUM (Claire Denis, 2008, 101m)
35 UP [TV] (Michael Apted, 1991, 128m)
THE 36TH CHAMBER OF SHAOLIN (Liu Chia-Liang, 1978, 115m)
THE 39 STEPS (Alfred Hitchcock, 1935, 87m)
4 LITTLE GIRLS (Spike Lee, 1997, 102m)
4 MONTHS, 3 WEEKS AND 2 DAYS (Cristian Mungiu, 2007, 113m)
THE 400 BLOWS (François Truffaut, 1959, 99m)
42 UP [TV] (Michael Apted, 1998, 139m)
42ND STREET (Lloyd Bacon, 1933, 89m)
45 YEARS (Andrew Haigh, 2015, 95m)
45365 (Ross IV, Bill & Turner Ross, 2009, 90m)
48 HRS. (Walter Hill, 1982, 97m)
49TH PARALLEL (Michael Powell, 1941, 107m)
THE 5,000 FINGERS OF DR. T. (Roy Rowland, 1953, 88m)
8 MILE (Curtis Hanson, 2002, 110m)
8 WOMEN (François Ozon, 2001, 103m)
8½ (Federico Fellini, 1963, 135m)
99 RIVER STREET (Phil Karlson, 1953, 83m)
À DOUBLE TOUR (Claude Chabrol, 1959, 98m)
À NOS AMOURS (Maurice Pialat, 1983, 102m)
À PROPOS DE NICE (Jean Vigo, 1930, 25m)
ABOUT ELLY (Asghar Farhadi, 2009, 119m)
ABOUT MRS. LESLIE (Daniel Mann, 1954, 104m)
ABOUT SCHMIDT (Alexander Payne, 2002, 125m)
ABRAHAM'S VALLEY (Manoel de Oliveira, 1993, 187m)
ABSOLUTE POWER (Clint Eastwood, 1996, 122m)
ACCATTONE (Pier Paolo Pasolini, 1961, 120m)
ACCIDENT (Joseph Losey, 1967, 105m)
THE ACCIDENTAL TOURIST (Lawrence Kasdan, 1988, 121m)
THE ACCUSED (William Dieterle, 1949, 101m)
ACE IN THE HOLE (Billy Wilder, 1951, 112m)
THE ACT OF KILLING (Joshua Oppenheimer, 2012, 115m)
AN ACTOR'S REVENGE (Kon Ichikawa, 1963, 114m)
THE ACTRESS (George Cukor, 1953, 91m)
THE ACTRESS (Stanley Kwan, 1991, 154m)
ADAM'S RIB (George Cukor, 1949, 100m)
ADIEU PHILIPPINE (Jacques Rozier, 1962, 106m)
THE ADJUSTER (Atom Egoyan, 1991, 102m)
THE ADVENTURES OF GOOPY AND BAGHA (Satyajit Ray, 1969, 132m)
THE ADVENTURES OF ROBIN HOOD (Curtiz, Michael/William Keighley, 1938, 102m)
ADVISE AND CONSENT (Otto Preminger, 1962, 139m)
AE FOND KISS... (Ken Loach, 2004, 104m)
AN AFFAIR TO REMEMBER (Leo McCarey, 1957, 115m)
AFFLICTION (Paul Schrader, 1997, 114m)
AFTER TOMORROW (Frank Borzage, 1932, 79m)
AFTERGLOW (Alan Rudolph, 1997, 113m)
L'ÂGE D'OR (Luis Buñuel, 1930, 63m)
THE AGE OF INNOCENCE (Martin Scorsese, 1993, 133m)
THE AGE OF THE EARTH (Glauber Rocha, 1980, 158m)
AGUIRRE: THE WRATH OF GOD (Werner Herzog, 1972, 94m)
AKIRA KUROSAWA'S DREAMS (Akira Kurosawa, 1990, 120m)
ALAMO BAY (Louis Malle, 1985, 98m)
ALEXANDER NEVSKY (Sergei Eisenstein, 1938, 107m)
ALEXANDRA (Aleksandr Sokurov, 2007, 95m)
ALI: FEAR EATS THE SOUL (Rainer Werner Fassbinder, 1974, 94m)
ALICE (Jan Svankmajer, 1988, 86m)
ALICE DOESN'T LIVE HERE ANYMORE (Martin Scorsese, 1974, 113m)
ALICE ET MARTIN (André Téchiné, 1998, 124m)
ALICE IN THE CITIES (Wim Wenders, 1974, 110m)
ALIEN (Ridley Scott, 1979, 117m)
ALIENS (James Cameron, 1986, 137m)
ALL ABOUT EVE (Joseph L. Mankiewicz, 1950, 138m)
ALL ABOUT MY MOTHER (Pedro Almodóvar, 1999, 101m)
ALL I DESIRE (Douglas Sirk, 1953, 79m)
ALL IS WELL (Eva Trobisch, 2018, 90m)
ALL OR NOTHING (Mike Leigh, 2002, 128m)
ALL QUIET ON THE WESTERN FRONT (Lewis Milestone, 1930, 133m)
ALL THAT HEAVEN ALLOWS (Douglas Sirk, 1955, 89m)
ALL THE KING'S MEN (Robert Rossen, 1949, 109m)
ALL THE LIGHT IN THE SKY (Joe Swanberg, 2012, 79m)
ALL THE PRESIDENT'S MEN (Alan J. Pakula, 1976, 138m)
ALMOST FAMOUS (Cameron Crowe, 2000, 122m)
ALONG THE GREAT DIVIDE (Raoul Walsh, 1951, 88m)
ALPHAVILLE (Jean-Luc Godard, 1965, 95m)
LES AMANTS DU PONT-NEUF (Leos Carax, 1991, 126m)
AMAZING GRACE (Elliott, Alan & Sydney Pollack, 2018, 120m)
AMÉLIE (Jean-Pierre Jeunet, 2001, 122m)
AMERICA, AMERICA (Elia Kazan, 1963, 168m)
AMERICAN BEAUTY (Sam Mendes, 1999, 121m)
THE AMERICAN FRIEND (Wim Wenders, 1977, 125m)
AMERICAN GRAFFITI (George Lucas, 1973, 110m)
AMERICAN HISTORY X (Tony Kaye, 1998, 117m)
AMERICAN HUSTLE (David O. Russell, 2013, 138m)
AN AMERICAN IN PARIS (Vincente Minnelli, 1951, 115m)
THE AMERICAN PRESIDENT (Rob Reiner, 1995, 115m)
AMERICAN PSYCHO (Mary Harron, 2000, 101m)
THE AMERICAN SOLDIER (Rainer Werner Fassbinder, 1970, 80m)
AMERICAN SPLENDOR (Pulcini, Robert & Shari Springer Berman, 2003, 101m)
LE AMICHE (Michelangelo Antonioni, 1955, 104m)
AMORES PERROS (Alejandro González Iñárritu, 2000, 153m)
AMOUR (Michael Haneke, 2012, 127m)
L'AMOUR FOU (Jacques Rivette, 1968, 252m)
ANAND (Hrishikesh Mukherjee, 1971, m)
ANATAHAN (Josef von Sternberg, 1953, 92m)
ANATOMY OF A MURDER (Otto Preminger, 1959, 160m)
AND JUSTICE FOR ALL (Norman Jewison, 1979, 117m)
AND LIFE GOES ON... (Abbas Kiarostami, 1992, 108m)
AND THE SHIP SAILS ON (Federico Fellini, 1983, 138m)
AND THEN THERE WERE NONE (René Clair, 1945, 98m)
ANDREI RUBLEV (Andrei Tarkovsky, 1966, 185m)
ANGEL (Ernst Lubitsch, 1937, 91m)
ANGEL FACE (Otto Preminger, 1953, 91m)
ANGEL HEART (Alan Parker, 1987, 113m)
ANGELS WITH DIRTY FACES (Michael Curtiz, 1938, 97m)
ANIMAL CRACKERS (Victor Heerman, 1930, 98m)
ANNIE GET YOUR GUN (George Sidney, 1950, 107m)
ANNIE HALL (Woody Allen, 1977, 94m)
ANOMALISA (Johnson, Duke & Charlie Kaufman, 2015, 90m)
ANOTHER YEAR (Mike Leigh, 2010, 130m)
ANTOINE AND ANTOINETTE (Jacques Becker, 1947, 78m)
ANTONIO DAS MORTES (Glauber Rocha, 1969, 95m)
ANTZ (Darnell, Eric & Lawrence Guterman, 1998, 82m)
APACHE (Robert Aldrich, 1954, 91m)
APARAJITO (Satyajit Ray, 1956, 108m)
APARTMENT ZERO (Martin Donovan, 1988, 124m)
THE APARTMENT (Billy Wilder, 1960, 125m)
APOCALYPSE NOW (Francis Ford Coppola, 1979, 150m)
APOLLO 11 (Todd Douglas Miller, 2019, 93m)
THE APPLE (Samira Makhmalbaf, 1997, 86m)
APPLESAUCE (Onur Tukel, 2015, 91m)
APRILE (Nanni Moretti, 1998, 77m)
AQUARIUS (Kleber Mendonça Filho, 2016, 146m)
ARABIAN NIGHTS (Pier Paolo Pasolini, 1974, 130m)
ARDH SATYA (Govind Nihalani, 1983, 130m)
L'ARGENT (Marcel L'Herbier, 1928, 195m)
L'ARGENT (Robert Bresson, 1983, 90m)
ARIEL (Aki Kaurismäki, 1988, 74m)
ARIGATÔ-SAN (Hiroshi Shimizu, 1936, 78m)
ARMORED CAR ROBBERY (Richard Fleischer, 1950, 68m)
ARMY OF SHADOWS (Jean-Pierre Melville, 1969, 140m)
THE ARTIST (Michel Hazanavicius, 2011, 100m)
ARTISTS AND MODELS (Frank Tashlin, 1955, 109m)
AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY (Jonas Mekas, 2000, 288m)
ASH IS PUREST WHITE (Jia Zhangke, 2018, 136m)
THE ASPHALT JUNGLE (John Huston, 1950, 112m)
THE ASSASSIN (Hou Hsiao-hsien, 2015, 105m)
THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (Andrew Dominik, 2007, 160m)
THE ASSISTANT (Kitty Green, 2019, 87m)
AT LAND (Maya Deren, 1944, 15m)
AT LONG LAST LOVE (Peter Bogdanovich, 1975, 118m)
L'ATALANTE (Jean Vigo, 1934, 89m)
ATANARJUAT: THE FAST RUNNER (Zacharias Kunuk, 2001, 172m)
ATLANTIC CITY (Louis Malle, 1980, 104m)
ATTACK! (Robert Aldrich, 1956, 107m)
AU HASARD BALTHAZAR (Robert Bresson, 1966, 95m)
AU REVOIR LES ENFANTS (Louis Malle, 1987, 103m)
AUDITION (Takashi Miike, 1999, 115m)
THE AURA (Fabian Bielinsky, 2005, 134m)
AN AUTUMN AFTERNOON (Yasujiro Ozu, 1962, 115m)
AUTUMN LEAVES (Robert Aldrich, 1956, 108m)
AUTUMN MARATHON (Georgi Daneliya, 1979, 90m)
AN AUTUMN TALE (Eric Rohmer, 1998, 110m)
THE AVIATOR (Martin Scorsese, 2004, 170m)
THE AVIATOR'S WIFE (Eric Rohmer, 1981, 104m)
L'AVVENTURA (Michelangelo Antonioni, 1960, 145m)
AWAARA (Raj Kapoor, 1951, 193m)
AWAY FROM HER (Sarah Polley, 2006, 109m)
THE AWFUL TRUTH (Leo McCarey, 1937, 92m)
THE BABADOOK (Jennifer Kent, 2014, 93m)
BABE (Chris Noonan, 1995, 94m)
BABETTE'S FEAST (Gabriel Axel, 1987, 102m)
BABY DOLL (Elia Kazan, 1956, 114m)
BACK TO THE FUTURE (Robert Zemeckis, 1985, 116m)
THE BAD AND THE BEAUTIFUL (Vincente Minnelli, 1952, 118m)
BAD COMPANY (Robert Benton, 1972, 93m)
BAD DAY AT BLACK ROCK (John Sturges, 1955, 81m)
BAD LIEUTENANT (Abel Ferrara, 1992, 98m)
BAD LUCK BLACKIE (Tex Avery, 1949, 7m)
BAD SANTA (Terry Zwigoff, 2003, 91m)
THE BAD SLEEP WELL (Akira Kurosawa, 1960, 151m)
BADEN BADEN (Rachel Lang, 2016, 96m)
BADLANDS (Terrence Malick, 1973, 95m)
LES BAISERS DE SECOURS (Philippe Garrel, 1989, 90m)
BAIT (Mark Jenkin, 2019, 89m)
THE BAKER'S WIFE (Marcel Pagnol, 1938, 124m)
LE BAL (Ettore Scola, 1983, 109m)
BALL OF FIRE (Howard Hawks, 1941, 111m)
BALLAD OF A SOLDIER (Grigori Chukhraj, 1959, 89m)
THE BALLAD OF NARAYAMA (Shohei Imamura, 1983, 130m)
BALLAST (Lance Hammer, 2008, 96m)
BAMAKO (Abderrahmane Sissako, 2006, 117m)
BANANAS (Woody Allen, 1971, 82m)
THE BAND WAGON (Vincente Minnelli, 1953, 112m)
BANDE À PART (Jean-Luc Godard, 1964, 97m)
BANDIT QUEEN (Shekhar Kapur, 1994, 119m)
THE BAND'S VISIT (Eran Kolirin, 2007, 87m)
THE BANK DICK (Eddie Cline, 1940, 74m)
BARABBAS (Richard Fleischer, 1962, 134m)
THE BARBARIAN INVASIONS (Denys Arcand, 2003, 99m)
THE BAREFOOT CONTESSA (Joseph L. Mankiewicz, 1954, 128m)
BARREN LIVES (Nelson Pereira dos Santos, 1963, 103m)
BARRES (Luc Moullet, 1984, 14m)
BARRY LYNDON (Stanley Kubrick, 1975, 183m)
BARTON FINK (Coen, Joel & Ethan Coen, 1991, 117m)
BASHU, THE LITTLE STRANGER (Bahram Beizai, 1989, 120m)
THE BATTLE OF ALGIERS (Gillo Pontecorvo, 1966, 123m)
THE BATTLE OF CHILE: PART 1 (Patricio Guzmán, 1975, 97m)
THE BATTLE OF CHILE: PART 2 (Patricio Guzmán, 1976, 88m)
THE BATTLE OF CHILE: PART 3 (Patricio Guzmán, 1979, 80m)
BATTLEGROUND (William Wellman, 1949, 118m)
BATTLES WITHOUT HONOUR AND HUMANITY (Kinji Fukasaku, 1973, 99m)
BATTLESHIP POTEMKIN (Sergei Eisenstein, 1925, 71m)
BATTLING BUTLER (Buster Keaton, 1926, 77m)
BAY OF ANGELS (Jacques Demy, 1963, 85m)
THE BEACHES OF AGNÈS (Agnès Varda, 2008, 110m)
BEANPOLE (Kantemir Balagov, 2019, 130m)
THE BEAST OF THE CITY (Charles Brabin, 1932, 87m)
BEAU GESTE (William Wellman, 1939, 114m)
LE BEAU SERGE (Claude Chabrol, 1958, 97m)
BEAU TRAVAIL (Claire Denis, 1999, 92m)
BEAUTIFUL DREAMER: BRIAN WILSON AND THE STORY OF SMILE (David Leaf, 2004, 110m)
BED & BOARD (François Truffaut, 1970, 97m)
THE BEDFORD INCIDENT (James B. Harris, 1965, 102m)
BEDLAM (Mark Robson, 1946, 79m)
BEFORE SUNSET (Richard Linklater, 2004, 80m)
BEFORE THE DEVIL KNOWS YOU'RE DEAD (Sidney Lumet, 2007, 117m)
BEGGARS OF LIFE (William Wellman, 1928, 100m)
BEGONE DULL CARE (Norman McLaren, 1949, 8m)
THE BEGUILED (Don Siegel, 1971, 109m)
BELFAST, MAINE (Frederick Wiseman, 1999, 245m)
BELLE DE JOUR (Luis Buñuel, 1967, 100m)
LA BELLE ET LA BÊTE (Jean Cocteau, 1946, 95m)
LA BELLE NOISEUSE (Jacques Rivette, 1991, 240m)
BEND OF THE RIVER (Anthony Mann, 1952, 91m)
BERLIN ALEXANDERPLATZ [TV] (Rainer Werner Fassbinder, 1980, 894m)
THE BEST MAN (Franklin J. Schaffner, 1964, 102m)
BEST OF ENEMIES (Neville, Morgan & Robert Gordon, 2015, 87m)
THE BEST YEARS OF OUR LIVES (William Wyler, 1946, 172m)
LA BÊTE HUMAINE (Jean Renoir, 1938, 99m)
BETRAYAL (David Jones, 1983, 95m)
BEYOND A REASONABLE DOUBT (Fritz Lang, 1956, 80m)
BEYOND THE FOREST (King Vidor, 1949, 96m)
BHOWANI JUNCTION (George Cukor, 1956, 110m)
LES BICHES (Claude Chabrol, 1968, 104m)
BICYCLE THIEVES (Vittorio De Sica, 1948, 90m)
IL BIDONE (Federico Fellini, 1955, 92m)
BIENVENIDO MISTER MARSHALL (Luis García Berlanga, 1952, 95m)
THE BIG CITY (Satyajit Ray, 1963, 122m)
THE BIG CLOCK (John Farrow, 1948, 95m)
THE BIG COMBO (Joseph H. Lewis, 1955, 89m)
THE BIG GUNDOWN (Sergio Sollima, 1966, 110m)
THE BIG HEAT (Fritz Lang, 1953, 90m)
THE BIG HOUSE (George Hill, 1930, 86m)
THE BIG KNIFE (Robert Aldrich, 1955, 111m)
THE BIG LEBOWSKI (Coen, Joel & Ethan Coen, 1998, 113m)
BIG NIGHT (Scott, Campbell/Stanley Tucci, 1995, 108m)
THE BIG NIGHT (Joseph Losey, 1951, 75m)
THE BIG ONE (Michael Moore, 1997, 90m)
THE BIG PARADE (King Vidor, 1925, 141m)
THE BIG RED ONE (Samuel Fuller, 1980, 113m)
THE BIG SLEEP (Howard Hawks, 1946, 114m)
BIG STAR: NOTHING CAN HURT ME (DeNicola, Drew & Olivia Mori, 2012, 113m)
THE BIG STEAL (Don Siegel, 1949, 71m)
THE BIG TRAIL (Raoul Walsh, 1930, 121m)
THE BIGAMIST (Ida Lupino, 1953, 80m)
BIGGER THAN LIFE (Nicholas Ray, 1956, 95m)
BILLY BOY (Tex Avery, 1954, 6m)
BILLY ELLIOT (Stephen Daldry, 2000, 110m)
BIRD (Clint Eastwood, 1988, 160m)
BIRDMAN OF ALCATRAZ (John Frankenheimer, 1962, 143m)
THE BIRDS (Alfred Hitchcock, 1963, 120m)
BIRDY (Alan Parker, 1984, 120m)
BIRTH (Jonathan Glazer, 2004, 100m)
BISBEE '17 (Robert Greene, 2018, 112m)
BITTER LAKE (Adam Curtis, 2015, 136m)
BITTER RICE (Giuseppe De Santis, 1949, 108m)
THE BITTER TEA OF GENERAL YEN (Frank Capra, 1933, 89m)
THE BITTER TEARS OF PETRA VON KANT (Rainer Werner Fassbinder, 1972, 124m)
BITTER VICTORY (Nicholas Ray, 1957, 82m)
BLACK AND TAN (Dudley Murphy, 1929, 19m)
BLACK ANGEL (Roy William Neill, 1946, 80m)
THE BLACK CAT (Edgar G. Ulmer, 1934, 65m)
BLACK GIRL (Ousmane Sembene, 1966, 65m)
BLACK GOD, WHITE DEVIL (Glauber Rocha, 1964, 110m)
BLACK NARCISSUS (Powell, Michael/Emeric Pressburger, 1947, 99m)
BLACK RAIN (Shohei Imamura, 1989, 123m)
BLACK SUNDAY (Mario Bava, 1960, 83m)
THE BLACK SWAN (Henry King, 1942, 85m)
BLACKKKLANSMAN (Spike Lee, 2018, 135m)
BLACKMAIL (Alfred Hitchcock, 1929, 86m)
BLADE RUNNER (Ridley Scott, 1982, 118m)
BLADE RUNNER 2049 (Denis Villeneuve, 2017, 164m)
BLANCHE FURY (Marc Allégret, 1948, 95m)
BLAST OF SILENCE (Allen Baron, 1961, 77m)
BLEAK MOMENTS (Mike Leigh, 1971, 106m)
BLISSFULLY YOURS (Apichatpong Weerasethakul, 2002, 125m)
BLITHE SPIRIT (David Lean, 1945, 96m)
BLOOD AND BLACK LACE (Mario Bava, 1964, 88m)
BLOOD MONEY (Rowland Brown, 1933, 65m)
THE BLOOD OF A POET (Jean Cocteau, 1930, 58m)
BLOOD ON THE MOON (Robert Wise, 1948, 88m)
BLOOD SIMPLE (Coen, Joel & Ethan Coen, 1984, 97m)
THE BLOOD (Pedro Costa, 1989, 95m)
BLOW OUT (Brian De Palma, 1981, 107m)
BLOWING WILD (Hugo Fregonese, 1953, 90m)
BLOW-UP (Michelangelo Antonioni, 1966, 111m)
THE BLUE ANGEL (Josef von Sternberg, 1930, 103m)
THE BLUE DAHLIA (George Marshall, 1946, 99m)
THE BLUE GARDENIA (Fritz Lang, 1953, 90m)
BLUE VELVET (David Lynch, 1986, 120m)
BLUEBEARD (Catherine Breillat, 2009, 80m)
BLUEBEARD'S EIGHTH WIFE (Ernst Lubitsch, 1938, 85m)
BLUES IN THE NIGHT (Anatole Litvak, 1941, 88m)
THE BOAT (Keaton, Buster/Eddie Cline, 1921, 26m)
BOB LE FLAMBEUR (Jean-Pierre Melville, 1955, 102m)
BODY AND SOUL (Robert Rossen, 1947, 104m)
BODY HEAT (Lawrence Kasdan, 1981, 113m)
THE BODY SNATCHER (Robert Wise, 1945, 77m)
BOILING POINT (Takeshi Kitano, 1990, 96m)
BOMBSHELL (Victor Fleming, 1933, 95m)
LE BONHEUR (Agnès Varda, 1965, 79m)
BONJOUR TRISTESSE (Otto Preminger, 1958, 94m)
LES BONNES FEMMES (Claude Chabrol, 1960, 102m)
BONNIE AND CLYDE (Arthur Penn, 1967, 111m)
BOOGIE NIGHTS (Paul Thomas Anderson, 1997, 155m)
BOOMERANG! (Elia Kazan, 1947, 88m)
BORDERLINE (Kenneth MacPherson, 1930, 71m)
BORDERTOWN (Archie Mayo, 1935, 90m)
BORN TO BE BAD (Nicholas Ray, 1950, 94m)
BORN TO KILL (Robert Wise, 1947, 92m)
BORN YESTERDAY (George Cukor, 1950, 103m)
BOTTLE ROCKET (Wes Anderson, 1996, 95m)
LE BOUCHER (Claude Chabrol, 1970, 94m)
BOUDU SAVED FROM DROWNING (Jean Renoir, 1932, 87m)
BOUND (Wachowski, Lana & Lilly Wachowski, 1996, 108m)
BOWLING FOR COLUMBINE (Michael Moore, 2002, 120m)
BOY (Nagisa Oshima, 1969, 105m)
BOY MEETS GIRL (Leos Carax, 1984, 100m)
THE BOY WITH GREEN HAIR (Joseph Losey, 1948, 82m)
BOYFRIENDS AND GIRLFRIENDS (Eric Rohmer, 1987, 103m)
BOYHOOD (Richard Linklater, 2014, 165m)
BOYS DON'T CRY (Kimberly Peirce, 1999, 118m)
THE BOYS FROM FENGKUEI (Hou Hsiao-hsien, 1983, 101m)
BPM (BEATS PER MINUTE) (Robin Campillo, 2017, 140m)
BRANDED TO KILL (Seijun Suzuki, 1967, 91m)
BREACH (Billy Ray, 2006, 110m)
A BREAD FACTORY, PART ONE (Patrick Wang, 2018, 122m)
A BREAD FACTORY, PART TWO (Patrick Wang, 2018, 120m)
BREAKDOWN (Jonathan Mostow, 1997, 96m)
BREAKER MORANT (Bruce Beresford, 1979, 107m)
BREAKING AWAY (Peter Yates, 1979, 100m)
THE BREAKING POINT (Michael Curtiz, 1950, 97m)
BREATHLESS (Jean-Luc Godard, 1960, 89m)
BREEZY (Clint Eastwood, 1973, 108m)
BREWSTER'S MILLIONS (Allan Dwan, 1945, 79m)
BRIDE OF FRANKENSTEIN (James Whale, 1935, 75m)
THE BRIDE WORE BLACK (François Truffaut, 1967, 107m)
THE BRIDES OF DRACULA (Terence Fisher, 1960, 85m)
THE BRIDGES OF MADISON COUNTY (Clint Eastwood, 1995, 135m)
BRIEF ENCOUNTER (David Lean, 1945, 85m)
BRIGHT STAR (Jane Campion, 2009, 119m)
A BRIGHTER SUMMER DAY (Edward Yang, 1991, 237m)
BRIGHTON ROCK (John Boulting, 1947, 86m)
BRING ME THE HEAD OF ALFREDO GARCIA (Sam Peckinpah, 1974, 112m)
BRINGING OUT THE DEAD (Martin Scorsese, 1999, 120m)
BRINGING UP BABY (Howard Hawks, 1938, 102m)
BRINK OF LIFE (Ingmar Bergman, 1958, 84m)
BROADCAST NEWS (James L. Brooks, 1987, 133m)
BROADWAY DANNY ROSE (Woody Allen, 1984, 86m)
BROKEBACK MOUNTAIN (Ang Lee, 2005, 134m)
BROKEN ARROW (Delmer Daves, 1950, 93m)
BROKEN BLOSSOMS (D.W. Griffith, 1919, 90m)
BROKEN EMBRACES (Pedro Almodóvar, 2009, 128m)
BROKEN FLOWERS (Jim Jarmusch, 2005, 106m)
BROKEN LANCE (Edward Dmytryk, 1954, 96m)
BROKEN LULLABY (Ernst Lubitsch, 1932, 77m)
BRONCO BULLFROG (Barney Platts-Mills, 1970, 86m)
