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Nicolas Roeg
Director / Cinematographer
1928 - 
Born August 15, London, England
Key Production Countries: UK, USA
Key Genres: Drama, Psychological Drama, Satire
Key Collaborators: Tony Lawson (Editor), Stanley Myers (Composer), Theresa Russell (Leading Player), Jeremy Thomas (Producer), Allan Scott (Screenwriter), Anthony B. Richmond (Cinematographer), David Brockhurst (Production Designer), Rick McCallum (Producer), Paul Mayersberg (Screenwriter), Harvey Harrison (Cinematographer)

Worth a Look: Performance (1970)* [co-directed by Donald Cammell], Don't Look Now (1973)*, The Man Who Fell to Earth (1976)*, Bad Timing (1980), Eureka (1981), Insignificance (1985), The Witches (1989)
Approach with Caution: Walkabout (1971)*
Duds: Castaway (1987), Track 29 (1988)
* Listed in TSPDT's 1,000 Greatest Films section.

 
 
 
Links: [ Amazon ] [ IMDB ] [ All-Movie Guide[ Senses of Cinema: Great Directors ] [ Film Reference ] [ Britmovie Biography ] [ Gerald Peary Interview ] [ SFX Magazine Interview ] [ Jump Cut Article (1974) ] [ Screen Online Biography ]
Books: [ Nicolas Roeg: Film by Film ] [ The Films of Nicolas Roeg: Myth and Mind[ Fragile Geometry: The Films, Philosophy, and Misadventures of Nicolas Roeg ] [ Nicolas Roeg ]
 
Performance (1970)Don't Look Now (1973)The Witches (1989)Insignificance (1985)
 
     
  "A former clapper boy, lighting cameraman and cinematographer who belatedly moved into directing, Roeg never seemed totally at ease in front of the camera (or, perhaps more accurately, beside it). His visuals are often wonderful, but his later scripts can be woeful, particularly in the case of Eureka (1983)...If this all sounds unduly critical, it shouldn't be taken as such, for Roeg's standards and his expectations of himself are high, and his is a genuinely eclectic talent which can provoke, puzzle and satisfy in roughly equal measures." - Mario Reading (The Movie Companion, 2006)  
     
  "Nicolas Roeg is a visual trickster who plays havoc with conventional screen narratives. Choosing an oblique storytelling formula, he riddles his plots with ambiguous characters, blurred genres, distorted chronologies, and open-ended themes to invite warring interpretations." - Joseph Lanza & Rob Edelman (The St. James Film Directors Encyclopedia, 1998)  
     
  "From his directing debut Performance (made with Donald Cammell) onwards, Roeg deployed a fragmented, associative editing style to shift between reality and fantasy, fear and desire, past, present, and future in diverse genres... Excepting Walkabout and Don't Look Now, the results, while intriguing, have often lacked coherence; the narrative complexity and bold, baroque images can seem a gloss imposed on conventional stories." - Geoff Andrew (The Director's Vision, 1999)  
     
  "A director of exotica, mood, and place, Roeg must learn to handle narrative with more assurance." - William R. Meyer (The Film Buff's Catalog, 1978)  
     
 
Please note that the rating given for this director (see top-right) is based only on the films we have seen (listed above). Films by this director that we haven't seen include Cold Heaven (1992), Two Deaths (1994), and Puffball (2006).
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"Nicolas Roeg is one of the romantics of modern cinema. His early career was a veritable pilgrim's progress through the industry... Roeg once described cinema as a "time machine" and his reputation is founded on an adventurous play with temporality and desire, a phantasmagoria of choppy time frames and unanchored visions. The results have varied from  visionary to self-indulgent... Roeg remains one of the last links that modern British cinema retains with the experimentalism of 1960s European cinema." - Richard Armstrong, The Rough Guide to Film

 
 
Top 250 Directors
100 Essential Directors (Pop Matters)
Telegraph's Top 21 British Directors of All Time
501 Movie Directors: A Comprehensive Guide to the Greatest Filmmakers
 
See Also
Michelangelo Antonioni
Bernardo Bertolucci
John Boorman
Luis Buñuel
Donald Cammell (External Link)
Rolf de Heer
Peter Greenaway
Werner Herzog
Joseph Losey
Roman Polanski
Alain Resnais
Peter Weir
 
 
 
         
         

 

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