THE BROOD (David Cronenberg, 1979, 92m)
BROOKLYN (John Crowley, 2015, 111m)
THE BROTHERS AND SISTERS OF THE TODA FAMILY (Yasujiro Ozu, 1941, 105m)
BROTHER'S KEEPER (Berlinger, Joe & Bruce Sinofsky, 1992, 104m)
THE BROTHERS RICO (Phil Karlson, 1957, 92m)
BRUTE FORCE (Jules Dassin, 1947, 98m)
BUBBLE (Steven Soderbergh, 2005, 73m)
BUCHANAN RIDES ALONE (Budd Boetticher, 1958, 78m)
BUFFALO '66 (Vincent Gallo, 1998, 110m)
A BUG'S LIFE (John Lasseter, 1998, 96m)
BULL DURHAM (Ron Shelton, 1988, 108m)
BULLETS OVER BROADWAY (Woody Allen, 1994, 99m)
BULLITT (Peter Yates, 1968, 113m)
BUNKER HILL 1956 (Kent MacKenzie, 1956, 17m)
THE 'BURBS (Joe Dante, 1989, 103m)
BURDEN OF DREAMS (Les Blank, 1982, 94m)
THE BURGLAR (Paul Wendkos, 1957, 90m)
THE BURMESE HARP (Kon Ichikawa, 1956, 116m)
BURNING (Lee Chang-dong, 2018, 148m)
BURNT BY THE SUN (Nikita Mikhalkov, 1994, 152m)
BY THE BLUEST OF SEAS (Boris Barnet, 1936, 71m)
BY THE LAW (Lev Kuleshov, 1926, 80m)
BYE BYE BRASIL (Carlos Diegues, 1980, 110m)
THE CABINET OF DR. CALIGARI (Robert Wiene, 1920, 69m)
CACHÉ (Michael Haneke, 2005, 117m)
CAFÉ LUMIÈRE (Hou Hsiao-hsien, 2003, 108m)
CAGED (John Cromwell, 1950, 96m)
THE CAINE MUTINY (Edward Dmytryk, 1954, 125m)
CALENDAR (Atom Egoyan, 1993, 75m)
CALIFORNIA SPLIT (Robert Altman, 1974, 108m)
CALL NORTHSIDE 777 (Henry Hathaway, 1948, 111m)
CAMERA BUFF (Krzysztof Kieslowski, 1979, 112m)
THE CAMERAMAN (Keaton, Buster/Edward Sedgwick, 1928, 69m)
CAMERAPERSON (Kirsten Johnson, 2016, 102m)
CAMILLE (George Cukor, 1936, 108m)
THE CANDIDATE (Michael Ritchie, 1972, 109m)
A CANTERBURY TALE (Powell, Michael/Emeric Pressburger, 1944, 124m)
CAPE FEAR (J. Lee Thompson, 1962, 105m)
CAPE FEAR (Martin Scorsese, 1991, 128m)
CAPOTE (Bennett Miller, 2005, 98m)
CAPTAIN BLOOD (Michael Curtiz, 1935, 119m)
THE CAPTIVE CITY (Robert Wise, 1952, 90m)
CAPTURING THE FRIEDMANS (Andrew Jarecki, 2003, 107m)
UN CARNET DE BAL (Julien Duvivier, 1937, 144m)
CARNIVAL IN FLANDERS (Jacques Feyder, 1935, 95m)
CARNIVAL OF SOULS (Herk Harvey, 1962, 80m)
CARO DIARIO (Nanni Moretti, 1994, 100m)
CAROL (Todd Haynes, 2015, 118m)
CARRIE (Brian De Palma, 1976, 97m)
CARRINGTON (Christopher Hampton, 1995, 122m)
CASA DE LAVA (Pedro Costa, 1994, 110m)
CASABLANCA (Michael Curtiz, 1942, 102m)
CASINO (Martin Scorsese, 1995, 182m)
CASQUE D'OR (Jacques Becker, 1952, 96m)
CAST AWAY (Robert Zemeckis, 2000, 143m)
CAT ON A HOT TIN ROOF (Richard Brooks, 1958, 108m)
CAT PEOPLE (Jacques Tourneur, 1942, 73m)
THE CAT RETURNS (Hiroyuki Morita, 2002, 75m)
CATCH ME IF YOU CAN (Steven Spielberg, 2002, 141m)
CATHY COME HOME [TV] (Ken Loach, 1966, 75m)
CAUGHT (Max Ophüls, 1949, 88m)
CEDDO (Ousmane Sembene, 1977, 120m)
CEILING ZERO (Howard Hawks, 1935, 95m)
CELINE AND JULIE GO BOATING (Jacques Rivette, 1974, 192m)
THE CELLULOID CLOSET (Epstein, Rob & Jeffrey Friedman, 1995, 102m)
CEMETERY OF SPLENDOUR (Apichatpong Weerasethakul, 2015, 122m)
CENTRAL STATION (Walter Salles, 1998, 110m)
THE CENTURY OF THE SELF [TV] (Adam Curtis, 2002, 240m)
LA CÉRÉMONIE (Claude Chabrol, 1995, 111m)
THE CEREMONY (Nagisa Oshima, 1971, 123m)
CERTAIN WOMEN (Kelly Reichardt, 2016, 107m)
CERTIFIED COPY (Abbas Kiarostami, 2010, 106m)
CHAINS (Raffaello Matarazzo, 1949, 90m)
UNE CHAMBRE EN VILLE (Jacques Demy, 1982, 90m)
CHAMPION (Mark Robson, 1949, 99m)
CHANGING LANES (Roger Michell, 2002, 99m)
UN CHANT D'AMOUR (Jean Genet, 1950, 26m)
LE CHANT DU STYRÈNE (Alain Resnais, 1958, 19m)
CHARADE (Stanley Donen, 1963, 114m)
CHARLESTON PARADE (Jean Renoir, 1927, 17m)
CHARLEY VARRICK (Don Siegel, 1973, 111m)
CHARLIE AND THE CHOCOLATE FACTORY (Tim Burton, 2005, 115m)
CHARULATA (Satyajit Ray, 1964, 117m)
CHASING AMY (Kevin Smith, 1996, 105m)
THE CHEAT (Cecil B. DeMille, 1915, 59m)
CHELSEA GIRLS (Andy Warhol, 1966, 210m)
CHESS FEVER (Pudovkin, Vsevolod & Nicolai Shpikovsky, 1925, 28m)
CHEVALIER (Athina Rachel Tsangari, 2015, 105m)
CHICKEN RUN (Lord, Peter & Nick Park, 2000, 84m)
UN CHIEN ANDALOU (Luis Buñuel, 1928, 16m)
LA CHIENNE (Jean Renoir, 1931, 95m)
CHIKAMATSU MONOGATARI (Kenji Mizoguchi, 1954, 100m)
THE CHILDHOOD OF MAXIM GORKY (Mark Donskoi, 1938, 99m)
THE CHILDREN ARE WATCHING US (Vittorio De Sica, 1944, 85m)
CHILDREN OF MEN (Alfonso Cuarón, 2006, 109m)
CHILLY SCENES OF WINTER (Joan Micklin Silver, 1979, 92m)
CHIMES AT MIDNIGHT (Orson Welles, 1965, 115m)
CHINATOWN (Roman Polanski, 1974, 131m)
LA CHINOISE (Jean-Luc Godard, 1967, 95m)
CHLOE IN THE AFTERNOON (Eric Rohmer, 1972, 97m)
CHOOSE ME (Alan Rudolph, 1984, 106m)
CHRISTMAS IN JULY (Preston Sturges, 1940, 67m)
CHRISTOPHER STRONG (Dorothy Arzner, 1933, 77m)
CHRONICLE OF A SUMMER (Rouch, Jean & Edgar Morin, 1961, 85m)
CHUNGKING EXPRESS (Wong Kar-wai, 1994, 104m)
LA CICATRICE INTÉRIEURE (Philippe Garrel, 1972, 60m)
THE CIRCUS (Charles Chaplin, 1928, 72m)
THE CITADEL (King Vidor, 1938, 112m)
CITIZEN KANE (Orson Welles, 1941, 119m)
CITIZENFOUR (Laura Poitras, 2014, 114m)
CITY GIRL (F.W. Murnau, 1930, 90m)
CITY LIGHTS (Charles Chaplin, 1931, 86m)
CITY OF GOD (Meirelles, Fernando & Kátia Lund, 2002, 129m)
CITY OF HOPE (John Sayles, 1991, 129m)
CITY OF LIFE AND DEATH (Lu Chuan, 2009, 135m)
A CITY OF SADNESS (Hou Hsiao-hsien, 1989, 157m)
CITY THAT NEVER SLEEPS (John H. Auer, 1953, 90m)
THE CLAIM (Michael Winterbottom, 2000, 120m)
CLAIRE'S KNEE (Eric Rohmer, 1970, 105m)
CLASH BY NIGHT (Fritz Lang, 1952, 105m)
THE CLASS (Laurent Cantet, 2008, 128m)
CLASSE TOUS RISQUES (Claude Sautet, 1960, 111m)
CLÉO FROM 5 TO 7 (Agnès Varda, 1962, 90m)
CLEOPATRA (Cecil B. DeMille, 1934, 100m)
CLERKS (Kevin Smith, 1994, 89m)
CLIMATES (Nuri Bilge Ceylan, 2006, 102m)
THE CLOCK (Vincente Minnelli, 1945, 90m)
CLOCKERS (Spike Lee, 1995, 129m)
CLOSE ENCOUNTERS OF THE THIRD KIND (Steven Spielberg, 1977, 135m)
A CLOSE SHAVE (Nick Park, 1995, 30m)
CLOSED CURTAIN (Panahi, Jafar & Kambuzia Partovi, 2013, 106m)
CLOSELY WATCHED TRAINS (Jirí Menzel, 1966, 89m)
CLOSE-UP (Abbas Kiarostami, 1990, 98m)
THE CLOUD-CAPPED STAR (Ritwik Ghatak, 1960, 126m)
COAL MINER'S DAUGHTER (Michael Apted, 1980, 125m)
THE COBWEB (Vincente Minnelli, 1955, 124m)
COCK-A-DOODLE DOG (Tex Avery, 1951, 6m)
COCKFIGHTER (Monte Hellman, 1974, 83m)
CODE UNKNOWN (Michael Haneke, 2000, 118m)
UN COEUR EN HIVER (Claude Sautet, 1991, 105m)
COEUR FIDÈLE (Jean Epstein, 1923, 87m)
COFFEE AND CIGARETTES (Jim Jarmusch, 2003, 95m)
COLD WAR (Pawel Pawlikowski, 2018, 88m)
LA COLLECTIONNEUSE (Eric Rohmer, 1967, 89m)
COLLOQUE DE CHIENS (Raúl Ruiz, 1977, 22m)
THE COLOR PURPLE (Steven Spielberg, 1985, 152m)
COLORADO TERRITORY (Raoul Walsh, 1949, 94m)
COLOSSAL YOUTH (Pedro Costa, 2006, 155m)
A COLT IS MY PASSPORT (Takashi Nomura, 1967, 84m)
COMANCHE STATION (Budd Boetticher, 1960, 74m)
COME AND SEE (Elem Klimov, 1985, 136m)
COMEDY OF INNOCENCE (Raúl Ruiz, 2000, 102m)
A COMEDY OF POWER (Claude Chabrol, 2005, 110m)
LA COMMUNE (PARIS, 1871) (Peter Watkins, 2000, 345m)
CON AIR (Simon West, 1997, 115m)
CONFESSION (Joe May, 1937, 86m)
CONFIDENTIALLY YOURS (François Truffaut, 1983, 111m)
THE CONFORMIST (Bernardo Bertolucci, 1970, 107m)
CONTEMPT (Jean-Luc Godard, 1963, 103m)
THE CONTENDER (Rod Lurie, 2000, 126m)
CONTROL (Anton Corbijn, 2007, 122m)
CONVERSATION PIECE (Luchino Visconti, 1974, 122m)
THE CONVERSATION (Francis Ford Coppola, 1974, 113m)
COOKIE'S FORTUNE (Robert Altman, 1998, 117m)
COOL HAND LUKE (Stuart Rosenberg, 1967, 126m)
COPS (Keaton, Buster/Eddie Cline, 1922, 18m)
LE CORBEAU (Henri-Georges Clouzot, 1943, 92m)
CORNERED (Edward Dmytryk, 1945, 102m)
THE CORPORATION (Abbott, Jennifer & Mark Achbar, 2003, 145m)
CORPSE BRIDE (Burton, Tim & Mike Johnson, 2005, 76m)
A COTTAGE ON DARTMOOR (Anthony Asquith, 1929, 84m)
COUP DE TORCHON (Bertrand Tavernier, 1981, 128m)
CRACK-UP (Irving Reis, 1946, 93m)
CRAIG'S WIFE (Dorothy Arzner, 1936, 75m)
THE CRANES ARE FLYING (Mikhail Kalatozov, 1957, 94m)
CRAZED FRUIT (Ko Nakahira, 1956, 86m)
CREATURE FROM THE BLACK LAGOON (Jack Arnold, 1954, 79m)
CRÍA CUERVOS (Carlos Saura, 1976, 110m)
CRIES AND WHISPERS (Ingmar Bergman, 1972, 106m)
CRIME AND PUNISHMENT (Aki Kaurismäki, 1983, 93m)
THE CRIME OF MONSIEUR LANGE (Jean Renoir, 1936, 90m)
CRIME WAVE (André de Toth, 1954, 74m)
CRIMES AND MISDEMEANORS (Woody Allen, 1989, 104m)
THE CRIMINAL LIFE OF ARCHIBALDO DE LA CRUZ (Luis Buñuel, 1955, 91m)
THE CRIMINAL (Joseph Losey, 1960, 86m)
CRIMSON GOLD (Jafar Panahi, 2003, 96m)
THE CRIMSON KIMONO (Samuel Fuller, 1959, 82m)
THE CRIMSON PIRATE (Robert Siodmak, 1952, 104m)
CRISS CROSS (Robert Siodmak, 1949, 87m)
THE CROOKED WAY (Robert Florey, 1949, 90m)
CROSSFIRE (Edward Dmytryk, 1947, 86m)
CROUCHING TIGER, HIDDEN DRAGON (Ang Lee, 2000, 120m)
THE CROWD (King Vidor, 1928, 104m)
CRUMB (Terry Zwigoff, 1994, 119m)
CRY DANGER (Robert Parrish, 1951, 79m)
CRY OF THE CITY (Robert Siodmak, 1948, 95m)
CRY OF THE HUNTED (Joseph H. Lewis, 1953, 80m)
CRY VENGEANCE (Mark Stevens, 1954, 82m)
CRY, THE BELOVED COUNTRY (Zoltan Korda, 1951, 111m)
CUADECUC, VAMPIR (Pere Portabella, 1971, 67m)
CUL-DE-SAC (Roman Polanski, 1966, 111m)
THE CURSE OF THE CAT PEOPLE (Wise, Robert/Gunther von Fritsch, 1944, 70m)
THE CURSE OF THE JADE SCORPION (Woody Allen, 2001, 103m)
CUSTODY (Xavier Legrand, 2017, 93m)
CYRANO DE BERGERAC (Jean-Paul Rappeneau, 1990, 138m)
CYRUS (Duplass, Jay & Mark Duplass, 2010, 91m)
D.O.A. (Rudolph Maté, 1950, 83m)
DAISIES (Vera Chytilová, 1966, 76m)
DAISY KENYON (Otto Preminger, 1947, 99m)
DAMES (Ray Enright, 1934, 90m)
LES DAMES DU BOIS DE BOULOGNE (Robert Bresson, 1945, 85m)
DANCE, GIRL, DANCE (Dorothy Arzner, 1940, 90m)
DANCER IN THE DARK (Lars von Trier, 2000, 140m)
DANGEROUS CROSSING (Joseph M. Newman, 1953, 75m)
DANGEROUS LIAISONS (Stephen Frears, 1988, 120m)
THE DARJEELING LIMITED (Wes Anderson, 2007, 91m)
DARK AT NOON (Raúl Ruiz, 1992, 100m)
DARK CITY (William Dieterle, 1950, 98m)
THE DARK CORNER (Henry Hathaway, 1946, 99m)
THE DARK MIRROR (Robert Siodmak, 1946, 85m)
DARK PASSAGE (Delmer Daves, 1947, 106m)
DARK VICTORY (Edmund Goulding, 1939, 106m)
DAVID AND LISA (Frank Perry, 1962, 95m)
DAVID COPPERFIELD (George Cukor, 1935, 130m)
DAVID HOLZMAN'S DIARY (Jim McBride, 1967, 74m)
DAVID LYNCH: THE ART OF LIFE (Nguyen, Jon/Rick Barnes/Olivia Neergaard-Holm, 2016, 88m)
DAWN OF THE DEAD (George A. Romero, 1978, 126m)
DAWSON CITY: FROZEN TIME (Bill Morrison, 2016, 120m)
A DAY AT THE RACES (Sam Wood, 1937, 111m)
DAY FOR NIGHT (François Truffaut, 1973, 120m)
DAY OF THE OUTLAW (André de Toth, 1959, 92m)
DAY OF WRATH (Carl Theodor Dreyer, 1943, 110m)
THE DAY THE EARTH STOOD STILL (Robert Wise, 1951, 92m)
DAYBREAK EXPRESS (D.A. Pennebaker, 1953, 5m)
DAYS AND NIGHTS IN THE FOREST (Satyajit Ray, 1970, 115m)
DAYS OF BEING WILD (Wong Kar-wai, 1990, 94m)
DAYS OF GLORY (Rachid Bouchareb, 2006, 124m)
DAYS OF HEAVEN (Terrence Malick, 1978, 95m)
DAZED AND CONFUSED (Richard Linklater, 1993, 94m)
DE PALMA (Baumbach, Noah & Jake Paltrow, 2015, 107m)
DEAD MAN (Jim Jarmusch, 1995, 121m)
DEAD MAN WALKING (Tim Robbins, 1995, 122m)
DEAD OF NIGHT (Cavalcanti, Alberto/Basil Dearden/Robert Hamer/Charles Crichton, 1945, 102m)
DEAD RECKONING (John Cromwell, 1947, 100m)
DEAD RINGERS (David Cronenberg, 1988, 115m)
DEAD SOULS (Wang Bing, 2018, 495m)
DEADLINE U.S.A. (Richard Brooks, 1952, 87m)
DEATH AND THE MAIDEN (Roman Polanski, 1994, 103m)
DEATH OF A CYCLIST (Juan Antonio Bardem, 1955, 86m)
THE DEATH OF MR. LAZARESCU (Cristi Puiu, 2005, 154m)
DECISION AT SUNDOWN (Budd Boetticher, 1957, 77m)
THE DECLINE OF WESTERN CIVILIZATION (Penelope Spheeris, 1981, 100m)
DECONSTRUCTING HARRY (Woody Allen, 1997, 94m)
DECOY (Jack Bernhard, 1946, 76m)
THE DEEP BLUE SEA (Terence Davies, 2011, 98m)
THE DEEP END (McGehee, Scott/David Siegel, 2001, 100m)
DEEP RED (Dario Argento, 1975, 98m)
THE DEER HUNTER (Michael Cimino, 1978, 183m)
DEEWAAR (Yash Chopra, 1975, 174m)
DEFENDING YOUR LIFE (Albert Brooks, 1991, 111m)
DEKALOG (Krzysztof Kieslowski, 1988, 550m)
DELICATESSEN (Jeunet, Jean-Pierre/Marc Caro, 1990, 95m)
DELIVERANCE (John Boorman, 1972, 109m)
DEMENTIA (John Parker, 1955, 56m)
THE DEPARTED (Martin Scorsese, 2006, 152m)
DEPUTY DROOPY (Avery, Tex & Michael Lah, 1955, 7m)
THE DESCENDANTS (Alexander Payne, 2011, 115m)
DESIGN FOR LIVING (Ernst Lubitsch, 1933, 90m)
DESIRE (Frank Borzage, 1936, 96m)
DÉSIRÉ (Sacha Guitry, 1937, 92m)
DESISTFILM (Stan Brakhage, 1954, 7m)
DESPERATE (Anthony Mann, 1947, 73m)
THE DESPERATE HOURS (William Wyler, 1955, 112m)
DESPERATE MAN BLUES (Edward Gillan, 2003, 52m)
D'EST (Chantal Akerman, 1993, 107m)
DESTINY (Fritz Lang, 1921, 105m)
DESTRY RIDES AGAIN (George Marshall, 1939, 94m)
DETECTIVE STORY (William Wyler, 1951, 103m)
DETOUR (Edgar G. Ulmer, 1945, 69m)
DEVI (Satyajit Ray, 1960, 93m)
THE DEVIL AND DANIEL JOHNSTON (Jeff Feuerzeig, 2005, 110m)
THE DEVIL AND DANIEL WEBSTER (William Dieterle, 1941, 112m)
DEVIL IN A BLUE DRESS (Carl Franklin, 1995, 102m)
DEVIL IN THE FLESH (Claude Autant-Lara, 1947, 110m)
THE DEVIL THUMBS A RIDE (Felix E. Feist, 1947, 62m)
THE DEVIL, PROBABLY (Robert Bresson, 1977, 95m)
THE DEVIL-DOLL (Tod Browning, 1936, 79m)
DEVIL'S DOORWAY (Anthony Mann, 1950, 84m)
THE DEVIL'S ENVOYS (Marcel Carné, 1942, 115m)
LES DIABOLIQUES (Henri-Georges Clouzot, 1955, 114m)
DIAL M FOR MURDER (Alfred Hitchcock, 1954, 105m)
THE DIAMOND ARM (Leonid Gaidai, 1969, 100m)
DIAMONDS OF THE NIGHT (Jan Nemec, 1964, 63m)
DIANE (Kent Jones, 2018, 95m)
DIARIES, NOTES AND SKETCHES (Jonas Mekas, 1969, 177m)
DIARY OF A CHAMBERMAID (Luis Buñuel, 1964, 97m)
DIARY OF A COUNTRY PRIEST (Robert Bresson, 1951, 120m)
DIARY OF A LOST GIRL (G.W. Pabst, 1929, 104m)
DIARY OF A MAD HOUSEWIFE (Frank Perry, 1970, 103m)
DID YOU WONDER WHO FIRED THE GUN? (Travis Wilkerson, 2017, 90m)
DIE HARD (John McTiernan, 1988, 131m)
DIE HARD WITH A VENGEANCE (John McTiernan, 1995, 128m)
A DIFFICULT LIFE (Dino Risi, 1961, 118m)
DIG! (Ondi Timoner, 2004, 115m)
DILLINGER (Max Nosseck, 1945, 70m)
DILLINGER (John Milius, 1973, 96m)
DILWALE DULHANIA LE JAYENGE (Aditya Chopra, 1995, 189m)
DIMENSIONS OF DIALOGUE (Jan Svankmajer, 1983, 12m)
DINER (Barry Levinson, 1982, 110m)
DINNER AT EIGHT (George Cukor, 1933, 113m)
THE DIRTY DOZEN (Robert Aldrich, 1967, 150m)
DIRTY HARRY (Don Siegel, 1971, 102m)
DIRTY MONEY (Jean-Pierre Melville, 1972, 98m)
THE DISCIPLINE OF D.E. (Gus Van Sant, 1982, 13m)
THE DISCREET CHARM OF THE BOURGEOISIE (Luis Buñuel, 1972, 100m)
THE DISENCHANTMENT (Jaime Chávarri, 1976, 97m)
DISHONORED (Josef von Sternberg, 1931, 91m)
DISTANT (Nuri Bilge Ceylan, 2002, 110m)
DISTANT THUNDER (Satyajit Ray, 1973, 100m)
DISTANT VOICES, STILL LIVES (Terence Davies, 1988, 85m)
DIVA (Jean-Jacques Beineix, 1982, 123m)
DIVORCE ITALIAN STYLE (Pietro Germi, 1961, 104m)
DO BIGHA ZAMIN (Bimal Roy, 1953, 131m)
DO THE RIGHT THING (Spike Lee, 1989, 120m)
THE DOCKS OF NEW YORK (Josef von Sternberg, 1928, 76m)
DOCTEUR PETIOT (Christian De Chalonge, 1990, 102m)
DODES'KA-DEN (Akira Kurosawa, 1970, 140m)
DODGE CITY (Michael Curtiz, 1939, 105m)
DODSWORTH (William Wyler, 1936, 101m)
DOG DAY AFTERNOON (Sidney Lumet, 1975, 125m)
DOG STAR MAN (Stan Brakhage, 1964, 75m)
DOGMA (Kevin Smith, 1999, 130m)
LA DOLCE VITA (Federico Fellini, 1960, 175m)
DOMESTIC VIOLENCE (Frederick Wiseman, 2001, 196m)
DONKEY SKIN (Jacques Demy, 1970, 91m)
DONNIE BRASCO (Mike Newell, 1997, 121m)
DONNIE DARKO (Richard Kelly, 2001, 112m)
DON'T BLINK - ROBERT FRANK (Laura Israel, 2015, 82m)
DON'T LOOK BACK (D.A. Pennebaker, 1967, 96m)
DOUBLE INDEMNITY (Billy Wilder, 1944, 106m)
THE DOUBLE LIFE OF VERONIQUE (Krzysztof Kieslowski, 1991, 97m)
DOUBLE PLAY: JAMES BENNING AND RICHARD LINKLATER (Gabe Klinger, 2013, 70m)
LE DOULOS (Jean-Pierre Melville, 1963, 108m)
DOWN BY LAW (Jim Jarmusch, 1986, 107m)
DOWN WITH LOVE (Peyton Reed, 2003, 101m)
DR. EHRLICH'S MAGIC BULLET (William Dieterle, 1940, 103m)
DR. JEKYLL AND MR. HYDE (Rouben Mamoulian, 1931, 97m)
DR. NO (Terence Young, 1962, 111m)
DR. PLONK (Rolf De Heer, 2007, 83m)
DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (Stanley Kubrick, 1964, 93m)
DRACULA (Tod Browning, 1931, 75m)
DRACULA (Terence Fisher, 1958, 82m)
DRACULA'S DAUGHTER (Lambert Hillyer, 1936, 70m)
DRAG ME TO HELL (Sam Raimi, 2009, 99m)
DRAG-A-LONG DROOPY (Tex Avery, 1954, 7m)
DRAGON INN (King Hu, 1967, 111m)
DRAGONWYCK (Joseph L. Mankiewicz, 1946, 103m)
THE DRAUGHTSMAN'S CONTRACT (Peter Greenaway, 1982, 103m)
DREAM WORK (Peter Tscherkassky, 2002, 10m)
THE DREAMED PATH (Angela Schanelec, 2016, 86m)
THE DREAMLIFE OF ANGELS (Erick Zonca, 1998, 113m)
THE DRESSER (Peter Yates, 1983, 118m)
DRIFTING CLOUDS (Aki Kaurismäki, 1996, 96m)
THE DRIVER (Walter Hill, 1978, 90m)
DRUMS ALONG THE MOHAWK (John Ford, 1939, 103m)
DRUNKEN ANGEL (Akira Kurosawa, 1948, 98m)
DUCK AMUCK (Chuck Jones, 1953, 7m)
DUCK SOUP (Leo McCarey, 1933, 70m)
DUEL (Steven Spielberg, 1971, 90m)
DUEL IN THE SUN (King Vidor, 1946, 130m)
THE DUELLISTS (Ridley Scott, 1977, 101m)
DUMB-HOUNDED (Tex Avery, 1943, 7m)
DUMBO (Ben Sharpsteen, 1941, 64m)
DUST IN THE WIND (Hou Hsiao-hsien, 1987, 109m)
DYNAMITE (Cecil B. DeMille, 1929, 129m)
E.T. THE EXTRA-TERRESTRIAL (Steven Spielberg, 1982, 115m)
EADWEARD MUYBRIDGE, ZOOPRAXOGRAPHER (Thom Andersen, 1975, 59m)
EAGLE'S WING (Anthony Harvey, 1979, 111m)
EARLY SPRING (Yasujiro Ozu, 1956, 144m)
EARLY SUMMER (Yasujiro Ozu, 1951, 135m)
THE EARTH (Youssef Chahine, 1969, 130m)
EAST OF EDEN (Elia Kazan, 1955, 115m)
EASTERN PROMISES (David Cronenberg, 2007, 101m)
EASY LIVING (Mitchell Leisen, 1937, 86m)
EASY RIDER (Dennis Hopper, 1969, 94m)
EASY STREET (Charles Chaplin, 1917, 27m)
EAT DRINK MAN WOMAN (Ang Lee, 1994, 124m)
L'ECLISSE (Michelangelo Antonioni, 1962, 126m)
L'ÉCOLE DES FACTEURS (Jacques Tati, 1947, 18m)
ED WOOD (Tim Burton, 1994, 124m)
THE EDDY DUCHIN STORY (George Sidney, 1956, 123m)
THE EDGE OF HEAVEN (Fatih Akin, 2007, 121m)
EDGE OF THE CITY (Martin Ritt, 1957, 85m)
THE EDGE OF THE WORLD (Michael Powell, 1937, 74m)
EDVARD MUNCH [TV] (Peter Watkins, 1974, 210m)
EDWARD SCISSORHANDS (Tim Burton, 1990, 100m)
EIGHT HOURS DON'T MAKE A DAY [TV] (Rainer Werner Fassbinder, 1972-1973, 478m)
EIGHTH GRADE (Bo Burnham, 2018, 93m)
EL (Luis Buñuel, 1953, 91m)
EL CID (Anthony Mann, 1961, 184m)
EL DORADO (Howard Hawks, 1967, 126m)
ELECTION (Alexander Payne, 1999, 103m)
ELECTRA GLIDE IN BLUE (James William Guercio, 1973, 113m)
ELENA (Andrey Zvyagintsev, 2011, 109m)
ELEPHANT (Gus Van Sant, 2003, 81m)
ELEPHANT [TV] (Alan Clarke, 1989, 39m)
THE ELEPHANT MAN (David Lynch, 1980, 125m)
AN ELEPHANT SITTING STILL (Hu Bo, 2018, 230m)
ELEVATOR TO THE GALLOWS (Louis Malle, 1958, 92m)
THE ELUSIVE CORPORAL (Jean Renoir, 1962, 108m)
EMAK-BAKIA (Man Ray, 1926, 16m)
THE EMIGRANTS (Jan Troell, 1971, 148m)
THE EMPEROR'S NAKED ARMY MARCHES ON (Kazuo Hara, 1987, 122m)
THE EMPIRE STRIKES BACK (Irvin Kershner, 1980, 124m)
EMPLOYEES' ENTRANCE (Roy Del Ruth, 1933, 75m)
THE END OF SUMMER (Yasujiro Ozu, 1961, 103m)
END OF THE CENTURY: THE STORY OF THE RAMONES (Fields, Jim & Michael Gramaglia, 2004, 110m)
THE END OF THE TOUR (James Ponsoldt, 2015, 106m)
THE END (Christopher Maclaine, 1953, 35m)
ENEMY (Denis Villeneuve, 2013, 91m)
L'ENFANCE NUE (Maurice Pialat, 1968, 80m)
L'ENFANT SECRET (Philippe Garrel, 1982, 92m)
L'ENFANT (Dardenne, Jean-Pierre & Luc Dardenne, 2005, 95m)
LES ENFANTS DU PARADIS (Marcel Carné, 1945, 195m)
LES ENFANTS TERRIBLES (Jean-Pierre Melville, 1950, 107m)
L'ENFER (Claude Chabrol, 1994, 105m)
THE ENFORCER (Bretaigne Windust, 1951, 87m)
THE ENIGMA OF KASPAR HAUSER (Werner Herzog, 1974, 110m)
ENTHUSIASM (Dziga Vertov, 1931, 67m)
ENTR'ACTE (René Clair, 1924, 22m)
EQUINOX (Alan Rudolph, 1992, 107m)
EQUINOX FLOWER (Yasujiro Ozu, 1958, 118m)
ERIN BROCKOVICH (Steven Soderbergh, 2000, 130m)
ESCAPE FROM ALCATRAZ (Don Siegel, 1979, 112m)
THE ETERNAL RETURN (Jean Delannoy, 1943, 100m)
EUROPA '51 (Roberto Rossellini, 1952, 113m)
EVERYONE SAYS I LOVE YOU (Woody Allen, 1996, 101m)
THE EVIL DEAD (Sam Raimi, 1981, 85m)
EX LIBRIS: THE NEW YORK PUBLIC LIBRARY (Frederick Wiseman, 2017, 197m)
EX MACHINA (Alex Garland, 2015, 108m)
EXECUTIVE SUITE (Robert Wise, 1954, 104m)
EXILED (Johnnie To, 2006, 109m)
THE EXILES (Kent MacKenzie, 1961, 72m)
EXIT THROUGH THE GIFT SHOP (Banksy, 2010, 87m)
THE EXORCIST (William Friedkin, 1973, 122m)
EXOTICA (Atom Egoyan, 1994, 104m)
EXPERIMENT IN TERROR (Blake Edwards, 1962, 123m)
EXPERIMENTER (Michael Almereyda, 2015, 98m)
THE EXTERMINATING ANGEL (Luis Buñuel, 1962, 95m)
THE EYES OF ORSON WELLES (Mark Cousins, 2018, 115m)
EYES WIDE SHUT (Stanley Kubrick, 1999, 159m)
EYES WITHOUT A FACE (Georges Franju, 1960, 88m)
EYEWASH (Robert Breer, 1959, 3m)
A FACE IN THE CROWD (Elia Kazan, 1957, 125m)
THE FACE OF ANOTHER (Hiroshi Teshigahara, 1966, 124m)
FACE OF FIRE (Albert Band, 1959, 83m)
FACE/OFF (John Woo, 1997, 138m)
FACES (John Cassavetes, 1968, 130m)
FACES PLACES (Varda, Agnès & JR, 2017, 89m)
FAHRENHEIT 9/11 (Michael Moore, 2004, 122m)
FAIL-SAFE (Sidney Lumet, 1964, 112m)
THE FALL OF THE HOUSE OF USHER (Jean Epstein, 1928, 63m)
THE FALL OF THE HOUSE OF USHER (Watson, James Sibley & Melville Webber, 1928, 12m)
THE FALL OF THE HOUSE OF USHER (Roger Corman, 1960, 85m)
THE FALL OF THE ROMAN EMPIRE (Anthony Mann, 1964, 153m)
FALLEN ANGEL (Otto Preminger, 1945, 97m)
THE FALLEN IDOL (Carol Reed, 1948, 94m)
FALLING DOWN (Joel Schumacher, 1992, 115m)
THE FAMILY MAN (Brett Ratner, 2000, 125m)
FAMILY PLOT (Alfred Hitchcock, 1976, 120m)
FAMILY VIEWING (Atom Egoyan, 1987, 86m)
FANNY AND ALEXANDER (Ingmar Bergman, 1982, 189m)
FANTASTIC MR. FOX (Wes Anderson, 2009, 87m)
A FANTASTIC WOMAN (Sebastián Lelio, 2017, 100m)
FANTOMAS (Louis Feuillade, 1913, 334m)
THE FAR COUNTRY (Anthony Mann, 1955, 97m)
FAR FROM HEAVEN (Todd Haynes, 2002, 107m)
A FAREWELL TO ARMS (Frank Borzage, 1932, 78m)
FARGO (Coen, Joel & Ethan Coen, 1996, 98m)
FAT CITY (John Huston, 1972, 100m)
FAT GIRL (Catherine Breillat, 2001, 86m)
FATA MORGANA (Werner Herzog, 1971, 78m)
FATHER OF MY CHILDREN (Mia Hansen-Løve, 2009, 110m)
FATHER OF THE BRIDE (Vincente Minnelli, 1950, 93m)
FAUST (F.W. Murnau, 1926, 116m)
THE FAVOURITE (Yorgos Lanthimos, 2018, 119m)
FEAR IN THE NIGHT (Maxwell Shane, 1947, 72m)
FEAR OF FEAR [TV] (Rainer Werner Fassbinder, 1975, 88m)
FEARLESS (Peter Weir, 1993, 122m)
FELICIA'S JOURNEY (Atom Egoyan, 1999, 115m)
FEMALE TROUBLE (John Waters, 1974, 95m)
UNE FEMME DOUCE (Robert Bresson, 1969, 88m)
UNE FEMME EST UNE FEMME (Jean-Luc Godard, 1961, 83m)
LA FEMME INFIDÈLE (Claude Chabrol, 1969, 98m)
FERRIS BUELLER'S DAY OFF (John Hughes, 1986, 103m)
FESTEN (Thomas Vinterberg, 1998, 105m)
I FIDANZATI (Ermanno Olmi, 1963, 77m)
FIELD OF DREAMS (Phil Alden Robinson, 1989, 106m)
FIEND WITHOUT A FACE (Arthur Crabtree, 1958, 74m)
THE FIFTH ELEMENT (Luc Besson, 1997, 127m)
THE FILE ON THELMA JORDON (Robert Siodmak, 1950, 100m)
FILL THE VOID (Rama Burshtein, 2012, 90m)
FILM NO.3: INTERWOVEN (Harry Smith, 1947, 3m)
FILMWORKER (Tony Zierra, 2017, 94m)
FINGERS (James Toback, 1978, 91m)
FINIS TERRAE (Jean Epstein, 1929, 80m)
THE FIREMEN'S BALL (Milos Forman, 1967, 73m)
FIRES ON THE PLAIN (Kon Ichikawa, 1959, 105m)
FIRES WERE STARTED (Humphrey Jennings, 1943, 80m)
FIREWORKS (Kenneth Anger, 1947, 20m)
A FISTFUL OF DOLLARS (Sergio Leone, 1964, 96m)
FISTS IN THE POCKET (Marco Bellocchio, 1965, 113m)
FIVE EASY PIECES (Bob Rafelson, 1970, 98m)
FIVE FINGERS (Joseph L. Mankiewicz, 1952, 108m)
FIVE GRAVES TO CAIRO (Billy Wilder, 1943, 96m)
THE FIVE OBSTRUCTIONS (Leth, Jørgen & Lars von Trier, 2003, 90m)
THE FLAME AND THE ARROW (Jacques Tourneur, 1950, 88m)
FLAVOUR OF GREEN TEA OVER RICE (Yasujiro Ozu, 1952, 116m)
FLIGHT OF THE PHOENIX (Robert Aldrich, 1966, 147m)
FLIGHT OF THE RED BALLOON (Hou Hsiao-hsien, 2007, 115m)
FLOATING CLOUDS (Mikio Naruse, 1955, 123m)
FLOATING WEEDS (Yasujiro Ozu, 1959, 119m)
THE FLORIDA PROJECT (Sean Baker, 2017, 111m)
THE FLOWER OF MY SECRET (Pedro Almodóvar, 1995, 100m)
FLOWERS OF SHANGHAI (Hou Hsiao-hsien, 1998, 130m)
THE FLOWERS OF ST. FRANCIS (Roberto Rossellini, 1950, 83m)
THE FLY (David Cronenberg, 1986, 100m)
THE FOG OF WAR (Errol Morris, 2003, 107m)
THE FOG (John Carpenter, 1980, 91m)
FOLLOW THE FLEET (Mark Sandrich, 1936, 110m)
FOOLISH WIVES (Erich von Stroheim, 1922, 117m)
FOOTLIGHT PARADE (Lloyd Bacon, 1933, 104m)
FOOTNOTE (Joseph Cedar, 2011, 107m)
FOR A FEW DOLLARS MORE (Sergio Leone, 1965, 132m)
FORBIDDEN GAMES (René Clément, 1952, 87m)
FORBIDDEN PLANET (Fred M. Wilcox, 1956, 98m)
FORCE MAJEURE (Ruben Östlund, 2014, 120m)
FORCE OF EVIL (Abraham Polonsky, 1948, 78m)
A FOREIGN AFFAIR (Billy Wilder, 1948, 116m)
FOREIGN CORRESPONDENT (Alfred Hitchcock, 1940, 119m)
FOREVER AMBER (Otto Preminger, 1947, 140m)
FORTY GUNS (Samuel Fuller, 1957, 80m)
THE FOUNTAIN OF YOUTH [TV] (Orson Welles, 1956, 27m)
THE FOUNTAINHEAD (King Vidor, 1949, 114m)
FOUR ADVENTURES OF REINETTE AND MIRABELLE (Eric Rohmer, 1986, 95m)
FOUR NIGHTS OF A DREAMER (Robert Bresson, 1971, 87m)
FOX AND HIS FRIENDS (Rainer Werner Fassbinder, 1975, 123m)
FOXCATCHER (Bennett Miller, 2014, 134m)
FRAMED (Richard Wallace, 1947, 82m)
FRANCES HA (Noah Baumbach, 2012, 86m)
FRANKENSTEIN (James Whale, 1931, 70m)
FREAKS (Tod Browning, 1932, 64m)
FRENCH CANCAN (Jean Renoir, 1955, 93m)
THE FRENCH CONNECTION (William Friedkin, 1971, 104m)
FRENZY (Alfred Hitchcock, 1972, 116m)
THE FRESHMAN (Newmeyer, Fred C. & Sam Taylor, 1925, 70m)
FRIDAY NIGHT (Claire Denis, 2002, 89m)
FROM DUSK TILL DAWN (Robert Rodriguez, 1995, 108m)
FROM HELL (Hughes, Albert & Allen Hughes, 2001, 121m)
FROM HERE TO ETERNITY (Fred Zinnemann, 1953, 118m)
FROM RUSSIA WITH LOVE (Terence Young, 1963, 115m)
FROM THE CLOUDS TO THE RESISTANCE (Straub, Jean-Marie & Danièle Huillet, 1979, 104m)
FROM THIS DAY FORWARD (John Berry, 1946, 95m)
THE FRONT (Martin Ritt, 1976, 94m)
THE FROZEN NORTH (Keaton, Buster/Eddie Cline, 1922, 17m)
THE FUGITIVE (John Ford, 1947, 104m)
FULL METAL JACKET (Stanley Kubrick, 1987, 116m)
FULL MOON IN PARIS (Eric Rohmer, 1984, 97m)
FUNERAL PARADE OF ROSES (Toshio Matsumoto, 1969, 107m)
THE FUNERAL (Abel Ferrara, 1996, 100m)
FUNNY BONES (Peter Chelsom, 1994, 126m)
FUNNY FACE (Stanley Donen, 1957, 103m)
FUNNY GAMES (Michael Haneke, 1997, 108m)
THE FURIES (Anthony Mann, 1950, 109m)
FURY (Fritz Lang, 1936, 94m)
OS FUZIS (Ruy Guerra, 1964, 80m)
GABBEH (Mohsen Makhmalbaf, 1996, 74m)
THE GAME (David Fincher, 1997, 128m)
THE GARDEN (Frederick Wiseman, 2005, 196m)
GASLIGHT (Thorold Dickinson, 1940, 84m)
GASLIGHT (George Cukor, 1944, 114m)
THE GAY DIVORCEE (Mark Sandrich, 1934, 107m)
THE GENERAL LINE (Eisenstein, Sergei & Grigori Aleksandrov, 1929, 80m)
THE GENERAL (Keaton, Buster/Clyde Bruckman, 1926, 74m)
THE GENERAL (John Boorman, 1998, 123m)
IL GENERALE DELLA ROVERE (Roberto Rossellini, 1959, 129m)
GENTLEMAN JIM (Raoul Walsh, 1942, 104m)
GENTLEMEN PREFER BLONDES (Howard Hawks, 1953, 91m)
GEORDIE (Frank Launder, 1955, 93m)
GEORGE WASHINGTON (David Gordon Green, 2000, 89m)
GERMANY, YEAR ZERO (Roberto Rossellini, 1948, 74m)
GERRY (Gus Van Sant, 2002, 102m)
GERTRUD (Carl Theodor Dreyer, 1964, 116m)
GET CARTER (Mike Hodges, 1971, 112m)
GET SHORTY (Barry Sonnenfeld, 1995, 105m)
THE GETAWAY (Sam Peckinpah, 1972, 122m)
GETT: THE TRIAL OF VIVIANE AMSALEM (Elkabetz, Ronit & Shlomi Elkabetz, 2014, 115m)
THE GHOST AND MRS. MUIR (Joseph L. Mankiewicz, 1947, 104m)
GHOST DOG: THE WAY OF THE SAMURAI (Jim Jarmusch, 1999, 115m)
THE GHOST SHIP (Mark Robson, 1943, 69m)
A GHOST STORY (David Lowery, 2017, 92m)
GHOST WORLD (Terry Zwigoff, 2001, 111m)
GIANT (George Stevens, 1956, 201m)
GIGI (Vincente Minnelli, 1958, 116m)
GILDA (Charles Vidor, 1946, 110m)
GIMME SHELTER (Maysles, Albert/David Maysles/Charlotte Zwerin, 1970, 91m)
GION BAYASHI (Kenji Mizoguchi, 1953, 85m)
THE GIRL CAN'T HELP IT (Frank Tashlin, 1956, 99m)
THE GIRL CHEWING GUM (John Smith, 1976, 12m)
THE GIRL ON THE BRIDGE/LA FILLE SUR LE PONT (Patrice Leconte, 1998, 92m)
A GIRL WALKS HOME ALONE AT NIGHT (Ana Lily Amirpour, 2014, 101m)
GIRLHOOD (Céline Sciamma, 2014, 113m)
THE GIVEN WORD (Anselmo Duarte, 1962, 98m)
LA GLACE A TROIS FACES (Jean Epstein, 1927, 45m)
GLADIATOR (Ridley Scott, 2000, 154m)
THE GLASS KEY (Stuart Heisler, 1942, 85m)
THE GLEANERS & I (Agnès Varda, 2000, 82m)
THE GLENN MILLER STORY (Anthony Mann, 1954, 116m)
GLORIA (John Cassavetes, 1980, 121m)
GLORIA (Sebastián Lelio, 2013, 110m)
GO (Doug Liman, 1999, 103m)
GOD TOLD ME TO (Larry Cohen, 1977, 95m)
THE GODDESS (Wu Yonggang, 1934, 85m)
THE GODFATHER PART II (Francis Ford Coppola, 1974, 200m)
THE GODFATHER SAGA [TV] (Francis Ford Coppola, 1977, 434m)
THE GODFATHER (Francis Ford Coppola, 1972, 175m)
GODS AND MONSTERS (Bill Condon, 1998, 105m)
GODS OF THE PLAGUE (Rainer Werner Fassbinder, 1969, 91m)
GOLD DIGGERS OF 1933 (Mervyn LeRoy, 1933, 97m)
THE GOLD RUSH (Charles Chaplin, 1925, 82m)
THE GOLDEN COACH (Jean Renoir, 1952, 100m)
GOLDFINGER (Guy Hamilton, 1964, 111m)
GOMORRAH (Matteo Garrone, 2008, 137m)
GONE TO EARTH (Powell, Michael/Emeric Pressburger, 1950, 82m)
GONE WITH THE WIND (Victor Fleming, 1939, 222m)
THE GOOD GERMAN (Steven Soderbergh, 2006, 108m)
THE GOOD GIRL (Miguel Arteta, 2001, 93m)
GOOD MORNING (Yasujiro Ozu, 1959, 94m)
GOOD NIGHT, AND GOOD LUCK (George Clooney, 2005, 93m)
GOOD WILL HUNTING (Gus Van Sant, 1997, 126m)
THE GOOD, THE BAD AND THE UGLY (Sergio Leone, 1966, 161m)
GOODBYE SOUTH, GOODBYE (Hou Hsiao-hsien, 1996, 124m)
GOODFELLAS (Martin Scorsese, 1990, 146m)
THE GOODTIMESKID (Azazel Jacobs, 2005, 77m)
GOSFORD PARK (Robert Altman, 2001, 137m)
THE GOSPEL ACCORDING TO ST. MATTHEW (Pier Paolo Pasolini, 1964, 135m)
THE GRADUATE (Mike Nichols, 1967, 105m)
GRADUATION (Cristian Mungiu, 2016, 128m)
GRAN TORINO (Clint Eastwood, 2008, 116m)
THE GRAND BUDAPEST HOTEL (Wes Anderson, 2014, 100m)
LA GRANDE ILLUSION (Jean Renoir, 1937, 117m)
THE GRAPES OF WRATH (John Ford, 1940, 129m)
GRAVE OF THE FIREFLIES (Isao Takahata, 1988, 93m)
GRAVITY (Alfonso Cuarón, 2013, 91m)
GREAT DAY IN THE MORNING (Jacques Tourneur, 1956, 92m)
THE GREAT DICTATOR (Charles Chaplin, 1940, 128m)
THE GREAT ESCAPE (John Sturges, 1963, 168m)
GREAT EXPECTATIONS (David Lean, 1946, 118m)
THE GREAT LIE (Edmund Goulding, 1941, 107m)
THE GREAT MOMENT (Preston Sturges, 1944, 83m)
THE GREAT WAR (Mario Monicelli, 1959, 118m)
GREED (Erich von Stroheim, 1924, 140m)
GREEN FOR DANGER (Sidney Gilliat, 1946, 93m)
THE GREEN MILE (Frank Darabont, 1999, 188m)
THE GREEN RAY (Eric Rohmer, 1986, 96m)
GREGORY'S GIRL (Bill Forsyth, 1980, 91m)
GREMLINS (Joe Dante, 1984, 106m)
GRIDLOCK'D (Vondie Curtis Hall, 1996, 91m)
IL GRIDO (Michelangelo Antonioni, 1957, 111m)
THE GRIFTERS (Stephen Frears, 1990, 113m)
A GRIN WITHOUT A CAT (Chris Marker, 1977, 240m)
GRIZZLY MAN (Werner Herzog, 2005, 103m)
GROUNDHOG DAY (Harold Ramis, 1993, 103m)
LA GUERRE EST FINIE (Alain Resnais, 1966, 121m)
GUIDE (Vijay Anand, 1965, 183m)
GUN CRAZY (Joseph H. Lewis, 1950, 86m)
THE GUNFIGHTER (Henry King, 1950, 84m)
GUNMAN'S WALK (Phil Karlson, 1958, 97m)
GUYS AND DOLLS (Joseph L. Mankiewicz, 1955, 150m)
H.M. PULHAM, ESQ. (King Vidor, 1941, 120m)
H2O (Ralph Steiner, 1929, 13m)
HAIL THE CONQUERING HERO (Preston Sturges, 1944, 101m)
LA HAINE (Mathieu Kassovitz, 1995, 93m)
THE HAIRDRESSER'S HUSBAND (Patrice Leconte, 1992, 84m)
HALE COUNTY THIS MORNING, THIS EVENING (RaMell Ross, 2018, 76m)
HALF NELSON (Ryan Fleck, 2006, 107m)
HALLELUJAH! (King Vidor, 1929, 106m)
HALLELUJAH, I'M A BUM! (Lewis Milestone, 1933, 82m)
HAMLET (Laurence Olivier, 1948, 153m)
HANA-BI (Takeshi Kitano, 1997, 103m)
HANDS OVER THE CITY (Francesco Rosi, 1963, 105m)
HANGIN' WITH THE HOMEBOYS (Joseph B. Vasquez, 1991, 88m)
HANGOVER SQUARE (John Brahm, 1945, 77m)
HANNAH AND HER SISTERS (Woody Allen, 1986, 106m)
HAPAX LEGOMENA I: (NOSTALGIA) (Hollis Frampton, 1971, 36m)
HAPPINESS (Todd Solondz, 1998, 134m)
HAPPY ANNIVERSARY (Étaix, Pierre & Jean-Claude Carrière, 1962, 15m)
HAPPY TOGETHER (Wong Kar-wai, 1997, 97m)
HAPPY-GO-LUCKY (Mike Leigh, 2008, 118m)
HARAKIRI (Masaki Kobayashi, 1962, 133m)
A HARD DAY'S NIGHT (Richard Lester, 1964, 87m)
HARD EIGHT (Paul Thomas Anderson, 1996, 101m)
HARD TIMES (Walter Hill, 1975, 97m)
HARD TO BE A GOD (Aleksey German, 2013, 177m)
HAROLD AND MAUDE (Hal Ashby, 1971, 91m)
HARRIET CRAIG (Vincent Sherman, 1950, 94m)
HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 (David Yates, 2011, 130m)
HARRY POTTER AND THE PRISONER OF AZKABAN (Alfonso Cuarón, 2004, 142m)
HARRY, HE'S HERE TO HELP (Dominik Moll, 2000, 116m)
HAS ANYBODY SEEN MY GAL? (Douglas Sirk, 1952, 89m)
THE HAUNTING (Robert Wise, 1963, 112m)
HAUT BAS FRAGILE (Jacques Rivette, 1995, 169m)
LE HAVRE (Aki Kaurismäki, 2011, 93m)
HÄXAN (Benjamin Christensen, 1922, 83m)
HE WALKED BY NIGHT (Alfred L. Werker, 1948, 79m)
HEAD AGAINST THE WALL (Georges Franju, 1959, 95m)
THE HEADLESS WOMAN (Lucrecia Martel, 2008, 87m)
HEAD-ON (Fatih Akin, 2004, 121m)
THE HEART IS A LONELY HUNTER (Robert Ellis Miller, 1968, 125m)
THE HEART OF THE WORLD (Guy Maddin, 2000, 6m)
THE HEARTBREAK KID (Elaine May, 1972, 104m)
HEARTS AND MINDS (Peter Davis, 1974, 112m)
HEARTS OF DARKNESS: A FILMMAKER'S APOCALYPSE (Bahr, Fax/George Hickenlooper, 1991, 96m)
HEAT (Michael Mann, 1995, 174m)
HEAVEN (Tom Tykwer, 2001, 96m)
HEAVEN CAN WAIT (Ernst Lubitsch, 1943, 112m)
HEAVENLY CREATURES (Peter Jackson, 1994, 99m)
HEIDI FLEISS, HOLLYWOOD MADAM (Nick Broomfield, 1996, 106m)
HEIMAT [TV] (Edgar Reitz, 1984, 924m)
HELL DRIVERS (Cy Endfield, 1957, 91m)
HELL IS FOR HEROES (Don Siegel, 1962, 90m)
HELL OR HIGH WATER (David Mackenzie, 2016, 102m)
HELLER IN PINK TIGHTS (George Cukor, 1960, 100m)
A HEN IN THE WIND (Yasujiro Ozu, 1948, 84m)
HENRI-GEORGES CLOUZOT'S INFERNO (Bromberg, Serge & Ruxandra Medrea Annonier, 2009, 100m)
HENRY FOOL (Hal Hartley, 1997, 137m)
HENRY: PORTRAIT OF A SERIAL KILLER (John McNaughton, 1986, 90m)
HER SISTER'S SECRET (Edgar G. Ulmer, 1946, 86m)
HERE COMES MR. JORDAN (Alexander Hall, 1941, 93m)
HEREDITARY (Ari Aster, 2018, 127m)
HERMIA & HELENA (Matías Piñeiro, 2016, 87m)
HERO (Zhang Yimou, 2002, 99m)
HEROES FOR SALE (William Wellman, 1933, 76m)
THE HIDDEN FORTRESS (Akira Kurosawa, 1958, 126m)
A HIDDEN LIFE (Terrence Malick, 2019, 174m)
HIGH AND LOW (Akira Kurosawa, 1963, 142m)
HIGH FIDELITY (Stephen Frears, 2000, 113m)
HIGH NOON (Fred Zinnemann, 1952, 84m)
HIGH PLAINS DRIFTER (Clint Eastwood, 1973, 105m)
HIGH SIERRA (Raoul Walsh, 1941, 100m)
HILARY AND JACKIE (Anand Tucker, 1998, 122m)
THE HILL (Sidney Lumet, 1965, 122m)
THE HIRED HAND (Peter Fonda, 1971, 90m)
HIROSHIMA MON AMOUR (Alain Resnais, 1959, 91m)
HIS GIRL FRIDAY (Howard Hawks, 1940, 92m)
HIS KIND OF WOMAN (John Farrow, 1951, 120m)
HISTOIRE(S) DU CINÉMA (Jean-Luc Godard, 1998, 265m)
HISTORY IS MADE AT NIGHT (Frank Borzage, 1937, 97m)
A HISTORY OF VIOLENCE (David Cronenberg, 2005, 96m)
THE HITCH-HIKER (Ida Lupino, 1953, 71m)
HITLER: A FILM FROM GERMANY (Hans-Jürgen Syberberg, 1977, 442m)
HOBSON'S CHOICE (David Lean, 1954, 107m)
HOLD BACK THE DAWN (Mitchell Leisen, 1941, 115m)
THE HOLE (Tsai Ming-liang, 1998, 95m)
HOLIDAY (George Cukor, 1938, 93m)
HOLLOW TRIUMPH (Steve Sekely, 1948, 83m)
HOLLYWOOD OR BUST (Frank Tashlin, 1956, 95m)
THE HOLY GIRL (Lucrecia Martel, 2004, 106m)
THE HOLY INNOCENTS (Mario Camus, 1984, 107m)
HOLY MATRIMONY (John M. Stahl, 1943, 87m)
HOMBRE (Martin Ritt, 1967, 111m)
HOME (Ursula Meier, 2008, 95m)
HOME FROM THE HILL (Vincente Minnelli, 1960, 150m)
HOMEWORK (Abbas Kiarostami, 1989, 86m)
HOMICIDE (David Mamet, 1991, 102m)
HONDO (John Farrow, 1953, 84m)
HONEYMOON IN VEGAS (Andrew Bergman, 1992, 95m)
THE HONEYMOON KILLERS (Leonard Kastle, 1970, 108m)
HONKYTONK MAN (Clint Eastwood, 1982, 122m)
HOOP DREAMS (Steve James, 1994, 170m)
HORSE FEATHERS (Norman Z. McLeod, 1932, 68m)
HORSE MONEY (Pedro Costa, 2014, 103m)
THE HORSE (Charles Burnett, 1973, 14m)
HOTEL CHEVALIER (Wes Anderson, 2007, 13m)
HOTEL DU NORD (Marcel Carné, 1938, 90m)
HÔTEL TERMINUS (Marcel Ophüls, 1988, 267m)
THE HOUR OF THE FURNACES (Getino, Octavio & Fernando E. Solanas, 1968, 260m)
THE HOURS AND TIMES (Christopher Munch, 1991, 60m)
HOUSE BY THE RIVER (Fritz Lang, 1950, 88m)
THE HOUSE IS BLACK (Forugh Farrokhzad, 1963, 20m)
HOUSE OF BAMBOO (Samuel Fuller, 1955, 102m)
HOUSE OF FLYING DAGGERS (Zhang Yimou, 2004, 111m)
HOUSE OF GAMES (David Mamet, 1987, 102m)
THE HOUSE OF MIRTH (Terence Davies, 2000, 140m)
HOUSE OF STRANGERS (Joseph L. Mankiewicz, 1949, 101m)
THE HOUSE ON TELEGRAPH HILL (Robert Wise, 1951, 93m)
HOW GREEN WAS MY VALLEY (John Ford, 1941, 118m)
HOWL'S MOVING CASTLE (Hayao Miyazaki, 2004, 119m)
HUD (Martin Ritt, 1963, 112m)
THE HUDSUCKER PROXY (Coen, Joel & Ethan Coen, 1994, 111m)
HUGO (Martin Scorsese, 2011, 126m)
THE HUMAN CONDITION I (Masaki Kobayashi, 1959, 208m)
THE HUMAN CONDITION II (Masaki Kobayashi, 1959, 181m)
THE HUMAN CONDITION III (Masaki Kobayashi, 1961, 190m)
HUMAN DESIRE (Fritz Lang, 1954, 90m)
HUMAN RESOURCES (Laurent Cantet, 1999, 100m)
L'HUMANITÉ (Bruno Dumont, 1999, 141m)
HUMORESQUE (Jean Negulesco, 1946, 125m)
THE HUNCHBACK OF NOTRE DAME (William Dieterle, 1939, 115m)
HUNGER (Steve McQueen, 2008, 96m)
HUNTED (Charles Crichton, 1952, 84m)
THE HURRICANE (Norman Jewison, 1999, 155m)
THE HURT LOCKER (Kathryn Bigelow, 2008, 130m)
HUSBANDS (John Cassavetes, 1970, 138m)
HUSBANDS AND WIVES (Woody Allen, 1992, 107m)
HUSH... HUSH, SWEET CHARLOTTE (Robert Aldrich, 1965, 133m)
THE HUSTLER (Robert Rossen, 1961, 135m)
HYÈNES (Djibril Diop Mambéty, 1992, 110m)
HYPERNORMALISATION (Adam Curtis, 2016, 166m)
I AM A FUGITIVE FROM A CHAIN GANG (Mervyn LeRoy, 1932, 93m)
I AM CUBA (Mikhail Kalatozov, 1964, 141m)
I AM LOVE (Luca Guadagnino, 2009, 119m)
I AM NOT YOUR NEGRO (Raoul Peck, 2016, 93m)
I AM TRYING TO BREAK YOUR HEART (Sam Jones, 2002, 92m)
I AM TWENTY (Marlen Khutsiev, 1964, 189m)
I CONFESS (Alfred Hitchcock, 1953, 95m)
I HEART HUCKABEES (David O. Russell, 2004, 106m)
I KNOW WHERE I'M GOING! (Powell, Michael/Emeric Pressburger, 1945, 91m)
I MARRIED A MONSTER FROM OUTER SPACE (Gene Fowler Jr., 1958, 78m)
I ONLY WANT YOU TO LOVE ME [TV] (Rainer Werner Fassbinder, 1976, 101m)
I SHOT JESSE JAMES (Samuel Fuller, 1949, 81m)
I WAKE UP SCREAMING (H. Bruce Humberstone, 1941, 82m)
I WALK ALONE (Byron Haskin, 1948, 98m)
I WALKED WITH A ZOMBIE (Jacques Tourneur, 1943, 69m)
I WANT TO LIVE! (Robert Wise, 1958, 120m)
I WAS A MALE WAR BRIDE (Howard Hawks, 1949, 105m)
I WAS BORN, BUT... (Yasujiro Ozu, 1932, 100m)
I, DANIEL BLAKE (Ken Loach, 2016, 100m)
I, TONYA (Craig Gillespie, 2017, 120m)
THE ICE STORM (Ang Lee, 1997, 113m)
IDA (Pawel Pawlikowski, 2013, 80m)
IF BEALE STREET COULD TALK (Barry Jenkins, 2018, 119m)
IF…. (Lindsay Anderson, 1968, 111m)
IKIRU (Akira Kurosawa, 1952, 143m)
THE ILLUSIONIST (Sylvain Chomet, 2010, 80m)
ILO ILO (Anthony Chen, 2013, 99m)
I'M ALMOST NOT CRAZY: JOHN CASSAVETES - THE MAN AND HIS WORK (Michael Ventura, 1984, 60m)
I'M GOING HOME (Manoel de Oliveira, 2001, 90m)
IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR (Harun Farocki, 1989, 75m)
IMITATION OF LIFE (John M. Stahl, 1934, 111m)
IMITATION OF LIFE (Douglas Sirk, 1959, 124m)
THE IMMIGRANT (Charles Chaplin, 1917, 25m)
THE IMPOSTER (Bart Layton, 2012, 99m)
IN A LONELY PLACE (Nicholas Ray, 1950, 91m)
IN A YEAR WITH 13 MOONS (Rainer Werner Fassbinder, 1978, 129m)
IN COLD BLOOD (Richard Brooks, 1967, 134m)
IN FABRIC (Peter Strickland, 2018, 118m)
IN GIRUM IMUS NOCTE ET CONSUMIMUR IGNI (Guy Debord, 1978, 100m)
IN NAME ONLY (John Cromwell, 1939, 94m)
IN THE BEDROOM (Todd Field, 2001, 130m)
IN THE COMPANY OF MEN (Neil LaBute, 1997, 97m)
IN THE HEAT OF THE NIGHT (Norman Jewison, 1967, 109m)
IN THE HEAT OF THE SUN (Jiang Wen, 1994, 134m)
IN THE MOOD FOR LOVE (Wong Kar-wai, 2000, 97m)
IN THE NAME OF THE FATHER (Jim Sheridan, 1993, 127m)
IN THIS LIFE'S BODY (Cantrill, Corinne & Arthur Cantrill, 1984, 147m)
IN THIS OUR LIFE (John Huston, 1942, 97m)
IN VANDA'S ROOM (Pedro Costa, 2000, 170m)
INAUGURATION OF THE PLEASURE DOME (Kenneth Anger, 1954, 38m)
THE INCREDIBLE SHRINKING MAN (Jack Arnold, 1957, 81m)
INDIA: MATRI BHUMI (Roberto Rossellini, 1959, 90m)
THE INDIAN RUNNER (Sean Penn, 1991, 125m)
INFERNAL AFFAIRS (Lau, Andrew & Alan Mak, 2002, 100m)
THE INFORMER (John Ford, 1935, 91m)
INHERENT VICE (Paul Thomas Anderson, 2014, 148m)
INNOCENCE (Lucile Hadzihalilovic, 2004, 115m)
L'INNOCENTE (Luchino Visconti, 1976, 115m)
THE INNOCENTS (Jack Clayton, 1961, 100m)
INSIANG (Lino Brocka, 1976, 95m)
INSIDE JOB (Charles Ferguson, 2010, 109m)
INSIDE LLEWYN DAVIS (Coen, Joel & Ethan Coen, 2013, 104m)
THE INSIDER (Michael Mann, 1999, 155m)
INSOMNIA (Christopher Nolan, 2002, 118m)
INTENTIONS OF MURDER (Shohei Imamura, 1964, 150m)
INTERLUDE (Douglas Sirk, 1957, 90m)
INTERNAL AFFAIRS (Mike Figgis, 1990, 117m)
THE INTERRUPTERS (Steve James, 2011, 125m)
INTIMATE LIGHTING (Ivan Passer, 1965, 72m)
INTO THE ABYSS (Werner Herzog, 2011, 107m)
INTOLERANCE (D.W. Griffith, 1916, 178m)
INTRUDER IN THE DUST (Clarence Brown, 1949, 87m)
THE INTRUDER (Claire Denis, 2004, 130m)
THE INTRUDER (Roger Corman, 1962, 80m)
INVASION OF THE BODY SNATCHERS (Don Siegel, 1956, 80m)
INVASION OF THE BODY SNATCHERS (Philip Kaufman, 1978, 115m)
INVISIBLE LIFE (Karim Aïnouz, 2019, 139m)
THE INVISIBLE MAN (James Whale, 1933, 71m)
IRAQ IN FRAGMENTS (James Longley, 2006, 94m)
THE IRISHMAN (Martin Scorsese, 2019, 209m)
THE IRON GIANT (Brad Bird, 1999, 86m)
ISLE OF FLOWERS (Jorge Furtado, 1989, 13m)
IT (Clarence G. Badger, 1927, 72m)
IT CAME FROM OUTER SPACE (Jack Arnold, 1953, 81m)
IT COULD HAPPEN TO YOU (Andrew Bergman, 1994, 101m)
IT FELT LIKE A KISS (Adam Curtis, 2009, 54m)
IT FOLLOWS (David Robert Mitchell, 2014, 100m)
IT HAPPENED ONE NIGHT (Frank Capra, 1934, 105m)
IT SHOULD HAPPEN TO YOU (George Cukor, 1954, 87m)
THE ITALIAN STRAW HAT (René Clair, 1927, 105m)
IT'S A GIFT (Norman Z. McLeod, 1934, 73m)
IT'S A WONDERFUL LIFE (Frank Capra, 1946, 129m)
IT'S ALIVE! (Larry Cohen, 1974, 91m)
IT'S ALWAYS FAIR WEATHER (Donen, Stanley/Gene Kelly, 1955, 102m)
IVAN THE TERRIBLE, PART 2 (Sergei Eisenstein, 1946, 88m)
IVAN'S CHILDHOOD (Andrei Tarkovsky, 1962, 94m)
IVY (Sam Wood, 1947, 99m)
JACKIE (Pablo Larraín, 2016, 100m)
JACKIE BROWN (Quentin Tarantino, 1997, 151m)
JACQUOT DE NANTES (Agnès Varda, 1991, 118m)
JAGGED EDGE (Richard Marquand, 1985, 108m)
JAMMIN' THE BLUES (Gjon Mili, 1944, 10m)
JANE EYRE (Robert Stevenson, 1944, 96m)
JASSY (Bernard Knowles, 1947, 96m)
JAUJA (Lisandro Alonso, 2014, 109m)
JAWS (Steven Spielberg, 1975, 124m)
JEALOUSY (Philippe Garrel, 2013, 77m)
JEAN DE FLORETTE (Claude Berri, 1986, 122m)
JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (Chantal Akerman, 1975, 201m)
JESSE JAMES (Henry King, 1939, 105m)
JESUS OF MONTREAL (Denys Arcand, 1989, 119m)
LA JETÉE (Chris Marker, 1962, 27m)
JEUNE FEMME (Léonor Serraille, 2017, 97m)
JEZEBEL (William Wyler, 1938, 103m)
JOE STRUMMER: THE FUTURE IS UNWRITTEN (Julien Temple, 2006, 125m)
JOHNNY GUITAR (Nicholas Ray, 1954, 110m)
LE JOLI MAI (Chris Marker, 1963, 165m)
JOUR DE FÉTE (Jacques Tati, 1948, 70m)
LE JOUR SE LÈVE (Marcel Carné, 1939, 93m)
JU DOU (Zhang Yimou, 1990, 95m)
JUBAL (Delmer Daves, 1956, 101m)
JUDE (Michael Winterbottom, 1996, 123m)
JUDEX (Georges Franju, 1963, 95m)
JUHA (Aki Kaurismäki, 1999, 77m)
JULES ET JIM (François Truffaut, 1962, 104m)
JULIETA (Pedro Almodóvar, 2016, 99m)
JUNEBUG (Phil Morrison, 2005, 107m)
JUST BEFORE NIGHTFALL (Claude Chabrol, 1971, 106m)
JUVENILE COURT (Frederick Wiseman, 1973, 144m)
KAAGAZ KE PHOOL (Guru Dutt, 1959, 148m)
KAMERADSCHAFT (G.W. Pabst, 1931, 93m)
KANAL (Andrzej Wajda, 1957, 97m)
KANSAS CITY CONFIDENTIAL (Phil Karlson, 1952, 98m)
KAOS (Taviani, Paolo & Vittorio Taviani, 1984, 187m)
KASABA (Nuri Bilge Ceylan, 1997, 85m)
KATZELMACHER (Rainer Werner Fassbinder, 1969, 88m)
KEANE (Lodge Kerrigan, 2004, 100m)
KES (Ken Loach, 1969, 113m)
KEY LARGO (John Huston, 1948, 101m)
THE KID WITH A BIKE (Dardenne, Jean-Pierre & Luc Dardenne, 2011, 87m)
THE KID (Charles Chaplin, 1921, 60m)
THE KIDS ARE ALL RIGHT (Lisa Cholodenko, 2010, 106m)
KIKI'S DELIVERY SERVICE (Hayao Miyazaki, 1989, 103m)
KILL BILL VOL. 1 (Quentin Tarantino, 2003, 111m)
KILL BILL VOL. 2 (Quentin Tarantino, 2004, 136m)
KILLER OF SHEEP (Charles Burnett, 1977, 83m)
THE KILLER (John Woo, 1989, 110m)
KILLER'S KISS (Stanley Kubrick, 1955, 67m)
THE KILLERS (Robert Siodmak, 1946, 105m)
THE KILLERS (Don Siegel, 1964, 95m)
THE KILLING FIELDS (Roland Joffe, 1984, 141m)
THE KILLING OF A CHINESE BOOKIE (John Cassavetes, 1976, 109m)
THE KILLING (Stanley Kubrick, 1956, 85m)
KIND HEARTS AND CORONETS (Robert Hamer, 1949, 104m)
KING CREOLE (Michael Curtiz, 1958, 116m)
KING KONG (Cooper, Merian C./Ernest B. Schoedsack, 1933, 103m)
THE KING OF COMEDY (Martin Scorsese, 1983, 109m)
THE KING OF MARVIN GARDENS (Bob Rafelson, 1972, 104m)
KINGS OF THE ROAD (Wim Wenders, 1976, 175m)
KINGS ROW (Sam Wood, 1942, 127m)
KING-SIZE CANARY (Tex Avery, 1947, 8m)
KINSEY (Bill Condon, 2004, 118m)
A KISS BEFORE DYING (Gerd Oswald, 1956, 94m)
KISS ME DEADLY (Robert Aldrich, 1955, 106m)
KISS ME, STUPID (Billy Wilder, 1964, 126m)
KISS OF DEATH (Henry Hathaway, 1947, 98m)
KISS OF THE SPIDER WOMAN (Hector Babenco, 1985, 119m)
KISS TOMORROW GOODBYE (Gordon Douglas, 1950, 102m)
KISSES (Yasuzo Masumura, 1957, 74m)
KLUTE (Alan J. Pakula, 1971, 114m)
KNIFE IN THE WATER (Roman Polanski, 1962, 94m)
KRAMER VS. KRAMER (Robert Benton, 1979, 104m)
KRISHA (Trey Edward Shults, 2015, 83m)
KUNDUN (Martin Scorsese, 1997, 134m)
KWAIDAN (Masaki Kobayashi, 1964, 164m)
L.A. CONFIDENTIAL (Curtis Hanson, 1997, 137m)
LA LA LAND (Damien Chazelle, 2016, 128m)
LACOMBE, LUCIEN (Louis Malle, 1974, 137m)
THE LADIES MAN (Jerry Lewis, 1961, 95m)
LADY BIRD (Greta Gerwig, 2017, 94m)
THE LADY EVE (Preston Sturges, 1941, 94m)
THE LADY FROM SHANGHAI (Orson Welles, 1948, 87m)
LADY IN A CAGE (Walter Grauman, 1964, 93m)
LADY IN THE DARK (Mitchell Leisen, 1944, 100m)
LADY MACBETH (William Oldroyd, 2016, 89m)
THE LADY VANISHES (Alfred Hitchcock, 1938, 97m)
LADY WINDERMERE'S FAN (Ernst Lubitsch, 1925, 66m)
THE LADY WITH THE DOG (Iosif Kheifits, 1959, 90m)
THE LADY WITHOUT CAMELIAS (Michelangelo Antonioni, 1953, 105m)
THE LADYKILLERS (Alexander Mackendrick, 1955, 90m)
LAGAAN: ONCE UPON A TIME IN INDIA (Ashutosh Gowariker, 2001, 224m)
LANCELOT DU LAC (Robert Bresson, 1974, 84m)
LAND AND FREEDOM (Ken Loach, 1995, 109m)
LAND OF SILENCE AND DARKNESS (Werner Herzog, 1971, 85m)
LAND WITHOUT BREAD (Luis Buñuel, 1932, 28m)
LANDSCAPE IN THE MIST (Theo Angelopoulos, 1988, 127m)
THE LAST BOLSHEVIK (Chris Marker, 1993, 120m)
LAST CHANTS FOR A SLOW DANCE (Jon Jost, 1977, 90m)
THE LAST COMMAND (Josef von Sternberg, 1928, 88m)
THE LAST DAYS OF DISCO (Whit Stillman, 1998, 113m)
THE LAST DETAIL (Hal Ashby, 1973, 105m)
THE LAST EMPEROR (Bernardo Bertolucci, 1987, 160m)
LAST HOLIDAY (Henry Cass, 1950, 89m)
THE LAST HUNT (Richard Brooks, 1956, 108m)
THE LAST HURRAH (John Ford, 1958, 121m)
THE LAST LAUGH (F.W. Murnau, 1924, 77m)
LAST LIFE IN THE UNIVERSE (Pen-Ek Ratanaruang, 2003, 112m)
THE LAST OF THE MOHICANS (Michael Mann, 1992, 122m)
THE LAST PICTURE SHOW (Peter Bogdanovich, 1971, 118m)
THE LAST SEDUCTION (John Dahl, 1994, 110m)
THE LAST SUNSET (Robert Aldrich, 1961, 112m)
THE LAST TEMPTATION OF CHRIST (Martin Scorsese, 1988, 164m)
THE LAST WALTZ (Martin Scorsese, 1978, 117m)
LAST YEAR AT MARIENBAD (Alain Resnais, 1961, 94m)
LATE AUTUMN (Yasujiro Ozu, 1960, 127m)
LATE CHRYSANTHEMUMS (Mikio Naruse, 1954, 101m)
THE LATE GEORGE APLEY (Joseph L. Mankiewicz, 1947, 98m)
LATE MARRIAGE (Dover Kosashvili, 2001, 102m)
LATE SPRING (Yasujiro Ozu, 1949, 108m)
LAURA (Otto Preminger, 1944, 85m)
THE LAVENDER HILL MOB (Charles Crichton, 1951, 82m)
THE LAW AND JAKE WADE (John Sturges, 1958, 86m)
A LAWLESS STREET (Joseph H. Lewis, 1955, 78m)
THE LAWLESS (Joseph Losey, 1950, 83m)
LAWN DOGS (John Duigan, 1997, 100m)
LAWRENCE OF ARABIA (David Lean, 1962, 216m)
THE LEAGUE OF GENTLEMEN (Basil Dearden, 1960, 114m)
LEAVE HER TO HEAVEN (John M. Stahl, 1945, 110m)
LEAVE NO TRACE (Debra Granik, 2018, 109m)
LEAVING NEVERLAND (Dan Reed, 2019, 240m)
THE LEFT-HANDED GUN (Arthur Penn, 1958, 102m)
LENNY (Bob Fosse, 1974, 112m)
LÉON (Luc Besson, 1994, 119m)
THE LEOPARD (Luchino Visconti, 1963, 205m)
LESSONS OF DARKNESS (Werner Herzog, 1992, 50m)
LET THE SUNSHINE IN (Claire Denis, 2017, 94m)
LET THERE BE LIGHT (John Huston, 1946, 58m)
LET'S SCARE JESSICA TO DEATH (John D. Hancock, 1971, 89m)
LETTER FROM AN UNKNOWN WOMAN (Max Ophüls, 1948, 90m)
A LETTER TO ELIA (Scorsese, Martin & Kent Jones, 2010, 60m)
A LETTER TO THREE WIVES (Joseph L. Mankiewicz, 1949, 103m)
THE LETTER (William Wyler, 1940, 95m)
LETTERS FROM IWO JIMA (Clint Eastwood, 2006, 140m)
LEVEL FIVE (Chris Marker, 1997, 106m)
LEVIATHAN (Andrey Zvyagintsev, 2014, 140m)
LIBELED LADY (Jack Conway, 1936, 98m)
LIEBELEI (Max Ophüls, 1932, 88m)
THE LIFE AND DEATH OF COLONEL BLIMP (Powell, Michael/Emeric Pressburger, 1943, 163m)
THE LIFE AQUATIC WITH STEVE ZISSOU (Wes Anderson, 2004, 118m)
THE LIFE OF OHARU (Kenji Mizoguchi, 1952, 146m)
LIFEBOAT (Alfred Hitchcock, 1944, 96m)
LIFTED (Gary Rydstrom, 2006, 5m)
LIGHT SLEEPER (Paul Schrader, 1991, 103m)
THE LIGHTHOUSE (Robert Eggers, 2019, 109m)
LIGHTNING STRIKES TWICE (King Vidor, 1951, 91m)
LIGHTS IN THE DUSK (Aki Kaurismäki, 2006, 78m)
LIKE SOMEONE IN LOVE (Abbas Kiarostami, 2012, 109m)
LILITH (Robert Rossen, 1964, 114m)
LILYA 4-EVER (Lukas Moodysson, 2002, 109m)
LIMBO (John Sayles, 1999, 126m)
THE LIMEY (Steven Soderbergh, 1999, 88m)
LIMITE (Mario Peixoto, 1931, 114m)
THE LIMITS OF CONTROL (Jim Jarmusch, 2009, 116m)
LINDA LINDA LINDA (Nobuhiro Yamashita, 2005, 114m)
THE LINEUP (Don Siegel, 1958, 86m)
LITTLE CAESAR (Mervyn LeRoy, 1931, 79m)
THE LITTLE FOXES (William Wyler, 1941, 116m)
LITTLE FUGITIVE (Engel, Morris/Ray Ashley/Ruth Orkin, 1953, 80m)
LITTLE JOE (Jessica Hausner, 2019, 105m)
LITTLE MEN (Ira Sachs, 2016, 85m)
LITTLE MISS SUNSHINE (Dayton, Jonathan & Valerie Faris, 2006, 102m)
LITTLE STABS AT HAPPINESS (Ken Jacobs, 1959-1963, 15m)
LITTLE VOICE (Mark Herman, 1998, 96m)
LITTLE WOMEN (Greta Gerwig, 2019, 135m)
LITTLE WOMEN (George Cukor, 1933, 115m)
LIVE FLESH (Pedro Almodóvar, 1997, 100m)
THE LIVES OF OTHERS (Florian Henckel von Donnersmarck, 2006, 138m)
LIVING OUT LOUD (Richard LaGravenese, 1998, 99m)
THE LIVING WORLD (Eugène Green, 2003, 70m)
LOCKE (Steven Knight, 2013, 85m)
THE LOCKET (John Brahm, 1946, 86m)
THE LODGER (Alfred Hitchcock, 1927, 75m)
THE LODGER (John Brahm, 1944, 84m)
LOLA (Jacques Demy, 1961, 90m)
LOLA (Rainer Werner Fassbinder, 1981, 114m)
LOLA MONTÈS (Max Ophüls, 1955, 116m)
LOLITA (Stanley Kubrick, 1962, 152m)
LONE STAR (John Sayles, 1996, 135m)
THE LONELINESS OF THE LONG DISTANCE RUNNER (Tony Richardson, 1962, 103m)
LONELY HEARTS (Paul Cox, 1981, 95m)
LONESOME (Pál Fejös, 1928, 69m)
THE LONG DAY CLOSES (Terence Davies, 1992, 83m)
THE LONG GOOD FRIDAY (John Mackenzie, 1980, 114m)
THE LONG GOODBYE (Robert Altman, 1973, 112m)
THE LONG HOT SUMMER (Martin Ritt, 1958, 115m)
THE LONG KISS GOODNIGHT (Renny Harlin, 1996, 120m)
THE LONG NIGHT (Anatole Litvak, 1947, 101m)
THE LONG VOYAGE HOME (John Ford, 1940, 105m)
LOOK AT ME (Agnès Jaoui, 2004, 110m)
THE LOOK OF SILENCE (Joshua Oppenheimer, 2014, 103m)
LORENZO'S OIL (George Miller, 1992, 129m)
LORNA'S SILENCE (Dardenne, Jean-Pierre & Luc Dardenne, 2008, 105m)
LOS ANGELES PLAYS ITSELF (Thom Andersen, 2003, 169m)
LOST IN AMERICA (Albert Brooks, 1985, 91m)
LOST IN TRANSLATION (Sofia Coppola, 2003, 102m)
THE LOST MOMENT (Martin Gabel, 1947, 88m)
THE LOST ONE (Peter Lorre, 1951, 97m)
THE LOST SQUADRON (George Archainbaud, 1932, 79m)
THE LOST WEEKEND (Billy Wilder, 1945, 101m)
LOUIS LUMIÈRE [TV] (Eric Rohmer, 1968, 66m)
LOULOU (Maurice Pialat, 1980, 110m)
LOURDES (Jessica Hausner, 2009, 99m)
LOVE AFFAIR (Leo McCarey, 1939, 87m)
LOVE AFFAIR, OR THE CASE OF THE MISSING SWITCHBOARD OPERATOR (Dusan Makavejev, 1967, 79m)
LOVE AND DEATH (Woody Allen, 1975, 82m)
LOVE IS COLDER THAN DEATH (Rainer Werner Fassbinder, 1969, 88m)
LOVE IS STRANGE (Ira Sachs, 2014, 94m)
LOVE LETTERS (William Dieterle, 1945, 101m)
LOVE ME OR LEAVE ME (Charles Vidor, 1955, 122m)
LOVE ME TONIGHT (Rouben Mamoulian, 1932, 96m)
LOVE STREAMS (John Cassavetes, 1984, 141m)
THE LOVE WITCH (Anna Biller, 2016, 120m)
LOVELY & AMAZING (Nicole Holofcener, 2001, 91m)
LOVER COME BACK (Delbert Mann, 1961, 107m)
LOVES OF A BLONDE (Milos Forman, 1965, 88m)
LOVESONG (Stan Brakhage, 2001, 11m)
LUCKY STAR (Frank Borzage, 1929, 90m)
LUDWIG (Luchino Visconti, 1973, 235m)
LUMIÈRE D'ÉTÉ (Jean Grémillon, 1943, 112m)
THE LUNCH DATE (Adam Davidson, 1990, 11m)
LUST FOR LIFE (Vincente Minnelli, 1956, 122m)
THE LUSTY MEN (Nicholas Ray, 1952, 113m)
M (Fritz Lang, 1931, 99m)
MABOROSI (Hirokazu Koreeda, 1995, 110m)
MACAO (Josef von Sternberg, 1952, 80m)
MACUNAIMA (Joaquim Pedro de Andrade, 1969, 110m)
MAD LOVE (Karl Freund, 1935, 70m)
MAD MAX (George Miller, 1979, 88m)
MADAME DE... (Max Ophüls, 1953, 105m)
MÄDCHEN IN UNIFORM (Leontine Sagan, 1931, 98m)
MADE IN BRITAIN [TV] (Alan Clarke, 1982, 76m)
MADE IN U.S.A. (Jean-Luc Godard, 1966, 90m)
MADELEINE (David Lean, 1949, 101m)
MAGIC TOWN (William Wellman, 1947, 103m)
THE MAGNIFICENT AMBERSONS (Orson Welles, 1942, 88m)
MAGNIFICENT OBSESSION (Douglas Sirk, 1954, 108m)
THE MAGNIFICENT SEVEN (John Sturges, 1960, 128m)
MAGNOLIA (Paul Thomas Anderson, 1999, 188m)
LA MAISON DES BOIS [TV] (Maurice Pialat, 1971, 360m)
THE MAJOR AND THE MINOR (Billy Wilder, 1942, 100m)
MAKE WAY FOR TOMORROW (Leo McCarey, 1937, 92m)
MALCOLM X (Spike Lee, 1992, 201m)
THE MALTESE FALCON (John Huston, 1941, 100m)
MAMMA ROMA (Pier Paolo Pasolini, 1962, 110m)
MAN BITES DOG (Belvaux, Remy/Andre Bonzel/Benoit Poelvoorde, 1992, 88m)
A MAN ESCAPED (Robert Bresson, 1956, 102m)
A MAN FOR ALL SEASONS (Fred Zinnemann, 1966, 120m)
THE MAN FROM LARAMIE (Anthony Mann, 1955, 104m)
THE MAN I LOVE (Raoul Walsh, 1947, 96m)
THE MAN IN THE IRON MASK (James Whale, 1939, 113m)
THE MAN IN THE WHITE SUIT (Alexander Mackendrick, 1951, 84m)
MAN OF MARBLE (Andrzej Wajda, 1977, 160m)
MAN OF THE WEST (Anthony Mann, 1958, 100m)
MAN ON WIRE (James Marsh, 2008, 94m)
A MAN VANISHES (Shohei Imamura, 1967, 130m)
THE MAN WHO HAD HIS HAIR CUT SHORT (André Delvaux, 1966, 94m)
THE MAN WHO KNEW TOO MUCH (Alfred Hitchcock, 1934, 75m)
THE MAN WHO KNEW TOO MUCH (Alfred Hitchcock, 1956, 120m)
THE MAN WHO LAUGHS (Paul Leni, 1928, 94m)
THE MAN WHO SHOT LIBERTY VALANCE (John Ford, 1962, 119m)
THE MAN WHO WASN'T THERE (Coen, Joel & Ethan Coen, 2001, 116m)
THE MAN WHO WOULD BE KING (John Huston, 1975, 129m)
THE MAN WITH A CLOAK (Fletcher Markle, 1951, 81m)
THE MAN WITH A MOVIE CAMERA (Dziga Vertov, 1929, 80m)
THE MAN WITHOUT A PAST (Aki Kaurismäki, 2002, 97m)
MAN WITHOUT A STAR (King Vidor, 1955, 89m)
MANCHESTER BY THE SEA (Kenneth Lonergan, 2016, 137m)
THE MANCHURIAN CANDIDATE (John Frankenheimer, 1962, 126m)
MANDY (Alexander Mackendrick, 1952, 93m)
MANHATTAN (Woody Allen, 1979, 96m)
MANHUNTER (Michael Mann, 1986, 119m)
MANNEQUIN (Frank Borzage, 1937, 95m)
MANON DES SOURCES (Claude Berri, 1986, 113m)
MAN'S CASTLE (Frank Borzage, 1933, 66m)
MAN'S FAVORITE SPORT? (Howard Hawks, 1964, 120m)
MANSFIELD PARK (Patricia Rozema, 1999, 112m)
MANUFACTURED LANDSCAPES (Jennifer Baichwal, 2006, 87m)
MARGARET (Kenneth Lonergan, 2011, 150m)
MARGOT AT THE WEDDING (Noah Baumbach, 2007, 92m)
MARIA FULL OF GRACE (Joshua Marston, 2003, 100m)
MARIANNE & JULIANE (Margarethe von Trotta, 1981, 106m)
MARIE ANTOINETTE (Sofia Coppola, 2006, 123m)
MARIUS ET JEANNETTE (Robert Guédiguian, 1997, 102m)
MARK OF THE VAMPIRE (Tod Browning, 1935, 61m)
THE MARK OF ZORRO (Rouben Mamoulian, 1940, 93m)
MARNIE (Alfred Hitchcock, 1964, 129m)
THE MARQUISE OF O (Eric Rohmer, 1976, 102m)
THE MARRIAGE OF MARIA BRAUN (Rainer Werner Fassbinder, 1979, 120m)
MARRIAGE STORY (Noah Baumbach, 2019, 136m)
A MARRIED WOMAN (Jean-Luc Godard, 1964, 95m)
THE MARRYING KIND (George Cukor, 1952, 93m)
MARS ATTACKS! (Tim Burton, 1996, 105m)
MARTHA [TV] (Rainer Werner Fassbinder, 1974, 112m)
MARTHA MARCY MAY MARLENE (Sean Durkin, 2011, 102m)
MARTIN (George A. Romero, 1977, 95m)
MARVIN'S ROOM (Jerry Zaks, 1996, 98m)
MASCULIN FEMININ (Jean-Luc Godard, 1966, 103m)
MASTER OF THE HOUSE (Carl Theodor Dreyer, 1925, 92m)
THE MASTER (Paul Thomas Anderson, 2012, 144m)
THE MATCH FACTORY GIRL (Aki Kaurismäki, 1990, 68m)
MATCH POINT (Woody Allen, 2005, 124m)
MATEWAN (John Sayles, 1987, 130m)
THE MATING SEASON (Mitchell Leisen, 1951, 101m)
A MATTER OF LIFE AND DEATH (Powell, Michael/Emeric Pressburger, 1946, 104m)
MAUVAIS SANG (Leos Carax, 1986, 116m)
MCCABE & MRS. MILLER (Robert Altman, 1971, 121m)
ME AND MY GAL (Raoul Walsh, 1932, 79m)
ME AND ORSON WELLES (Richard Linklater, 2009, 114m)
ME AND YOU AND EVERYONE WE KNOW (Miranda July, 2005, 91m)
MEAN STREETS (Martin Scorsese, 1973, 110m)
MEANTIME [TV] (Mike Leigh, 1983, 102m)
THE MEASURE OF A MAN (Stéphane Brizé, 2015, 91m)
MEDIUM COOL (Haskell Wexler, 1969, 110m)
MEEK'S CUTOFF (Kelly Reichardt, 2010, 104m)
MEET JOHN DOE (Frank Capra, 1941, 132m)
MEET ME IN ST. LOUIS (Vincente Minnelli, 1944, 113m)
MEET THE PARENTS (Jay Roach, 2000, 107m)
MEMENTO (Christopher Nolan, 2000, 113m)
MEMORIES OF MURDER (Bong Joon-ho, 2003, 132m)
MEMORIES OF UNDERDEVELOPMENT (Tomás Gutiérrez Alea, 1968, 97m)
THE MEMORY OF JUSTICE (Marcel Ophüls, 1976, 278m)
MEN IN BLACK (Barry Sonnenfeld, 1997, 98m)
MEN IN WAR (Anthony Mann, 1957, 104m)
THE MEN (Fred Zinnemann, 1950, 85m)
MÉNILMONTANT (Dimitri Kirsanoff, 1926, 37m)
MEPHISTO (István Szabó, 1981, 135m)
THE MERCHANT OF FOUR SEASONS (Rainer Werner Fassbinder, 1971, 88m)
MERCI POUR LE CHOCOLAT (Claude Chabrol, 2000, 100m)
MESHES OF THE AFTERNOON (Deren, Maya & Alexander Hammid, 1943, 15m)
MESHI (Mikio Naruse, 1951, 97m)
METROPOLIS (Fritz Lang, 1927, 153m)
METROPOLITAN (Whit Stillman, 1990, 98m)
MICHAEL CLAYTON (Tony Gilroy, 2007, 119m)
MICHAEL COLLINS (Neil Jordan, 1996, 132m)
MICKEY ONE (Arthur Penn, 1965, 93m)
MIDNIGHT (Mitchell Leisen, 1939, 94m)
A MIDNIGHT CLEAR (Keith Gordon, 1991, 107m)
MIDNIGHT COWBOY (John Schlesinger, 1969, 113m)
MIDNIGHT MARY (William Wellman, 1933, 74m)
MIGHTY APHRODITE (Woody Allen, 1995, 93m)
A MIGHTY WIND (Christopher Guest, 2003, 91m)
MIKEY AND NICKY (Elaine May, 1976, 116m)
MILDRED PIERCE (Michael Curtiz, 1945, 109m)
MILK (Gus Van Sant, 2008, 128m)
MILLER'S CROSSING (Coen, Joel & Ethan Coen, 1990, 115m)
MILLION DOLLAR BABY (Clint Eastwood, 2004, 137m)
LE MILLION (René Clair, 1931, 85m)
MINAMATA: THE VICTIMS AND THEIR WORLD (Noriaki Tsuchimoto, 1971, 105m)
MINDING THE GAP (Bing Liu, 2018, 93m)
MINISTRY OF FEAR (Fritz Lang, 1944, 85m)
MINNIE AND MOSKOWITZ (John Cassavetes, 1971, 114m)
THE MIRACLE WORKER (Arthur Penn, 1962, 107m)
MIRAGE (Edward Dmytryk, 1965, 109m)
LES MISÉRABLES (Raymond Bernard, 1934, 281m)
THE MISFITS (John Huston, 1961, 124m)
MISS OYU (Kenji Mizoguchi, 1951, 94m)
MISSING (Constantin Costa-Gavras, 1982, 122m)
THE MISSING PICTURE (Rithy Panh, 2013, 92m)
MISSISSIPPI BURNING (Alan Parker, 1988, 125m)
MODERN ROMANCE (Albert Brooks, 1981, 93m)
MODERN TIMES (Charles Chaplin, 1936, 89m)
MOI, UN NOIR (Jean Rouch, 1958, 70m)
A MOMENT OF INNOCENCE (Mohsen Makhmalbaf, 1996, 78m)
MOMMA'S MAN (Azazel Jacobs, 2008, 94m)
MON ONCLE (Jacques Tati, 1958, 126m)
MON ONCLE D'AMÉRIQUE (Alain Resnais, 1980, 123m)
MONA LISA (Neil Jordan, 1986, 104m)
MONEYBALL (Bennett Miller, 2011, 133m)
MONGOLOID (Bruce Conner, 1978, 4m)
MONKEY BUSINESS (Norman Z. McLeod, 1931, 77m)
MONKEY BUSINESS (Howard Hawks, 1952, 97m)
MONSIEUR HIRE (Patrice Leconte, 1989, 88m)
MONSIEUR VERDOUX (Charles Chaplin, 1947, 123m)
MONSTER'S BALL (Marc Forster, 2001, 111m)
MONTY PYTHON AND THE HOLY GRAIL (Gilliam, Terry/Terry Jones, 1975, 90m)
MONTY PYTHON'S LIFE OF BRIAN (Terry Jones, 1979, 93m)
MOOLAADÉ (Ousmane Sembene, 2004, 120m)
MOON (Duncan Jones, 2009, 97m)
MOONFLEET (Fritz Lang, 1955, 89m)
MOONLIGHT (Barry Jenkins, 2016, 111m)
MOONRISE (Frank Borzage, 1948, 90m)
MOONRISE KINGDOM (Wes Anderson, 2012, 94m)
MOONSTRUCK (Norman Jewison, 1987, 102m)
THE MORE THE MERRIER (George Stevens, 1943, 104m)
MOROCCO (Josef von Sternberg, 1930, 92m)
MORTAL THOUGHTS (Alan Rudolph, 1991, 104m)
LA MORTE ROUGE (Victor Erice, 2006, 32m)
THE MOST DANGEROUS GAME (Schoedsack, Ernest B./Irving Pichel, 1932, 63m)
MOTHER (Vsevolod Pudovkin, 1926, 70m)
MOTHER (Albert Brooks, 1996, 104m)
MOTHER AND SON (Aleksandr Sokurov, 1997, 73m)
THE MOTHER AND THE WHORE (Jean Eustache, 1973, 210m)
MOTHER JOAN OF THE ANGELS (Jerzy Kawalerowicz, 1961, 110m)
MOTION PAINTING NO. 1 (Oskar Fischinger, 1947, 11m)
THE MOTORCYCLE DIARIES (Walter Salles, 2004, 125m)
MOUCHETTE (Robert Bresson, 1967, 80m)
THE MOUTH AGAPE (Maurice Pialat, 1974, 82m)
A MOVIE (Bruce Conner, 1958, 12m)
MR. & MRS. SMITH (Alfred Hitchcock, 1941, 95m)
MR. BLANDINGS BUILDS HIS DREAM HOUSE (H.C. Potter, 1948, 94m)
MR. DEEDS GOES TO TOWN (Frank Capra, 1936, 115m)
MR. HULOT'S HOLIDAY (Jacques Tati, 1953, 86m)
MR. KLEIN (Joseph Losey, 1976, 123m)
MR. SMITH GOES TO WASHINGTON (Frank Capra, 1939, 129m)
MR. TURNER (Mike Leigh, 2014, 150m)
MULHOLLAND DR. (David Lynch, 2001, 147m)
THE MUMMY (Karl Freund, 1932, 72m)
MURDER BY CONTRACT (Irving Lerner, 1958, 81m)
MURDER, MY SWEET (Edward Dmytryk, 1944, 95m)
THE MURDERER LIVES AT NUMBER 21 (Henri-Georges Clouzot, 1942, 83m)
THE MURDERERS ARE AMONG US (Wolfgang Staudte, 1946, 85m)
MURIEL (Alain Resnais, 1963, 115m)
MURMUR OF THE HEART (Louis Malle, 1971, 118m)
MUSEUM HOURS (Jem Cohen, 2012, 107m)
THE MUSIC BOX (James Parrott, 1932, 30m)
THE MUSIC ROOM (Satyajit Ray, 1958, 95m)
THE MUSKETEERS OF PIG ALLEY (D.W. Griffith, 1912, 17m)
MUTINY ON THE BOUNTY (Frank Lloyd, 1935, 132m)
MY AIN FOLK (Bill Douglas, 1973, 55m)
MY BRILLIANT CAREER (Gillian Armstrong, 1979, 101m)
MY BROTHER'S WEDDING (Charles Burnett, 1983, 115m)
MY CHILDHOOD (Bill Douglas, 1972, 46m)
MY DARLING CLEMENTINE (John Ford, 1946, 97m)
MY DREAM IS YOURS (Michael Curtiz, 1949, 101m)
MY FAIR LADY (George Cukor, 1964, 170m)
MY FAVORITE YEAR (Richard Benjamin, 1982, 92m)
MY LIFE AS A DOG (Lasse Hallström, 1985, 101m)
MY LIFE AS A ZUCCHINI (Claude Barras, 2016, 70m)
MY LITTLE LOVES (Jean Eustache, 1974, 123m)
MY MAN GODFREY (Gregory La Cava, 1936, 95m)
MY NAME IS JULIA ROSS (Joseph H. Lewis, 1945, 65m)
MY NEIGHBOUR TOTORO (Hayao Miyazaki, 1988, 86m)
MY NIGHT AT MAUD'S (Eric Rohmer, 1969, 105m)
MY REPUTATION (Curtis Bernhardt, 1946, 94m)
MY SISTER EILEEN (Richard Quine, 1955, 108m)
MY VOYAGE TO ITALY (Martin Scorsese, 1999, 246m)
MY WAY HOME (Bill Douglas, 1978, 71m)
MY WINNIPEG (Guy Maddin, 2007, 80m)
MYSTERIES OF LISBON (Raúl Ruiz, 2010, 272m)
MYSTERY ROAD (Ivan Sen, 2013, 121m)
MYSTERY TRAIN (Jim Jarmusch, 1989, 113m)
NAKED (Mike Leigh, 1993, 126m)
THE NAKED CITY (Jules Dassin, 1948, 96m)
THE NAKED ISLAND (Kaneto Shindo, 1960, 94m)
THE NAKED JUNGLE (Byron Haskin, 1954, 95m)
THE NAKED KISS (Samuel Fuller, 1964, 93m)
THE NAKED SPUR (Anthony Mann, 1953, 91m)
THE NANNY (Seth Holt, 1965, 93m)
NANOOK OF THE NORTH (Robert Flaherty, 1922, 79m)
NAPOLÉON (Abel Gance, 1927, 235m)
NARC (Joe Carnahan, 2002, 105m)
THE NARROW MARGIN (Richard Fleischer, 1952, 70m)
NASHVILLE (Robert Altman, 1975, 159m)
NATIONAL GALLERY (Frederick Wiseman, 2014, 180m)
NATIONAL VELVET (Clarence Brown, 1944, 125m)
NAUSICAÄ OF THE VALLEY OF WIND (Hayao Miyazaki, 1984, 116m)
THE NAVIGATOR (Keaton, Buster/Donald Crisp, 1924, 59m)
NAYAKAN (Mani Ratnam, 1987, 145m)
NEAR DEATH (Frederick Wiseman, 1989, 358m)
NEBRASKA (Alexander Payne, 2013, 115m)
THE NEGOTIATOR (F. Gary Gray, 1998, 139m)
NEIGHBORS (Keaton, Buster/Eddie Cline, 1920, 18m)
NEIGHBOURING SOUNDS (Kleber Mendonça Filho, 2012, 131m)
NELLY & MONSIEUR ARNAUD (Claude Sautet, 1995, 106m)
THE NEON BIBLE (Terence Davies, 1995, 91m)
NETWORK (Sidney Lumet, 1976, 121m)
NEVER FEAR (Ida Lupino, 1950, 82m)
NEVER RARELY SOMETIMES ALWAYS (Eliza Hittman, 2020, 101m)
THE NEW WORLD (Terrence Malick, 2005, 135m)
NEW YORK CONFIDENTIAL (Russell Rouse, 1955, 87m)
NEW YORK, NEW YORK (Martin Scorsese, 1977, 164m)
NEWS FROM HOME (Chantal Akerman, 1976, 85m)
NEXT OF KIN (Atom Egoyan, 1984, 70m)
NIAGARA (Henry Hathaway, 1953, 89m)
DIE NIBELUNGEN: KRIEMHILD'S REVENGE (Fritz Lang, 1924, 129m)
DIE NIBELUNGEN: SIEGFRIED (Fritz Lang, 1924, 140m)
NIGHT AND FOG (Alain Resnais, 1955, 32m)
NIGHT AND THE CITY (Jules Dassin, 1950, 101m)
A NIGHT AT THE OPERA (Sam Wood, 1935, 92m)
NIGHT MOVES (Arthur Penn, 1975, 95m)
NIGHT OF THE DEMON (Jacques Tourneur, 1957, 82m)
THE NIGHT OF THE HUNTER (Charles Laughton, 1955, 93m)
NIGHT OF THE LIVING DEAD (George A. Romero, 1968, 96m)
THE NIGHT OF THE SHOOTING STARS (Taviani, Paolo & Vittorio Taviani, 1982, 106m)
NIGHT ON EARTH (Jim Jarmusch, 1991, 125m)
NIGHTCRAWLER (Dan Gilroy, 2014, 117m)
NIGHTFALL (Jacques Tourneur, 1957, 78m)
NIGHTMARE ALLEY (Edmund Goulding, 1947, 111m)
NIL BY MOUTH (Gary Oldman, 1997, 128m)
NINE QUEENS (Fabian Bielinsky, 2000, 113m)
NINOTCHKA (Ernst Lubitsch, 1939, 110m)
NO COUNTRY FOR OLD MEN (Coen, Joel & Ethan Coen, 2007, 122m)
NO HIGHWAY IN THE SKY (Henry Koster, 1951, 98m)
NO HOME MOVIE (Chantal Akerman, 2015, 115m)
NO MAN OF HER OWN (Mitchell Leisen, 1950, 98m)
NO MAN'S LAND (Danis Tanovic, 2001, 97m)
NO SAD SONGS FOR ME (Rudolph Maté, 1950, 89m)
NO WAY OUT (Joseph L. Mankiewicz, 1950, 106m)
NOCTURAMA (Bertrand Bonello, 2016, 130m)
NORTE, THE END OF HISTORY (Lav Diaz, 2013, 250m)
NORTH BY NORTHWEST (Alfred Hitchcock, 1959, 136m)
NORTHWEST PASSAGE (BOOK I-ROGERS' RANGERS) (King Vidor, 1940, 125m)
NOSFERATU (F.W. Murnau, 1922, 84m)
NOSFERATU THE VAMPYRE (Werner Herzog, 1979, 107m)
NOSTALGIA FOR THE LIGHT (Patricio Guzmán, 2010, 90m)
NOTES ON AN APPEARANCE (Ricky D'Ambrose, 2018, 60m)
NOTHING BUT A MAN (Michael Roemer, 1964, 95m)
NOTHING BUT TIME (Alberto Cavalcanti, 1926, 45m)
NOTORIOUS (Alfred Hitchcock, 1946, 101m)
LA NOTTE (Michelangelo Antonioni, 1961, 120m)
NOW, VOYAGER (Irving Rapper, 1942, 117m)
NUMÉRO DEUX (Jean-Luc Godard, 1975, 88m)
THE NUTTY PROFESSOR (Jerry Lewis, 1963, 107m)
O BROTHER, WHERE ART THOU? (Coen, Joel & Ethan Coen, 2000, 107m)
O.J.: MADE IN AMERICA [TV] (Ezra Edelman, 2016, 450m)
THE OAK (Lucian Pintilie, 1992, 105m)
OBSESSION (Edward Dmytryk, 1949, 98m)
OCTOBER SKY (Joe Johnston, 1999, 107m)
ODD MAN OUT (Carol Reed, 1947, 115m)
ODDS AGAINST TOMORROW (Robert Wise, 1959, 95m)
OF A THOUSAND DELIGHTS (Luchino Visconti, 1965, 100m)
OF GODS AND MEN (Xavier Beauvois, 2010, 122m)
OF MICE AND MEN (Lewis Milestone, 1939, 107m)
OF TIME AND THE CITY (Terence Davies, 2008, 72m)
THE OFF-HANDED JAPE... & HOW TO PULL IT OFF (Nelson, Robert & William T. Wiley, 1967, 8m)
THE OFFICIAL STORY (Luis Puenzo, 1985, 110m)
OFFSIDE (Jafar Panahi, 2006, 91m)
THE OLD DARK HOUSE (James Whale, 1932, 71m)
OLD JOY (Kelly Reichardt, 2006, 76m)
OLIVER TWIST (David Lean, 1948, 105m)
OLIVER TWIST (Roman Polanski, 2005, 130m)
OLIVIA (Jacqueline Audry, 1951, 88m)
OLIVIER OLIVIER (Agnieszka Holland, 1991, 110m)
LOS OLVIDADOS (Luis Buñuel, 1950, 88m)
OLYMPIA (Leni Riefenstahl, 1938, 201m)
THE OMEN (Richard Donner, 1976, 111m)
ON DANGEROUS GROUND (Nicholas Ray, 1951, 82m)
ON THE BEACH AT NIGHT ALONE (Hong Sang-soo, 2017, 101m)
ON THE BOWERY (Lionel Rogosin, 1956, 65m)
ON THE TOWN (Donen, Stanley/Gene Kelly, 1949, 98m)
ON THE WATERFRONT (Elia Kazan, 1954, 108m)
ONCE UPON A TIME IN AMERICA (Sergio Leone, 1984, 229m)
ONCE UPON A TIME IN CHINA (Tsui Hark, 1991, 134m)
ONCE UPON A TIME IN THE WEST (Sergio Leone, 1968, 165m)
ONCE UPON A TIME THERE WAS A SINGING BLACKBIRD (Otar Iosseliani, 1970, 85m)
ONCE UPON A TIME... IN HOLLYWOOD (Quentin Tarantino, 2019, 161m)
ONE A.M. (Charles Chaplin, 1916, 26m)
ONE FALSE MOVE (Carl Franklin, 1992, 105m)
ONE FLEW OVER THE CUCKOO'S NEST (Milos Forman, 1975, 133m)
ONE FROGGY EVENING (Chuck Jones, 1955, 7m)
ONE HOUR PHOTO (Mark Romanek, 2002, 96m)
ONE HOUR WITH YOU (Ernst Lubitsch, 1932, 80m)
ONE SINGS, THE OTHER DOESN'T (Agnès Varda, 1977, 120m)
ONE WEEK (Keaton, Buster/Eddie Cline, 1920, 25m)
ONE-EYED JACKS (Marlon Brando, 1961, 141m)
ONIBABA (Kaneto Shindo, 1964, 103m)
ONLY ANGELS HAVE WINGS (Howard Hawks, 1939, 121m)
THE ONLY SON (Yasujiro Ozu, 1936, 87m)
ONLY YESTERDAY (Isao Takahata, 1991, 118m)
OPEN YOUR EYES (Alejandro Amenábar, 1997, 119m)
OPENING NIGHT (John Cassavetes, 1977, 144m)
ORDET (Carl Theodor Dreyer, 1955, 125m)
ORDINARY FASCISM (Mikhail Romm, 1965, 138m)
LES ORDRES (Michel Brault, 1974, 109m)
ORNAMENTAL HAIRPIN (Hiroshi Shimizu, 1941, 70m)
ORPHEUS (Jean Cocteau, 1950, 95m)
OSAKA ELEGY (Kenji Mizoguchi, 1936, 71m)
OSAMA (Siddiq Barmak, 2003, 83m)
OSS 117: CAIRO, NEST OF SPIES (Michel Hazanavicius, 2006, 99m)
OSSESSIONE (Luchino Visconti, 1943, 140m)
OTHELLO (Orson Welles, 1952, 90m)
OTHER MEN'S WOMEN (William Wellman, 1931, 70m)
THE OTHER SIDE OF HOPE (Aki Kaurismäki, 2017, 100m)
THE OTHERS (Alejandro Amenábar, 2001, 100m)
OUR DAILY BREAD (King Vidor, 1934, 74m)
OUR HOSPITALITY (Keaton, Buster/John G. Blystone, 1923, 74m)
OUT 1, NOLI ME TANGERE (Jacques Rivette, 1971, 729m)
OUT 1: SPECTRE (Jacques Rivette, 1972, 253m)
OUT OF SIGHT (Steven Soderbergh, 1998, 122m)
OUT OF THE PAST (Jacques Tourneur, 1947, 97m)
OUTER SPACE (Peter Tscherkassky, 1999, 10m)
THE OUTFIT (John Flynn, 1973, 103m)
THE OUTLAW AND HIS WIFE (Victor Sjöström, 1918, 136m)
THE OUTLAW JOSEY WALES (Clint Eastwood, 1976, 135m)
THE OX-BOW INCIDENT (William Wellman, 1943, 75m)
THE OYSTER PRINCESS (Ernst Lubitsch, 1919, 58m)
PADRE PADRONE (Taviani, Paolo & Vittorio Taviani, 1977, 114m)
A PAGE OF MADNESS (Teinosuke Kinugasa, 1926, 70m)
THE PAGE TURNER (Denis Dercourt, 2006, 85m)
PAISAN (Roberto Rossellini, 1946, 120m)
THE PAJAMA GAME (Abbott, George & Stanley Donen, 1957, 101m)
PALE FLOWER (Masahiro Shinoda, 1964, 96m)
THE PALEFACE (Norman Z. McLeod, 1948, 91m)
PALINDROMES (Todd Solondz, 2004, 99m)
THE PALM BEACH STORY (Preston Sturges, 1942, 90m)
PANDORA AND THE FLYING DUTCHMAN (Albert Lewin, 1951, 123m)
PANDORA'S BOX (G.W. Pabst, 1929, 133m)
PANIC IN THE STREETS (Elia Kazan, 1950, 93m)
PANIQUE (Julien Duvivier, 1946, 99m)
PAPER MOON (Peter Bogdanovich, 1973, 102m)
PARADISE NOT YET LOST, OR OONA'S THIRD YEAR (Jonas Mekas, 1980, 96m)
PARADISE NOW (Hany Abu-Assad, 2005, 91m)
THE PARALLAX VIEW (Alan J. Pakula, 1974, 102m)
PARANOID PARK (Gus Van Sant, 2007, 85m)
LES PARENTS TERRIBLES (Jean Cocteau, 1948, 98m)
PARIS IS BURNING (Jennie Livingston, 1990, 78m)
PARIS QUI DORT (René Clair, 1923, 36m)
PARIS, TEXAS (Wim Wenders, 1984, 150m)
PARTIE DE CAMPAGNE (Jean Renoir, 1936, 40m)
PARTY GIRL (Nicholas Ray, 1958, 99m)
PASAZERKA (Andrzej Munk, 1963, 62m)
PASSING FANCY (Yasujiro Ozu, 1933, 100m)
PASSION FISH (John Sayles, 1992, 135m)
THE PASSION OF ANNA (Ingmar Bergman, 1969, 101m)
THE PASSION OF JOAN OF ARC (Carl Theodor Dreyer, 1928, 110m)
PASSIONATE FRIENDS (David Lean, 1949, 95m)
PASTORAL: TO DIE IN THE COUNTRY (Shuji Terayama, 1974, 104m)
PAT GARRETT AND BILLY THE KID (Sam Peckinpah, 1973, 122m)
PATERSON (Jim Jarmusch, 2016, 118m)
PATHER PANCHALI (Satyajit Ray, 1955, 112m)
PATHS OF GLORY (Stanley Kubrick, 1957, 86m)
PAULINE AT THE BEACH (Eric Rohmer, 1983, 94m)
PEEPING TOM (Michael Powell, 1960, 109m)
PENNY SERENADE (George Stevens, 1941, 125m)
PEOPLE ON SUNDAY (Siodmak, Robert & Edgar G. Ulmer, 1930, 74m)
THE PEOPLE VS. LARRY FLYNT (Milos Forman, 1996, 127m)
PEOPLE WILL TALK (Joseph L. Mankiewicz, 1951, 110m)
PÉPÉ LE MOKO (Julien Duvivier, 1937, 94m)
PERSEPOLIS (Paronnaud, Vincent & Marjane Satrapi, 2007, 96m)
PERSONA (Ingmar Bergman, 1966, 83m)
PERSONAL SHOPPER (Olivier Assayas, 2016, 105m)
THE PERVERT'S GUIDE TO CINEMA (Sophie Fiennes, 2006, 150m)
PETER IBBETSON (Henry Hathaway, 1935, 88m)
PETULIA (Richard Lester, 1968, 105m)
THE PHANTOM CARRIAGE (Victor Sjöström, 1921, 93m)
PHANTOM LADY (Robert Siodmak, 1944, 87m)
THE PHANTOM OF LIBERTY (Luis Buñuel, 1974, 104m)
PHANTOM OF THE PARADISE (Brian De Palma, 1974, 92m)
PHANTOM THREAD (Paul Thomas Anderson, 2017, 130m)
THE PHENIX CITY STORY (Phil Karlson, 1955, 100m)
PHIL OCHS: THERE BUT FOR FORTUNE (Kenneth Bowser, 2010, 96m)
THE PHILADELPHIA STORY (George Cukor, 1940, 112m)
PHOENIX (Christian Petzold, 2014, 98m)
THE PIANIST (Roman Polanski, 2002, 148m)
THE PIANO (Jane Campion, 1993, 121m)
PICCADILLY (E.A. Dupont, 1929, 110m)
PICKPOCKET (Robert Bresson, 1959, 75m)
PICKPOCKET (Jia Zhangke, 1997, 108m)
PICKUP ON SOUTH STREET (Samuel Fuller, 1953, 80m)
THE PICTURE OF DORIAN GRAY (Albert Lewin, 1945, 110m)
PIERROT LE FOU (Jean-Luc Godard, 1965, 110m)
PIGS AND BATTLESHIPS (Shohei Imamura, 1961, 108m)
PINA (Wim Wenders, 2011, 103m)
PINKY (Elia Kazan, 1949, 102m)
PINOCCHIO (Sharpsteen, Ben & Hamilton Luske, 1940, 88m)
THE PIRATE (Vincente Minnelli, 1948, 102m)
PISTOL OPERA (Seijun Suzuki, 2001, 112m)
THE PIT AND THE PENDULUM (Roger Corman, 1961, 80m)
PITFALL (André de Toth, 1948, 86m)
PIXOTE (Hector Babenco, 1981, 127m)
A PLACE IN THE SUN (George Stevens, 1951, 122m)
PLÁCIDO (Luis García Berlanga, 1961, 85m)
PLANET OF THE APES (Franklin J. Schaffner, 1968, 112m)
PLATFORM (Jia Zhangke, 2000, 154m)
PLATOON (Oliver Stone, 1986, 120m)
PLAY DIRTY (André de Toth, 1968, 117m)
PLAY IT AGAIN, SAM (Herbert Ross, 1972, 87m)
PLAY MISTY FOR ME (Clint Eastwood, 1971, 102m)
THE PLAYER (Robert Altman, 1992, 123m)
PLAYING (Eduardo Coutinho, 2007, 100m)
PLAYTIME (Jacques Tati, 1967, 108m)
PLEASANTVILLE (Gary Ross, 1998, 124m)
PLEASURE PARTY (Claude Chabrol, 1975, 96m)
THE PLEDGE (Sean Penn, 2000, 124m)
PLEIN SOLEIL (René Clément, 1960, 119m)
POINT BLANK (John Boorman, 1967, 92m)
POLICE, ADJECTIVE (Corneliu Porumboiu, 2009, 115m)
POLLOCK (Ed Harris, 2000, 123m)
POLTERGEIST (Tobe Hooper, 1982, 114m)
LE PONT DES ARTS (Eugène Green, 2004, 126m)
PONYO (Hayao Miyazaki, 2008, 103m)
THE POOR LITTLE RICH GIRL (Maurice Tourneur, 1917, 78m)
PORCO ROSSO (Hayao Miyazaki, 1992, 94m)
PORT OF SHADOWS (Marcel Carné, 1938, 91m)
PORTRAIT OF A "60% PERFECT MAN": BILLY WILDER (Annie Tresgot, 1982, 59m)
PORTRAIT OF A LADY ON FIRE (Céline Sciamma, 2019, 121m)
THE PORTRAIT OF A LADY (Jane Campion, 1996, 144m)
A PORTRAIT OF GA (Margaret Tait, 1952, 4m)
PORTRAIT OF JENNIE (William Dieterle, 1948, 86m)
THE PORTUGUESE NUN (Eugène Green, 2009, 127m)
POSSESSED (Curtis Bernhardt, 1947, 108m)
THE POSSIBILITIES ARE ENDLESS (Lovelace, Edward & James Hall, 2014, 83m)
IL POSTINO (Michael Radford, 1994, 113m)
THE POSTMAN ALWAYS RINGS TWICE (Tay Garnett, 1946, 113m)
IL POSTO (Ermanno Olmi, 1961, 93m)
A POT WORTH A MILLION RYO (Sadao Yamanaka, 1935, 92m)
POUR LA SUITE DU MONDE (Perrault, Pierre & Michel Brault, 1963, 105m)
THE POWER OF KANGWON PROVINCE (Hong Sang-soo, 1998, 110m)
THE POWER OF NIGHTMARES: THE RISE OF THE POLITICS OF FEAR [TV] (Adam Curtis, 2004, 180m)
PRESTO (Doug Sweetland, 2008, 5m)
PRETTY POISON (Noel Black, 1968, 89m)
PRIDE AND PREJUDICE (Robert Z. Leonard, 1940, 118m)
PRIMAL FEAR (Gregory Hoblit, 1996, 129m)
PRIMARY COLORS (Mike Nichols, 1998, 140m)
PRIMROSE PATH (Gregory La Cava, 1940, 93m)
PRINCE OF FOXES (Henry King, 1949, 107m)
THE PRINCESS BRIDE (Rob Reiner, 1987, 98m)
PRINCESS MONONOKE (Hayao Miyazaki, 1997, 134m)
PRINCESS YANG KWEI FEI (Kenji Mizoguchi, 1955, 98m)
THE PRISONER OF SHARK ISLAND (John Ford, 1936, 95m)
THE PRISONER OF ZENDA (John Cromwell, 1937, 101m)
LA PRISONNIÈRE (Henri-Georges Clouzot, 1968, 106m)
PRIVATE PROPERTY (Leslie Stevens, 1960, 79m)
THE PRODUCERS (Mel Brooks, 1968, 88m)
PROFIT MOTIVE AND THE WHISPERING WIND (John Gianvito, 2007, 58m)
LA PROMESSE (Dardenne, Jean-Pierre & Luc Dardenne, 1996, 90m)
THE PROMISED LAND (Andrzej Wajda, 1975, 179m)
PROOF (Jocelyn Moorhouse, 1991, 91m)
A PROPHET (Jacques Audiard, 2009, 155m)
PROPHET'S PREY (Amy Berg, 2015, 90m)
THE PROWLER (Joseph Losey, 1951, 92m)
PSYCHE 59 (Alexander Singer, 1964, 94m)
PSYCHO (Alfred Hitchcock, 1960, 109m)
PUBLIC ENEMIES (Michael Mann, 2009, 140m)
THE PUBLIC ENEMY (William Wellman, 1931, 84m)
PULP FICTION (Quentin Tarantino, 1994, 154m)
THE PUMPKIN EATER (Jack Clayton, 1964, 110m)
PUNCH-DRUNK LOVE (Paul Thomas Anderson, 2002, 95m)
PUNISHMENT PARK (Peter Watkins, 1971, 88m)
THE PUPPETMASTER (Hou Hsiao-hsien, 1993, 141m)
PURSUED (Raoul Walsh, 1947, 101m)
PYAASA (Guru Dutt, 1957, 146m)
PYGMALION (Asquith, Anthony/Leslie Howard, 1938, 95m)
LA PYRAMIDE HUMAINE (Jean Rouch, 1961, 90m)
QUAI DES ORFÈVRES (Henri-Georges Clouzot, 1947, 102m)
QUE VIVA MEXICO! (Sergei Eisenstein, 1932, 85m)
QUEEN KELLY (Erich von Stroheim, 1929, 96m)
QUEEN MARGOT (Patrice Chéreau, 1994, 143m)
THE QUEEN OF SPADES (Thorold Dickinson, 1949, 95m)
THE QUEEN (Stephen Frears, 2006, 103m)
THE QUICK AND THE DEAD (Sam Raimi, 1995, 105m)
THE QUIET MAN (John Ford, 1952, 129m)
A QUIET PASSION (Terence Davies, 2016, 125m)
THE QUINCE TREE SUN (Victor Erice, 1992, 133m)
QUIZ SHOW (Robert Redford, 1994, 103m)
RACE STREET (Edwin L. Marin, 1948, 79m)
RADIO DAYS (Woody Allen, 1987, 85m)
RADIO ON (Christopher Petit, 1979, 104m)
RAGING BULL (Martin Scorsese, 1980, 128m)
RAIDERS OF THE LOST ARK (Steven Spielberg, 1981, 115m)
RAILROADED! (Anthony Mann, 1947, 71m)
THE RAILWAY CHILDREN (Lionel Jeffries, 1970, 109m)
RAINBOW DANCE (Len Lye, 1936, 4m)
RAISE THE RED LANTERN (Zhang Yimou, 1991, 125m)
RAISING ARIZONA (Coen, Joel & Ethan Coen, 1987, 92m)
RAISING VICTOR VARGAS (Peter Sollett, 2002, 88m)
RAMROD (André de Toth, 1947, 94m)
RAN (Akira Kurosawa, 1985, 161m)
RANCHO NOTORIOUS (Fritz Lang, 1952, 89m)
RANDOM HARVEST (Mervyn LeRoy, 1942, 126m)
RASHOMON (Akira Kurosawa, 1950, 88m)
RATATOUILLE (Brad Bird, 2007, 111m)
RATCATCHER (Lynne Ramsay, 1999, 94m)
THE RAVEN (Lew Landers, 1935, 62m)
RAW DEAL (Anthony Mann, 1948, 79m)
RAY & LIZ (Richard Billingham, 2018, 108m)
REAL LIFE (Albert Brooks, 1979, 99m)
REAR WINDOW (Alfred Hitchcock, 1954, 112m)
REBECCA (Alfred Hitchcock, 1940, 130m)
REBEL WITHOUT A CAUSE (Nicholas Ray, 1955, 111m)
REBELS OF THE NEON GOD (Tsai Ming-liang, 1992, 106m)
THE RECKLESS MOMENT (Max Ophüls, 1949, 82m)
RECONSTRUCTION (Lucian Pintilie, 1968, 100m)
THE RED AND THE WHITE (Miklós Jancsó, 1967, 90m)
RED ANGEL (Yasuzo Masumura, 1966, 95m)
THE RED BALLOON (Albert Lamorisse, 1956, 34m)
THE RED CIRCLE (Jean-Pierre Melville, 1970, 150m)
RED DESERT (Michelangelo Antonioni, 1964, 118m)
RED DUST (Victor Fleming, 1932, 83m)
RED HOT RIDING HOOD (Tex Avery, 1943, 7m)
THE RED HOUSE (Delmer Daves, 1947, 100m)
RED RIVER (Howard Hawks, 1948, 133m)
RED ROCK WEST (John Dahl, 1993, 98m)
THE RED SHOES (Powell, Michael/Emeric Pressburger, 1948, 133m)
THE RED SNOWBALL TREE (Vasiliy Shukshin, 1974, 110m)
RED SORGHUM (Zhang Yimou, 1987, 91m)
REDS (Warren Beatty, 1981, 200m)
REGEN (Ivens, Joris & Mannus Franken, 1929, 12m)
LA RÉGION CENTRALE (Michael Snow, 1971, 180m)
REGULAR LOVERS (Philippe Garrel, 2005, 183m)
REIGN OF TERROR (Anthony Mann, 1949, 89m)
REMEMBER MY NAME (Alan Rudolph, 1978, 96m)
REMEMBER THE NIGHT (Mitchell Leisen, 1940, 94m)
REMINISCENCES OF A JOURNEY TO LITHUANIA (Jonas Mekas, 1972, 88m)
RENDEZ-VOUS DE JUILLET (Jacques Becker, 1949, 110m)
REPENTANCE (Tengiz Abuladze, 1984, 155m)
REPULSION (Roman Polanski, 1965, 105m)
REQUIEM FOR THE AMERICAN DREAM (Hutchison, Peter D./Kelly Nyks/Jared P. Scott, 2015, 73m)
RESERVOIR DOGS (Quentin Tarantino, 1992, 99m)
THE RESTLESS BREED (Allan Dwan, 1957, 81m)
RETURN OF THE JEDI (Richard Marquand, 1983, 133m)
RETURN TO ME (Bonnie Hunt, 2000, 116m)
THE RETURN (Andrey Zvyagintsev, 2003, 110m)
REVANCHE (Götz Spielmann, 2008, 121m)
REVERSAL OF FORTUNE (Barbet Schroeder, 1990, 120m)
RICH AND STRANGE (Alfred Hitchcock, 1932, 92m)
RICHARD III (Richard Loncraine, 1995, 104m)
RIDE LONESOME (Budd Boetticher, 1959, 73m)
RIDE THE HIGH COUNTRY (Sam Peckinpah, 1962, 94m)
RIDE WITH THE DEVIL (Ang Lee, 1999, 138m)
THE RIDER (Chloé Zhao, 2017, 104m)
RIDICULE (Patrice Leconte, 1996, 103m)
RIFIFI (Jules Dassin, 1955, 115m)
RIGHT NOW, WRONG THEN (Hong Sang-soo, 2015, 121m)
THE RIGHT STUFF (Philip Kaufman, 1983, 193m)
RING (Hideo Nakata, 1998, 95m)
RIO 40 GRAUS (Nelson Pereira dos Santos, 1955, 100m)
RIO BRAVO (Howard Hawks, 1959, 141m)
RIO GRANDE (John Ford, 1950, 105m)
RIOT IN CELL BLOCK 11 (Don Siegel, 1954, 80m)
THE RISE AND FALL OF LEGS DIAMOND (Budd Boetticher, 1960, 101m)
THE RISE TO POWER OF LOUIS XIV (Roberto Rossellini, 1966, 100m)
RITUAL IN TRANSFIGURED TIME (Maya Deren, 1946, 15m)
THE RIVER (Jean Renoir, 1951, 99m)
THE RIVER (Tsai Ming-liang, 1997, 115m)
RIVER'S EDGE (Tim Hunter, 1986, 99m)
ROAD HOUSE (Jean Negulesco, 1948, 95m)
THE ROAD TO GUANTANAMO (Winterbottom, Michael & Mat Whitecross, 2006, 93m)
ROAD TO PERDITION (Sam Mendes, 2002, 117m)
ROAD TO UTOPIA (Hal Walker, 1945, 90m)
THE ROARING TWENTIES (Raoul Walsh, 1939, 104m)
ROB ROY (Michael Caton-Jones, 1995, 139m)
ROBOCOP (Paul Verhoeven, 1987, 103m)
ROCCO AND HIS BROTHERS (Luchino Visconti, 1960, 180m)
ROCK 'N' ROLL HIGH SCHOOL (Allan Arkush, 1979, 93m)
ROCK-A-BYE BABY (Frank Tashlin, 1958, 103m)
THE ROCKING HORSE WINNER (Anthony Pelissier, 1949, 91m)
ROLLING THUNDER (John Flynn, 1977, 99m)
ROMA (Alfonso Cuarón, 2018, 135m)
ROMAN HOLIDAY (William Wyler, 1953, 119m)
ROME, OPEN CITY (Roberto Rossellini, 1945, 105m)
ROMUALD ET JULIETTE (Coline Serreau, 1989, 111m)
LA RONDE (Max Ophüls, 1950, 97m)
ROOM AT THE TOP (Jack Clayton, 1959, 118m)
ROPE (Alfred Hitchcock, 1948, 80m)
ROPE OF SAND (William Dieterle, 1949, 104m)
THE ROSARY (Weber, Lois & Phillips Smalley, 1913, 14m)
ROSE HOBART (Joseph Cornell, 1936, 20m)
ROSEMARY'S BABY (Roman Polanski, 1968, 136m)
ROSETTA (Dardenne, Jean-Pierre & Luc Dardenne, 1999, 94m)
LA ROUE (Abel Gance, 1923, 273m)
THE ROUND-UP (Miklós Jancsó, 1966, 90m)
ROUTE ONE USA (Robert Kramer, 1989, 255m)
THE ROYAL TENENBAUMS (Wes Anderson, 2001, 109m)
RUBY GENTRY (King Vidor, 1952, 82m)
RUBY IN PARADISE (Victor Nunez, 1993, 114m)
RUBY SPARKS (Dayton, Jonathan & Valerie Faris, 2012, 104m)
RUGGLES OF RED GAP (Leo McCarey, 1935, 92m)
THE RULES OF THE GAME (Jean Renoir, 1939, 113m)
RUMBLE FISH (Francis Ford Coppola, 1983, 94m)
RUN FOR COVER (Nicholas Ray, 1955, 93m)
RUN OF THE ARROW (Samuel Fuller, 1957, 86m)
RUNAWAY TRAIN (Andrei Konchalovsky, 1985, 111m)
RUNNING ON EMPTY (Sidney Lumet, 1988, 116m)
RUSHMORE (Wes Anderson, 1998, 93m)
RUSSIAN ARK (Aleksandr Sokurov, 2002, 96m)
RUTHLESS (Edgar G. Ulmer, 1948, 104m)
SABOTAGE (Alfred Hitchcock, 1936, 76m)
SABOTEUR (Alfred Hitchcock, 1942, 108m)
SABRINA (Billy Wilder, 1954, 113m)
THE SADDEST MUSIC IN THE WORLD (Guy Maddin, 2003, 100m)
SADDLE THE WIND (Robert Parrish, 1958, 84m)
THE SADIST (James Landis, 1963, 81m)
SAFE (Todd Haynes, 1995, 119m)
SAFETY LAST (Newmeyer, Fred C. & Sam Taylor, 1923, 78m)
SALAAM BOMBAY! (Mira Nair, 1988, 113m)
SALT OF THE EARTH (Herbert J. Biberman, 1953, 94m)
SALVADOR (Oliver Stone, 1986, 123m)
LE SAMOURAÏ (Jean-Pierre Melville, 1967, 95m)
SAMSON AND DELILAH (Warwick Thornton, 2009, 101m)
SAMURAI REBELLION (Masaki Kobayashi, 1967, 128m)
LE SANG DES BÊTES (Georges Franju, 1949, 20m)
SANJURO (Akira Kurosawa, 1962, 96m)
SANS SOLEIL (Chris Marker, 1983, 100m)
SANSHO THE BAILIFF (Kenji Mizoguchi, 1954, 125m)
SANTA SANGRE (Alejandro Jodorowsky, 1989, 123m)
SANTIAGO (João Moreira Salles, 2007, 80m)
SÃO BERNARDO (Leon Hirszman, 1972, 113m)
LA SAPIENZA (Eugène Green, 2014, 101m)
SARABAND (Ingmar Bergman, 2003, 120m)
SARABAND FOR DEAD LOVERS (Basil Dearden, 1948, 95m)
SÁTÁNTANGÓ (Béla Tarr, 1994, 450m)
SATURDAY NIGHT AND SUNDAY MORNING (Karel Reisz, 1960, 89m)
SATYA (Ram Gopal Varma, 1998, 170m)
SAUVE QUI PEUT (LA VIE) (Jean-Luc Godard, 1980, 87m)
THE SAVAGES (Tamara Jenkins, 2007, 114m)
SAVING PRIVATE RYAN (Steven Spielberg, 1998, 169m)
SAWDUST AND TINSEL (Ingmar Bergman, 1953, 92m)
SCANDAL SHEET (Phil Karlson, 1952, 82m)
A SCANNER DARKLY (Richard Linklater, 2006, 100m)
SCARAMOUCHE (George Sidney, 1952, 118m)
THE SCARF (E.A. Dupont, 1951, 93m)
SCARFACE (Howard Hawks, 1932, 90m)
SCARFACE (Brian De Palma, 1983, 170m)
THE SCARLET EMPRESS (Josef von Sternberg, 1934, 110m)
SCARLET STREET (Fritz Lang, 1945, 103m)
SCATTERED CLOUDS (Mikio Naruse, 1967, 108m)
A SCENE AT THE SEA (Takeshi Kitano, 1991, 102m)
SCENES FROM A MARRIAGE (Ingmar Bergman, 1973, 168m)
THE SCENIC ROUTE (Mark Rappaport, 1978, 76m)
THE SCENT OF GREEN PAPAYA (Tran Anh Hung, 1993, 104m)
SCHINDLER'S LIST (Steven Spielberg, 1993, 195m)
SCHOOL OF ROCK (Richard Linklater, 2003, 108m)
LO SCOPONE SCIENTIFICO (Luigi Comencini, 1972, 113m)
SCORPIO RISING (Kenneth Anger, 1963, 28m)
SCREAM (Wes Craven, 1996, 104m)
A SCREAMING MAN (Mahamat-Saleh Haroun, 2010, 92m)
SE7EN (David Fincher, 1995, 127m)
THE SEA WOLF (Michael Curtiz, 1941, 90m)
SEANCE ON A WET AFTERNOON (Bryan Forbes, 1964, 115m)
THE SEARCHERS (John Ford, 1956, 119m)
SEARCHING FOR BOBBY FISCHER (Steven Zaillian, 1993, 110m)
SEARCHING FOR SUGAR MAN (Malik Bendjelloul, 2012, 86m)
THE SEASONS (Artavazd Peleshian, 1975, 29m)
SECOND BREATH (Jean-Pierre Melville, 1966, 144m)
SECONDS (John Frankenheimer, 1966, 106m)
SECRET BEYOND THE DOOR (Fritz Lang, 1948, 98m)
THE SECRET OF THE GRAIN (Abdellatif Kechiche, 2007, 151m)
SECRETS & LIES (Mike Leigh, 1996, 142m)
SEE THE SEA (François Ozon, 1997, 52m)
THE SELFISH GIANT (Clio Barnard, 2013, 91m)
SENSO (Luchino Visconti, 1954, 115m)
SEPARATE TABLES (Delbert Mann, 1958, 99m)
A SEPARATION (Asghar Farhadi, 2011, 123m)
LA SEPARATION (Christian Vincent, 1994, 88m)
SEPTEMBER AFFAIR (William Dieterle, 1950, 104m)
SÉRIE NOIRE (Alain Corneau, 1979, 111m)
SERPICO (Sidney Lumet, 1973, 129m)
SERRAS DA DESORDEM (Andrea Tonacci, 2006, 135m)
THE SERVANT (Joseph Losey, 1963, 115m)
THE SET-UP (Robert Wise, 1949, 72m)
SEVEN BEAUTIES (Lina Wertmüller, 1975, 116m)
SEVEN CHANCES (Buster Keaton, 1925, 56m)
SEVEN DAYS IN MAY (John Frankenheimer, 1964, 118m)
SEVEN MEN FROM NOW (Budd Boetticher, 1956, 78m)
SEVEN SAMURAI (Akira Kurosawa, 1954, 200m)
SEVENTH CAVALRY (Joseph H. Lewis, 1956, 75m)
SEVENTH HEAVEN (Frank Borzage, 1927, 119m)
THE SEVENTH SEAL (Ingmar Bergman, 1957, 96m)
THE SEVENTH VEIL (Compton Bennett, 1945, 95m)
THE SEVENTH VICTIM (Mark Robson, 1943, 71m)
SEXY BEAST (Jonathan Glazer, 2000, 88m)
SHADOW OF A DOUBT (Alfred Hitchcock, 1943, 108m)
SHADOWLANDS (Richard Attenborough, 1993, 130m)
SHADOWS (John Cassavetes, 1959, 87m)
SHADOWS IN PARADISE (Aki Kaurismäki, 1986, 76m)
SHADOWS OF OUR FORGOTTEN ANCESTORS (Sergei Parajanov, 1964, 97m)
SHALL WE KISS? (Emmanuel Mouret, 2007, 96m)
SHAME (Ingmar Bergman, 1968, 103m)
SHANE (George Stevens, 1953, 118m)
SHANGHAI EXPRESS (Josef von Sternberg, 1932, 80m)
THE SHANGHAI GESTURE (Josef von Sternberg, 1941, 98m)
SHANGHAI TRIAD (Zhang Yimou, 1995, 109m)
SHARA (Naomi Kawase, 2003, 100m)
SHATTERED GLASS (Billy Ray, 2003, 95m)
THE SHAWSHANK REDEMPTION (Frank Darabont, 1994, 142m)
SHE WORE A YELLOW RIBBON (John Ford, 1949, 103m)
THE SHEEPMAN (George Marshall, 1958, 85m)
SHEPHERD OF THE HILLS (Henry Hathaway, 1941, 98m)
SHERLOCK JR. (Buster Keaton, 1924, 45m)
SHERMAN'S MARCH (Ross McElwee, 1985, 157m)
SHE'S GOTTA HAVE IT (Spike Lee, 1986, 84m)
SHE'S SO LOVELY (Nick Cassavetes, 1997, 96m)
THE SHINING HOUR (Frank Borzage, 1938, 80m)
THE SHINING (Stanley Kubrick, 1980, 142m)
SHIRKERS (Sandi Tan, 2018, 97m)
SHOAH (Claude Lanzmann, 1985, 566m)
SHOCK CORRIDOR (Samuel Fuller, 1963, 101m)
SHOCKPROOF (Douglas Sirk, 1949, 79m)
SHOESHINE (Vittorio De Sica, 1946, 93m)
SHOLAY (Ramesh Sippy, 1975, 162m)
SHOOT THE PIANO PLAYER (François Truffaut, 1960, 92m)
SHOOTING STARS (Asquith, Anthony & A.V. Bramble, 1928, 100m)
THE SHOOTING (Monte Hellman, 1966, 82m)
THE SHOOTIST (Don Siegel, 1976, 99m)
THE SHOP AROUND THE CORNER (Ernst Lubitsch, 1940, 97m)
THE SHOP ON MAIN STREET (Kadar, Jan & Elmar Klos, 1965, 128m)
SHOPLIFTERS (Hirokazu Koreeda, 2018, 121m)
SHORT CUTS (Robert Altman, 1993, 189m)
A SHORT FILM ABOUT KILLING (Krzysztof Kieslowski, 1987, 85m)
A SHORT FILM ABOUT LOVE (Krzysztof Kieslowski, 1988, 87m)
SHOW PEOPLE (King Vidor, 1928, 83m)
SHREK (Adamson, Andrew & Vicky Jenson, 2001, 90m)
SIBERIADE (Andrei Konchalovsky, 1979, 275m)
SICARIO (Denis Villeneuve, 2015, 121m)
SICILIA! (Straub, Jean-Marie & Danièle Huillet, 1999, 66m)
SICKO (Michael Moore, 2007, 123m)
SIDE STREET (Anthony Mann, 1950, 83m)
SIDEWAYS (Alexander Payne, 2004, 123m)
THE SIGN OF LEO (Eric Rohmer, 1959, 90m)
LA SIGNORA DI TUTTI (Max Ophüls, 1934, 97m)
SIGNS OF LIFE (Werner Herzog, 1968, 90m)
LE SILENCE DE LA MER (Jean-Pierre Melville, 1949, 86m)
THE SILENCE OF THE LAMBS (Jonathan Demme, 1991, 118m)
SILENT LIGHT (Carlos Reygadas, 2007, 136m)
SILK STOCKINGS (Rouben Mamoulian, 1957, 117m)
SILVER LODE (Allan Dwan, 1954, 81m)
SIMON OF THE DESERT (Luis Buñuel, 1965, 43m)
A SIMPLE PLAN (Sam Raimi, 1998, 121m)
SINCE OTAR LEFT (Julie Bertuccelli, 2003, 102m)
SINGIN' IN THE RAIN (Donen, Stanley/Gene Kelly, 1952, 102m)
THE SINGING DETECTIVE [TV] (Jon Amiel, 1986, 415m)
SISTERS OF THE GION (Kenji Mizoguchi, 1936, 69m)
SITA SINGS THE BLUES (Nina Paley, 2008, 82m)
SITTING PRETTY (Walter Lang, 1948, 84m)
THE SIXTH SENSE (M. Night Shyamalan, 1999, 106m)
THE SKIN I LIVE IN (Pedro Almodóvar, 2011, 120m)
SLACK BAY (Bruno Dumont, 2016, 122m)
SLACKER (Richard Linklater, 1991, 97m)
SLEEP, MY LOVE (Douglas Sirk, 1948, 97m)
SLEEPER (Woody Allen, 1973, 88m)
THE SLEEPING TIGER (Joseph Losey, 1954, 89m)
SLEEPLESS IN SEATTLE (Nora Ephron, 1993, 104m)
SLEEPY HOLLOW (Tim Burton, 1999, 102m)
SLEUTH (Joseph L. Mankiewicz, 1972, 138m)
A SLIGHT CASE OF MURDER (Lloyd Bacon, 1938, 85m)
SLIGHTLY SCARLET (Allan Dwan, 1956, 99m)
SLING BLADE (Billy Bob Thornton, 1995, 135m)
THE SMALL BACK ROOM (Powell, Michael/Emeric Pressburger, 1949, 106m)
SMALL TIME CROOKS (Woody Allen, 2000, 94m)
SMILES OF A SUMMER NIGHT (Ingmar Bergman, 1955, 108m)
THE SMILING LIEUTENANT (Ernst Lubitsch, 1931, 93m)
THE SMILING MADAME BEUDET (Germaine Dulac, 1923, 37m)
SMOKE (Wayne Wang, 1995, 112m)
THE SNIPER (Edward Dmytryk, 1952, 87m)
SNOW WHITE AND THE SEVEN DWARFS (David Hand, 1937, 83m)
SO BIG! (William Wellman, 1932, 81m)
THE SOFT SKIN (François Truffaut, 1964, 120m)
SOLARIS (Andrei Tarkovsky, 1972, 165m)
SOLARIS (Steven Soderbergh, 2002, 99m)
A SOLDIER'S DAUGHTER NEVER CRIES (James Ivory, 1998, 124m)
A SOLDIER'S STORY (Norman Jewison, 1984, 101m)
SOME CAME RUNNING (Vincente Minnelli, 1958, 136m)
SOME LIKE IT HOT (Billy Wilder, 1959, 119m)
SOMEBODY UP THERE LIKES ME (Robert Wise, 1956, 113m)
SOMETHING DIFFERENT (Vera Chytilová, 1963, 85m)
SOMETHING IN THE AIR (Olivier Assayas, 2012, 122m)
SOMETHING WILD (Jack Garfein, 1961, 112m)
SOMETHING WILD (Jonathan Demme, 1986, 113m)
SOMEWHERE IN THE NIGHT (Joseph L. Mankiewicz, 1946, 108m)
SON OF FRANKENSTEIN (Rowland V. Lee, 1939, 99m)
THE SON OF JOSEPH (Eugène Green, 2016, 113m)
SON OF PALEFACE (Frank Tashlin, 1952, 95m)
SON OF SAUL (László Nemes, 2015, 107m)
THE SON (Dardenne, Jean-Pierre & Luc Dardenne, 2002, 103m)
SONATINE (Takeshi Kitano, 1993, 94m)
SONGWRITER (Alan Rudolph, 1984, 94m)
THE SON'S ROOM (Nanni Moretti, 2001, 99m)
IL SORPASSO (Dino Risi, 1963, 105m)
THE SORROW AND THE PITY (Marcel Ophüls, 1969, 260m)
SORRY, WRONG NUMBER (Anatole Litvak, 1948, 89m)
THE SOUND OF MUSIC (Robert Wise, 1965, 174m)
SOUND OF THE MOUNTAIN (Mikio Naruse, 1954, 96m)
THE SOUTHERNER (Jean Renoir, 1945, 91m)
THE SOUVENIR (Joanna Hogg, 2019, 120m)
THE SPANISH GARDENER (Philip Leacock, 1956, 95m)
THE SPANISH PRISONER (David Mamet, 1997, 110m)
SPANKING THE MONKEY (David O. Russell, 1994, 106m)
SPARROW (Johnnie To, 2008, 87m)
SPARTACUS (Stanley Kubrick, 1960, 184m)
A SPECIAL DAY (Ettore Scola, 1977, 106m)
SPECTER OF THE ROSE (Ben Hecht, 1946, 90m)
SPEED (Jan De Bont, 1994, 116m)
SPELLBOUND (Alfred Hitchcock, 1945, 111m)
SPIDER-MAN (Sam Raimi, 2002, 131m)
SPIDER-MAN 2 (Sam Raimi, 2004, 127m)
THE SPIDER'S STRATAGEM (Bernardo Bertolucci, 1970, 100m)
SPIONE (Fritz Lang, 1928, 90m)
THE SPIRAL STAIRCASE (Robert Siodmak, 1945, 83m)
THE SPIRIT OF THE BEEHIVE (Victor Erice, 1973, 95m)
SPIRITED AWAY (Hayao Miyazaki, 2001, 124m)
SPITE MARRIAGE (Keaton, Buster/Edward Sedgwick, 1929, 89m)
SPLENDOR IN THE GRASS (Elia Kazan, 1961, 124m)
SPOTLIGHT (Tom McCarthy, 2015, 128m)
SPRING IN A SMALL TOWN (Fei Mu, 1948, 85m)
SPRINGTIME IN A SMALL TOWN (Tian Zhuangzhuang, 2002, 116m)
THE SQUID AND THE WHALE (Noah Baumbach, 2005, 80m)
STAGE DOOR (Gregory La Cava, 1937, 92m)
STAGECOACH (John Ford, 1939, 96m)
STALAG 17 (Billy Wilder, 1953, 120m)
STALKER (Andrei Tarkovsky, 1979, 160m)
STAND BY ME (Rob Reiner, 1986, 87m)
A STAR IS BORN (William Wellman, 1937, 111m)
A STAR IS BORN (George Cukor, 1954, 154m)
STAR WARS (George Lucas, 1977, 121m)
STAR WARS: THE FORCE AWAKENS (J.J. Abrams, 2015, 135m)
STARDUST MEMORIES (Woody Allen, 1980, 91m)
STATE AND MAIN (David Mamet, 2000, 105m)
THE STATION AGENT (Tom McCarthy, 2003, 88m)
STEAMBOAT BILL, JR. (Keaton, Buster/Charles Reisner, 1928, 71m)
THE STEEL HELMET (Samuel Fuller, 1951, 84m)
STELLA DALLAS (King Vidor, 1937, 106m)
STILL LIFE (Jia Zhangke, 2006, 113m)
STILL WALKING (Hirokazu Koreeda, 2008, 115m)
THE STING (George Roy Hill, 1973, 129m)
THE STOLEN CHILDREN (Gianni Amelio, 1992, 112m)
STOLEN KISSES (François Truffaut, 1968, 90m)
A STOLEN LIFE (Curtis Bernhardt, 1946, 107m)
THE STONE BOY (Christopher Cain, 1984, 93m)
STORIES WE TELL (Sarah Polley, 2012, 108m)
STORM OVER ASIA (Vsevolod Pudovkin, 1928, 93m)
STORM WARNING (Stuart Heisler, 1951, 93m)
STORMY WATERS (Jean Grémillon, 1941, 84m)
THE STORY OF A CHEAT (Sacha Guitry, 1936, 85m)
STORY OF A LOVE AFFAIR (Michelangelo Antonioni, 1950, 98m)
THE STORY OF FILM: AN ODYSSEY [TV] (Mark Cousins, 2011, 900m)
A STORY OF FLOATING WEEDS (Yasujiro Ozu, 1934, 86m)
THE STORY OF QIU JU (Zhang Yimou, 1992, 100m)
THE STORY OF THE LAST CHRYSANTHEMUMS (Kenji Mizoguchi, 1939, 148m)
STORYTELLING (Todd Solondz, 2001, 86m)
LA STRADA (Federico Fellini, 1954, 115m)
THE STRAIGHT STORY (David Lynch, 1999, 111m)
THE STRANGE AFFAIR OF UNCLE HARRY (Robert Siodmak, 1945, 80m)
STRANGE CARGO (Frank Borzage, 1940, 113m)
STRANGE ILLUSION (Edgar G. Ulmer, 1945, 80m)
STRANGE IMPERSONATION (Anthony Mann, 1946, 68m)
THE STRANGE LITTLE CAT (Ramon Zürcher, 2013, 72m)
THE STRANGE LOVE OF MARTHA IVERS (Lewis Milestone, 1946, 117m)
STRANGE VOYAGE (Fernando Fernán Gómez, 1964, 92m)
THE STRANGER ON THE THIRD FLOOR (Boris Ingster, 1940, 64m)
STRANGER THAN PARADISE (Jim Jarmusch, 1984, 90m)
THE STRANGER (Orson Welles, 1946, 95m)
STRANGERS ON A TRAIN (Alfred Hitchcock, 1951, 101m)
STRANGERS WHEN WE MEET (Richard Quine, 1960, 117m)
THE STRAWBERRY BLONDE (Raoul Walsh, 1941, 97m)
STRAY DOG (Akira Kurosawa, 1949, 122m)
STRAY DOGS (Tsai Ming-liang, 2013, 138m)
STREET OF CROCODILES (Quay, Stephen & Timothy Quay, 1986, 20m)
A STREETCAR NAMED DESIRE (Elia Kazan, 1951, 122m)
STRIKE (Sergei Eisenstein, 1925, 73m)
STROMBOLI (Roberto Rossellini, 1950, 107m)
STROSZEK (Werner Herzog, 1977, 115m)
SUBARNAREKHA (Ritwik Ghatak, 1965, 143m)
SUCH A PRETTY LITTLE BEACH (Yves Allégret, 1949, 91m)
SUDDEN FEAR (David Miller, 1952, 110m)
SUDDENLY, LAST SUMMER (Joseph L. Mankiewicz, 1959, 114m)
THE SUITOR (Pierre Étaix, 1962, 83m)
SULLIVAN'S TRAVELS (Preston Sturges, 1941, 91m)
SUMMER HOURS (Olivier Assayas, 2008, 103m)
SUMMER INTERLUDE (Ingmar Bergman, 1951, 96m)
SUMMER STOCK (Charles Walters, 1950, 108m)
SUMMER WITH MONIKA (Ingmar Bergman, 1953, 96m)
A SUMMER'S TALE (Eric Rohmer, 1996, 113m)
SUMMERTIME (David Lean, 1955, 99m)
THE SUN (Aleksandr Sokurov, 2005, 115m)
SUNDAYS AND CYBELE (Serge Bourguignon, 1962, 110m)
SUNRISE (F.W. Murnau, 1927, 110m)
SUNSET BLVD. (Billy Wilder, 1950, 110m)
SUNSHINE STATE (John Sayles, 2002, 140m)
SUPERSTAR: THE KAREN CARPENTER STORY (Todd Haynes, 1988, 43m)
SURVIVING DESIRE (Hal Hartley, 1989, 53m)
THE SUSPECT (Robert Siodmak, 1944, 85m)
SUSPENSE (Weber, Lois & Phillips Smalley, 1913, 11m)
SUSPICION (Alfred Hitchcock, 1941, 99m)
SUSPIRIA (Dario Argento, 1977, 92m)
SUTURE (McGehee, Scott/David Siegel, 1993, 93m)
SUZANNE'S CAREER (Eric Rohmer, 1963, 52m)
A SWEDISH LOVE STORY (Roy Andersson, 1970, 115m)
SWEET AND LOWDOWN (Woody Allen, 1999, 95m)
SWEET CHARITY (Bob Fosse, 1969, 149m)
SWEET COUNTRY (Warwick Thornton, 2017, 110m)
THE SWEET HEREAFTER (Atom Egoyan, 1997, 112m)
SWEET SIXTEEN (Ken Loach, 2002, 106m)
SWEET SMELL OF SUCCESS (Alexander Mackendrick, 1957, 96m)
SWING TIME (George Stevens, 1936, 103m)
SWINGERS (Doug Liman, 1996, 95m)
SWOON (Tom Kalin, 1991, 92m)
SYLVIA SCARLETT (George Cukor, 1935, 95m)
SYMPATHY FOR THE DEVIL (Jean-Luc Godard, 1968, 100m)
SYMPHONY IN SLANG (Tex Avery, 1951, 7m)
SYNDROMES AND A CENTURY (Apichatpong Weerasethakul, 2006, 105m)
TABU (F.W. Murnau, 1931, 82m)
TABU (Miguel Gomes, 2012, 118m)
TAIPEI STORY (Edward Yang, 1985, 119m)
TAIRA CLAN SAGA (Kenji Mizoguchi, 1955, 108m)
TAKE CARE OF YOUR SCARF, TATJANA (Aki Kaurismäki, 1994, 65m)
TAKE ME OUT TO THE BALL GAME (Busby Berkeley, 1949, 93m)
THE TAKING OF PELHAM ONE TWO THREE (Joseph Sargent, 1974, 104m)
TAKING OFF (Milos Forman, 1971, 93m)
TALE OF TALES (Yuriy Norshteyn, 1979, 29m)
THE TALE OF THE PRINCESS KAGUYA (Isao Takahata, 2013, 137m)
A TALE OF THE WIND (Joris Ivens, 1988, 80m)
THE TALES OF HOFFMANN (Powell, Michael/Emeric Pressburger, 1951, 118m)
TALK TO HER (Pedro Almodóvar, 2002, 112m)
THE TALL MEN (Raoul Walsh, 1955, 122m)
THE TALL T (Budd Boetticher, 1957, 78m)
TARGETS (Peter Bogdanovich, 1968, 90m)
TARNATION (Jonathan Caouette, 2003, 88m)
THE TARNISHED ANGELS (Douglas Sirk, 1957, 91m)
TASTE OF CHERRY (Abbas Kiarostami, 1997, 99m)
TASTE OF FEAR (Seth Holt, 1961, 81m)
THE TASTE OF OTHERS (Agnès Jaoui, 2000, 112m)
TAXI BLUES (Pavel Lounguine, 1990, 110m)
TAXI DRIVER (Martin Scorsese, 1976, 113m)
TAXI TEHRAN (Jafar Panahi, 2015, 82m)
TEA AND SYMPATHY (Vincente Minnelli, 1956, 122m)
TEARS OF THE BLACK TIGER (Wisit Sasanatieng, 2000, 110m)
TEN (Abbas Kiarostami, 2002, 92m)
TEN CANOES (Rolf De Heer, 2006, 92m)
TENDER MERCIES (Bruce Beresford, 1983, 89m)
TEOREMA (Pier Paolo Pasolini, 1968, 98m)
THE TERENCE DAVIES TRILOGY (Terence Davies, 1984, 101m)
TERMINATOR 2: JUDGMENT DAY (James Cameron, 1991, 136m)
THE TERMINATOR (James Cameron, 1984, 107m)
LA TERRA TREMA (Luchino Visconti, 1948, 160m)
TESS (Roman Polanski, 1979, 170m)
TESTAMENT (Lynne Littman, 1983, 89m)
THE TESTAMENT OF DR. CORDELIER (Jean Renoir, 1959, 95m)
TESTAMENT OF ORPHEUS (Jean Cocteau, 1960, 83m)
THE TEXAS CHAINSAW MASSACRE (Tobe Hooper, 1974, 83m)
THAT MAN FROM RIO (Philippe de Broca, 1964, 120m)
THAT NIGHT'S WIFE (Yasujiro Ozu, 1930, 65m)
THAT OBSCURE OBJECT OF DESIRE (Luis Buñuel, 1977, 103m)
THELMA & LOUISE (Ridley Scott, 1991, 128m)
THEM! (Gordon Douglas, 1954, 94m)
THERE WAS A FATHER (Yasujiro Ozu, 1942, 94m)
THERE WILL BE BLOOD (Paul Thomas Anderson, 2007, 158m)
THEREMIN: AN ELECTRONIC ODYSSEY (Steven M. Martin, 1993, 104m)
THERE'S ALWAYS TOMORROW (Douglas Sirk, 1956, 84m)
THERE'S SOMETHING ABOUT MARY (Farrelly, Bob/Peter Farrelly, 1998, 119m)
THESE THREE (William Wyler, 1936, 93m)
THEY ALL LAUGHED (Peter Bogdanovich, 1981, 115m)
THEY DIED WITH THEIR BOOTS ON (Raoul Walsh, 1941, 138m)
THEY DON'T WEAR BLACK TIE (Leon Hirszman, 1981, 120m)
THEY DRIVE BY NIGHT (Raoul Walsh, 1940, 93m)
THEY LIVE BY NIGHT (Nicholas Ray, 1948, 95m)
THEY MADE ME A FUGITIVE (Alberto Cavalcanti, 1947, 103m)
THEY SHOOT HORSES, DON'T THEY? (Sydney Pollack, 1969, 129m)
THEY WERE EXPENDABLE (John Ford, 1945, 135m)
THEY WON'T BELIEVE ME (Irving Pichel, 1947, 79m)
THEY WON'T FORGET (Mervyn LeRoy, 1937, 95m)
THEY'LL LOVE ME WHEN I'M DEAD (Morgan Neville, 2018, 98m)
THEY'RE A WEIRD MOB (Michael Powell, 1966, 112m)
THE THIEF OF BAGDAD (Raoul Walsh, 1924, 155m)
THE THIEF OF BAGDAD (Powell, Michael/Ludwig Berger/Tim Whelan, 1940, 106m)
THE THIEF OF PARIS (Louis Malle, 1967, 119m)
THIEVES' HIGHWAY (Jules Dassin, 1949, 94m)
THIEVES LIKE US (Robert Altman, 1974, 123m)
THE THIN BLUE LINE (Errol Morris, 1988, 96m)
THE THIN MAN (W.S. Van Dyke, 1934, 93m)
THE THIN RED LINE (Terrence Malick, 1998, 170m)
THE THING FROM ANOTHER WORLD (Nyby, Christian/Howard Hawks, 1951, 87m)
THINGS TO DO IN DENVER WHEN YOU'RE DEAD (Gary Fleder, 1995, 104m)
THE THIRD LOVER (Claude Chabrol, 1962, 80m)
THE THIRD MAN (Carol Reed, 1949, 104m)
THIS BOY'S LIFE (Michael Caton-Jones, 1993, 115m)
THIS GUN FOR HIRE (Frank Tuttle, 1942, 80m)
THIS HAPPY BREED (David Lean, 1944, 114m)
THIS IS ENGLAND (Shane Meadows, 2006, 103m)
THIS IS NOT A FILM (Panahi, Jafar & Mojtaba Mirtahmasb, 2011, 75m)
THIS IS SPINAL TAP (Rob Reiner, 1984, 82m)
THIS LAND IS MINE (Jean Renoir, 1943, 103m)
THIS MAN MUST DIE (Claude Chabrol, 1969, 115m)
THE THREE BURIALS OF MELQUIADES ESTRADA (Tommy Lee Jones, 2005, 121m)
THREE COLOURS: BLUE (Krzysztof Kieslowski, 1993, 100m)
THREE COLOURS: RED (Krzysztof Kieslowski, 1994, 99m)
THREE COMRADES (Frank Borzage, 1938, 98m)
THREE KINGS (David O. Russell, 1999, 115m)
THREE MONKEYS (Nuri Bilge Ceylan, 2008, 109m)
THREE TIMES (Hou Hsiao-hsien, 2005, 135m)
THRONE OF BLOOD (Akira Kurosawa, 1957, 108m)
THROUGH A GLASS DARKLY (Ingmar Bergman, 1961, 91m)
THROUGH THE OLIVE TREES (Abbas Kiarostami, 1994, 103m)
THUNDER BAY (Anthony Mann, 1953, 102m)
THUNDER ON THE HILL (Douglas Sirk, 1951, 84m)
TIE XI QU: WEST OF THE TRACKS (Wang Bing, 2003, 551m)
THE TIGER OF ESCHNAPUR (Fritz Lang, 1958, 101m)
TIGHTROPE (Richard Tuggle, 1984, 114m)
TIMBUKTU (Abderrahmane Sissako, 2014, 97m)
A TIME FOR DRUNKEN HORSES (Bahman Ghobadi, 2000, 80m)
TIME OF THE GYPSIES (Emir Kusturica, 1989, 142m)
TIME OUT (Laurent Cantet, 2001, 134m)
THE TIME TO LIVE AND THE TIME TO DIE (Hou Hsiao-hsien, 1985, 137m)
A TIME TO LOVE AND A TIME TO DIE (Douglas Sirk, 1958, 132m)
THE TIMES OF HARVEY MILK (Rob Epstein, 1984, 87m)
THE TINGLER (William Castle, 1959, 82m)
TITICUT FOLLIES (Frederick Wiseman, 1967, 84m)
T-MEN (Anthony Mann, 1947, 92m)
TO BE AND TO HAVE (Nicolas Philibert, 2002, 104m)
TO BE OR NOT TO BE (Ernst Lubitsch, 1942, 99m)
TO CATCH A THIEF (Alfred Hitchcock, 1955, 106m)
TO EACH HIS OWN (Mitchell Leisen, 1946, 122m)
TO HAVE AND HAVE NOT (Howard Hawks, 1944, 100m)
TO KILL A MOCKINGBIRD (Robert Mulligan, 1962, 129m)
TO LIVE (Zhang Yimou, 1994, 145m)
TOKYO CHORUS (Yasujiro Ozu, 1931, 90m)
TOKYO DRIFTER (Seijun Suzuki, 1966, 83m)
TOKYO STORY (Yasujiro Ozu, 1953, 134m)
TOKYO TWILIGHT (Yasujiro Ozu, 1957, 140m)
TOM PETTY AND THE HEARTBREAKERS: RUNNIN' DOWN A DREAM (Peter Bogdanovich, 2007, 239m)
THE TOMB OF LIGEIA (Roger Corman, 1965, 81m)
TOMBOY (Céline Sciamma, 2011, 82m)
TONI (Jean Renoir, 1935, 81m)
TONI ERDMANN (Maren Ade, 2016, 162m)
TONY MANERO (Pablo Larraín, 2008, 97m)
TONY TAKITANI (Jun Ichikawa, 2004, 75m)
TOP HAT (Mark Sandrich, 1935, 99m)
TORMENT (Alf Sjöberg, 1944, 100m)
TORRID ZONE (William Keighley, 1940, 88m)
TOUCH OF EVIL (Orson Welles, 1958, 108m)
A TOUCH OF SIN (Jia Zhangke, 2013, 133m)
A TOUCH OF ZEN (King Hu, 1971, 200m)
THE TOUCH (Ingmar Bergman, 1971, 115m)
TOUCHEZ PAS AU GRISBI (Jacques Becker, 1954, 94m)
TOUKI BOUKI (Djibril Diop Mambéty, 1973, 85m)
TOUT VA BIEN (Godard, Jean-Luc & Jean-Pierre Gorin, 1972, 95m)
TOUTE LA MÉMOIRE DU MONDE (Alain Resnais, 1956, 21m)
TOWER (Keith Maitland, 2016, 96m)
TOY STORY (John Lasseter, 1995, 80m)
TOY STORY 2 (John Lasseter, 1999, 94m)
TOY STORY 3 (Lee Unkrich, 2010, 103m)
TRACK OF THE CAT (William Wellman, 1954, 102m)
THE TRACKER (Rolf De Heer, 2002, 90m)
TRAFFIC (Jacques Tati, 1971, 96m)
TRAFFIC (Steven Soderbergh, 2000, 147m)
THE TRAIN (John Frankenheimer, 1964, 133m)
TRANS-EUROP-EXPRESS (Alain Robbe-Grillet, 1966, 105m)
THE TRAP: WHAT HAPPENED TO OUR DREAM OF FREEDOM? [TV] (Adam Curtis, 2007, 180m)
THE TRAVELLING PLAYERS (Theo Angelopoulos, 1975, 230m)
THE TREASURE OF THE SIERRA MADRE (John Huston, 1948, 124m)
A TREE GROWS IN BROOKLYN (Elia Kazan, 1945, 128m)
THE TREE OF WOODEN CLOGS (Ermanno Olmi, 1978, 185m)
TREMORS (Ron Underwood, 1989, 96m)
TRENO POPOLARE (Raffaello Matarazzo, 1933, 59m)
TRIAL OF JOAN OF ARC (Robert Bresson, 1962, 65m)
TRIBUTE TO A BAD MAN (Robert Wise, 1956, 95m)
THE TRIPLETS OF BELLEVILLE (Sylvain Chomet, 2003, 80m)
TRISTANA (Luis Buñuel, 1970, 98m)
TRISTRAM SHANDY: A COCK AND BULL STORY (Michael Winterbottom, 2005, 94m)
LE TROU (Jacques Becker, 1960, 140m)
TROUBLE IN MIND (Alan Rudolph, 1985, 111m)
TROUBLE IN PARADISE (Ernst Lubitsch, 1932, 83m)
TRUE GRIT (Coen, Joel & Ethan Coen, 2010, 110m)
TRUE HEART SUSIE (D.W. Griffith, 1919, 87m)
TRUE STORIES (David Byrne, 1986, 111m)
THE TRUMAN SHOW (Peter Weir, 1998, 102m)
TRUMBO (Peter Askin, 2007, 96m)
TRUST (Hal Hartley, 1990, 107m)
TRY AND GET ME! (Cy Endfield, 1950, 85m)
THE TURIN HORSE (Béla Tarr, 2011, 146m)
TURNING GATE (Hong Sang-soo, 2002, 115m)
TURTLES CAN FLY (Bahman Ghobadi, 2004, 97m)
TWELVE MONKEYS (Terry Gilliam, 1995, 131m)
TWELVE O'CLOCK HIGH (Henry King, 1949, 132m)
TWENTY-FOUR EYES (Keisuke Kinoshita, 1954, 154m)
TWILIGHT (Robert Benton, 1998, 104m)
TWILIGHT'S LAST GLEAMING (Robert Aldrich, 1977, 146m)
TWIN PEAKS [TV] (Lynch, David/Lesli Link Glatter/Caleb Deschanel/Duwayne Dunham/Tim Hunter/Todd Holland/Tina Rathbone, 1990-1991, 1363m)
TWIN PEAKS: THE RETURN [TV] (David Lynch, 2017, 1024m)
TWISTED NERVE (Roy Boulting, 1968, 118m)
TWO DAYS, ONE NIGHT (Dardenne, Jean-Pierre & Luc Dardenne, 2014, 95m)
TWO ENGLISH GIRLS (François Truffaut, 1971, 108m)
TWO LOVERS (James Gray, 2008, 110m)
TWO MEN IN MANHATTAN (Jean-Pierre Melville, 1959, 84m)
THE TWO MRS. CARROLLS (Peter Godfrey, 1947, 99m)
TWO WEEKS IN ANOTHER TOWN (Vincente Minnelli, 1962, 107m)
TWO-LANE BLACKTOP (Monte Hellman, 1971, 101m)
TYPHOON CLUB (Shinji Somai, 1985, 115m)
UGETSU MONOGATARI (Kenji Mizoguchi, 1953, 96m)
ULEE'S GOLD (Victor Nunez, 1997, 111m)
ULYSSES' GAZE (Theo Angelopoulos, 1995, 176m)
ULZANA'S RAID (Robert Aldrich, 1972, 103m)
UMBERTO D. (Vittorio De Sica, 1952, 89m)
THE UMBRELLAS OF CHERBOURG (Jacques Demy, 1964, 91m)
UMUT (Yilmaz Güney, 1970, 100m)
THE UNBELIEVABLE TRUTH (Hal Hartley, 1989, 90m)
UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (Apichatpong Weerasethakul, 2010, 113m)
UNDER THE BRIDGES (Helmut Käutner, 1946, 99m)
UNDER THE ROOFS OF PARIS (René Clair, 1930, 92m)
UNDER THE SAND (François Ozon, 2000, 96m)
UNDER THE SKIN (Jonathan Glazer, 2013, 108m)
UNDERCURRENT (Vincente Minnelli, 1946, 116m)
UNDERGROUND (Anthony Asquith, 1928, 84m)
THE UNDERNEATH (Steven Soderbergh, 1995, 99m)
UNDERTOW (David Gordon Green, 2004, 107m)
UNDERWORLD (Josef von Sternberg, 1927, 80m)
UNDERWORLD BEAUTY (Seijun Suzuki, 1958, 87m)
UNDERWORLD, U.S.A. (Samuel Fuller, 1961, 99m)
UNFAITHFULLY YOURS (Preston Sturges, 1948, 105m)
UNFINISHED PIECE FOR THE PLAYER PIANO (Nikita Mikhalkov, 1977, 103m)
UNFORGIVEN (Clint Eastwood, 1992, 127m)
THE UNINVITED (Lewis Allen, 1944, 98m)
UNITED 93 (Paul Greengrass, 2006, 110m)
THE UNKNOWN GIRL (Dardenne, Jean-Pierre & Luc Dardenne, 2016, 113m)
THE UNKNOWN (Tod Browning, 1927, 65m)
AN UNMARRIED WOMAN (Paul Mazursky, 1978, 124m)
UNSANE (Steven Soderbergh, 2018, 98m)
THE UNSPEAKABLE ACT (Dan Sallitt, 2012, 91m)
THE UNSUSPECTED (Michael Curtiz, 1947, 103m)
THE UNTOUCHABLES (Brian De Palma, 1987, 119m)
THE USUAL SUSPECTS (Bryan Singer, 1995, 105m)
VA SAVOIR (Jacques Rivette, 2001, 154m)
VAGABOND (Agnès Varda, 1985, 105m)
VALENTIN DE LAS SIERRAS (Bruce Baillie, 1967, 10m)
VALERIE AND HER WEEK OF WONDERS (Jaromil Jires, 1970, 77m)
VAMPIRE'S KISS (Robert Bierman, 1989, 96m)
LES VAMPIRES (Louis Feuillade, 1915, 440m)
VAMPYR (Carl Theodor Dreyer, 1932, 73m)
VAN GOGH (Maurice Pialat, 1991, 158m)
VANILLA SKY (Cameron Crowe, 2001, 135m)
THE VANISHING (George Sluizer, 1988, 101m)
VARIETY (E.A. Dupont, 1925, 104m)
VENGEANCE IS MINE (Shohei Imamura, 1979, 129m)
VERA CRUZ (Robert Aldrich, 1954, 94m)
VERA DRAKE (Mike Leigh, 2004, 125m)
THE VERDICT (Sidney Lumet, 1982, 129m)
EL VERDUGO (Luis García Berlanga, 1963, 90m)
VERONIKA VOSS (Rainer Werner Fassbinder, 1982, 105m)
THE VERTICAL RAY OF THE SUN (Tran Anh Hung, 2000, 112m)
VERTIGO (Alfred Hitchcock, 1958, 128m)
VICTIM (Basil Dearden, 1961, 100m)
VIDEODROME (David Cronenberg, 1983, 90m)
VIDEOGRAMS OF A REVOLUTION (Farocki, Harun & Andrei Ujica, 1992, 106m)
LA VIE DE BOHÈME (Aki Kaurismäki, 1992, 100m)
THE VIKINGS (Richard Fleischer, 1958, 114m)
VINCENT (Tim Burton, 1982, 6m)
VINCENT, FRANÇOIS, PAUL AND THE OTHERS (Claude Sautet, 1974, 118m)
VIOLENT SATURDAY (Richard Fleischer, 1955, 91m)
THE VIRGIN SPRING (Ingmar Bergman, 1960, 88m)
THE VIRGIN SUICIDES (Sofia Coppola, 1999, 96m)
VIRIDIANA (Luis Buñuel, 1961, 90m)
VISIONS OF LIGHT: THE ART OF CINEMATOGRAPHY (Glassman, Arnold/Todd McCarthy/Stuart Samuels, 1992, 90m)
I VITELLONI (Federico Fellini, 1953, 104m)
VIVRE SA VIE (Jean-Luc Godard, 1962, 85m)
VOLVER (Pedro Almodóvar, 2006, 121m)
LE VOYAGE DANS LA LUNE (Georges Méliès, 1902, 14m)
VOYAGE IN ITALY (Roberto Rossellini, 1953, 97m)
VOYAGE TO CYTHERA (Theo Angelopoulos, 1984, 120m)
W.R.: MYSTERIES OF THE ORGANISM (Dusan Makavejev, 1971, 84m)
THE WAGES OF FEAR (Henri-Georges Clouzot, 1953, 105m)
WAGON MASTER (John Ford, 1950, 86m)
WAGS TO RICHES (Tex Avery, 1949, 7m)
WAITING FOR GUFFMAN (Christopher Guest, 1997, 93m)
WAITING FOR HAPPINESS (Abderrahmane Sissako, 2002, 90m)
A WALK IN THE SUN (Lewis Milestone, 1945, 117m)
WALK THE LINE (James Mangold, 2005, 136m)
WALKER (Alex Cox, 1987, 94m)
WALKING (Ryan Larkin, 1969, 5m)
WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT (Park, Nick & Steve Box, 2005, 85m)
WALL-E (Andrew Stanton, 2008, 98m)
THE WALLS OF JERICHO (John M. Stahl, 1948, 106m)
WALTZ WITH BASHIR (Ari Folman, 2008, 90m)
WANDA (Barbara Loden, 1970, 105m)
WAR AND PEACE (Sergei Bondarchuk, 1967, 373m)
THE WAR GAME (Peter Watkins, 1965, 48m)
THE WAR OF THE ROSES (Danny De Vito, 1989, 116m)
THE WAR OF THE WORLDS (Byron Haskin, 1953, 85m)
THE WAR ZONE (Tim Roth, 1998, 98m)
WARLOCK (Edward Dmytryk, 1959, 121m)
WAY DOWN EAST (D.W. Griffith, 1920, 145m)
THE WAY OF THE GUN (Christopher McQuarrie, 2000, 119m)
WE ALL LOVED EACH OTHER SO MUCH (Ettore Scola, 1974, 124m)
WE ARE THE BEST! (Lukas Moodysson, 2013, 102m)
WE NEED TO TALK ABOUT KEVIN (Lynne Ramsay, 2011, 112m)
WE OWN THE NIGHT (James Gray, 2007, 117m)
WE WON'T GROW OLD TOGETHER (Maurice Pialat, 1972, 110m)
THE WEB (Michael Gordon, 1947, 87m)
THE WEDDING BANQUET (Ang Lee, 1993, 111m)
WEDDING IN BLOOD (Claude Chabrol, 1973, 98m)
THE WEDDING MARCH (Erich von Stroheim, 1928, 113m)
THE WEDDING SINGER (Frank Coraci, 1998, 95m)
WEEKEND (Andrew Haigh, 2011, 97m)
WELCOME TO CHECHYNA (David France, 2020, 107m)
WELCOME TO THE DOLLHOUSE (Todd Solondz, 1995, 87m)
WELFARE (Frederick Wiseman, 1975, 167m)
THE WELL (Popkin, Leo & Russell Rouse, 1951, 85m)
WENDY AND LUCY (Kelly Reichardt, 2008, 80m)
WENT THE DAY WELL? (Alberto Cavalcanti, 1942, 92m)
WES CRAVEN'S NEW NIGHTMARE (Wes Craven, 1994, 112m)
WESTERN (Valeska Grisebach, 2017, 121m)
WESTERN UNION (Fritz Lang, 1941, 94m)
WESTWORLD (Michael Crichton, 1973, 88m)
WHAT EVER HAPPENED TO BABY JANE? (Robert Aldrich, 1962, 132m)
WHAT TIME IS IT THERE? (Tsai Ming-liang, 2001, 116m)
WHAT'S EATING GILBERT GRAPE (Lasse Hallström, 1993, 117m)
WHAT'S OPERA, DOC? (Chuck Jones, 1957, 7m)
WHEN A WOMAN ASCENDS THE STAIRS (Mikio Naruse, 1960, 111m)
WHEN IT RAINS (Charles Burnett, 1995, 13m)
WHEN LADIES MEET (Robert Z. Leonard, 1941, 108m)
WHEN STRANGERS MARRY (William Castle, 1944, 67m)
WHEN THE LEVEES BROKE: A REQUIEM IN FOUR ACTS [TV] (Spike Lee, 2006, 255m)
WHEN WE WERE KINGS (Leon Gast, 1996, 88m)
WHEN WILLIE COMES MARCHING HOME (John Ford, 1950, 82m)
WHERE DANGER LIVES (John Farrow, 1950, 84m)
WHERE IS THE FRIEND'S HOME? (Abbas Kiarostami, 1987, 85m)
WHERE THE SIDEWALK ENDS (Otto Preminger, 1950, 95m)
WHERE'S MY ROY COHN? (Matt Tyrnauer, 2019, 97m)
WHILE THE CITY SLEEPS (Fritz Lang, 1956, 100m)
WHIPLASH (Damien Chazelle, 2014, 107m)
WHIRLPOOL (Otto Preminger, 1949, 98m)
WHISKY (Rebella, Juan Pablo & Pablo Stoll, 2004, 98m)
THE WHITE BALLOON (Jafar Panahi, 1995, 84m)
WHITE DOG (Samuel Fuller, 1982, 89m)
WHITE HEAT (Raoul Walsh, 1949, 114m)
WHITE MATERIAL (Claire Denis, 2009, 100m)
THE WHITE RIBBON (Michael Haneke, 2009, 144m)
THE WHITE SHEIK (Federico Fellini, 1951, 83m)
WHO AM I THIS TIME? (Jonathan Demme, 1982, 60m)
WHO FRAMED ROGER RABBIT? (Robert Zemeckis, 1988, 103m)
WHO KILLED WHO? (Tex Avery, 1943, 8m)
WHO'S AFRAID OF VIRGINIA WOOLF? (Mike Nichols, 1966, 129m)
WHO'S THAT KNOCKING AT MY DOOR? (Martin Scorsese, 1968, 90m)
WHY DOES HERR R. RUN AMOK? (Fassbinder, Rainer Werner & Michael Fengler, 1970, 88m)
WICHITA (Jacques Tourneur, 1955, 81m)
THE WILD BUNCH (Sam Peckinpah, 1969, 144m)
THE WILD CHILD (François Truffaut, 1970, 85m)
THE WILD PEAR TREE (Nuri Bilge Ceylan, 2018, 188m)
WILD REEDS (André Téchiné, 1993, 110m)
WILD RIVER (Elia Kazan, 1960, 110m)
WILD ROVERS (Blake Edwards, 1971, 109m)
WILD STRAWBERRIES (Ingmar Bergman, 1957, 90m)
WILL PENNY (Tom Gries, 1967, 108m)
WILL SUCCESS SPOIL ROCK HUNTER? (Frank Tashlin, 1957, 94m)
WINCHESTER '73 (Anthony Mann, 1950, 92m)
THE WIND RISES (Hayao Miyazaki, 2013, 126m)
THE WIND WILL CARRY US (Abbas Kiarostami, 1999, 118m)
THE WIND (Victor Sjöström, 1928, 88m)
THE WINDOW (Ted Tetzlaff, 1949, 73m)
WINGS (Larisa Shepitko, 1966, 85m)
WINGS OF DESIRE (Wim Wenders, 1987, 130m)
THE WINGS OF EAGLES (John Ford, 1957, 110m)
THE WINSLOW BOY (David Mamet, 1998, 104m)
WINTER LIGHT (Ingmar Bergman, 1962, 80m)
WINTER SLEEP (Nuri Bilge Ceylan, 2014, 196m)
WINTER'S BONE (Debra Granik, 2010, 100m)
WISE BLOOD (John Huston, 1979, 108m)
WITHNAIL & I (Bruce Robinson, 1987, 107m)
WITNESS FOR THE PROSECUTION (Billy Wilder, 1957, 114m)
THE WIZARD OF OZ (Victor Fleming, 1939, 101m)
WOMAN IN THE DUNES (Hiroshi Teshigahara, 1964, 127m)
THE WOMAN IN THE WINDOW (Fritz Lang, 1944, 107m)
THE WOMAN NEXT DOOR (François Truffaut, 1981, 106m)
A WOMAN OF PARIS (Charles Chaplin, 1923, 78m)
WOMAN OF THE YEAR (George Stevens, 1942, 112m)
WOMAN ON THE BEACH (Hong Sang-soo, 2006, 100m)
WOMAN ON THE RUN (Norman Foster, 1950, 77m)
A WOMAN UNDER THE INFLUENCE (John Cassavetes, 1974, 155m)
A WOMAN'S FACE (George Cukor, 1941, 105m)
THE WOMEN (George Cukor, 1939, 132m)
WONDER BOYS (Curtis Hanson, 2000, 112m)
WONDERFUL TOWN (Aditya Assarat, 2007, 92m)
THE WONDERFUL, HORRIBLE LIFE OF LENI RIEFENSTAHL (Ray Muller, 1993, 182m)
WONDERLAND (Michael Winterbottom, 1999, 108m)
THE WORLD ACCORDING TO GARP (George Roy Hill, 1982, 136m)
THE WORLD OF APU (Satyajit Ray, 1959, 103m)
THE WORLD OF HENRY ORIENT (George Roy Hill, 1964, 106m)
THE WORLD (Jia Zhangke, 2004, 140m)
WORMWOOD [TV] (Errol Morris, 2017, 241m)
WRITTEN ON THE WIND (Douglas Sirk, 1956, 99m)
THE WRONG MAN (Alfred Hitchcock, 1956, 105m)
THE WRONG TROUSERS (Nick Park, 1993, 30m)
WUTHERING HEIGHTS (William Wyler, 1939, 103m)
X: THE MAN WITH THE X-RAY EYES (Roger Corman, 1963, 80m)
XALA (Ousmane Sembene, 1975, 123m)
THE YARDS (James Gray, 2000, 115m)
YEARNING (Mikio Naruse, 1964, 98m)
YEELEN (Souleymane Cissé, 1987, 105m)
YELLOW EARTH (Chen Kaige, 1984, 89m)
YELLOW SKY (William Wellman, 1948, 98m)
YELLOW SUBMARINE (George Dunning, 1968, 85m)
YESTERDAY GIRL (Alexander Kluge, 1966, 88m)
YI YI (Edward Yang, 2000, 173m)
YOU CAN COUNT ON ME (Kenneth Lonergan, 2000, 110m)
YOU ONLY LIVE ONCE (Fritz Lang, 1937, 86m)
YOU WERE NEVER REALLY HERE (Lynne Ramsay, 2017, 89m)
YOU, THE LIVING (Roy Andersson, 2007, 93m)
YOUNG AHMED (Dardenne, Jean-Pierre & Luc Dardenne, 2019, 90m)
YOUNG AT HEART (Gordon Douglas, 1954, 117m)
YOUNG FRANKENSTEIN (Mel Brooks, 1974, 105m)
THE YOUNG GIRLS OF ROCHEFORT (Jacques Demy, 1967, 124m)
YOUNG MAN WITH A HORN (Michael Curtiz, 1950, 112m)
YOUNG MR. LINCOLN (John Ford, 1939, 100m)
THE YOUNG ONE (Luis Buñuel, 1960, 96m)
YOUR FRIENDS & NEIGHBORS (Neil LaBute, 1998, 99m)
YOUR SISTER'S SISTER (Lynn Shelton, 2011, 90m)
YOUTH OF THE BEAST (Seijun Suzuki, 1963, 92m)
Z (Constantin Costa-Gavras, 1969, 127m)
Z CHANNEL: A MAGNIFICENT OBSESSION (Xan Cassavetes, 2004, 120m)
ZAMA (Lucrecia Martel, 2017, 115m)
ZATOICHI (Takeshi Kitano, 2003, 115m)
ZELIG (Woody Allen, 1983, 79m)
ZERO EFFECT (Jake Kasdan, 1997, 115m)
ZERO FOR CONDUCT (Jean Vigo, 1933, 41m)
ZULU (Cy Endfield, 1964, 138m)