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Woody Allen
Director / Screenwriter / Actor
1935 - 
Born December 1, Brooklyn, New York, USA
Key Production Countries: USA, UK, Spain
Key Genres: Comedy, Urban Comedy, Ensemble Film, Comedy Drama, Romantic Comedy, Satire, Comedy of Manners, Sophisticated Comedy, Drama, Comedy of Errors, Psychological Drama, Fantasy Comedy, Showbiz Comedy, Sex Comedy, Parody/Spoof, Mockumentary, Romance
Key Collaborators: Susan E. Morse (Editor), Santo Loquasto (Production Designer), Robert Greenhut (Producer), Alisa Lepselter (Editor), Mia Farrow (Leading Player), Letty Aronson (Producer), Carlo Di Palma (Cinematographer), Gordon Willis (Cinematographer), Diane Keaton (Leading Character Player), Mel Bourne (Production Designer)

Highly Recommended: Annie Hall (1977)*, Manhattan (1979)*, Hannah and Her Sisters (1986)*, Crimes and Misdemeanors (1989)*, Bullets Over Broadway (1994)
Recommended: Bananas (1971), Sleeper (1973)*, Love and Death (1975), Stardust Memories (1980), Zelig (1983)*, Broadway Danny Rose (1984)*, Radio Days (1987), Husbands and Wives (1992), Mighty Aphrodite (1995), Everyone Says I Love You (1996), Deconstructing Harry (1997), Sweet and Lowdown (1999), Small Time Crooks (2000), The Curse of the Jade Scorpion (2001), Match Point (2005)
Worth a Look: What's Up, Tiger Lily? (1966) [original footage directed by Senkichi Taniguchi], Take the Money and Run (1969),  Everything You Always Wanted to Know About Sex (But Were Afraid to Ask) (1972), A Midsummer Night's Sex Comedy (1982), The Purple Rose of Cairo (1985)*, Another Woman (1988), Shadows and Fog (1991), Celebrity (1998), Melinda and Melinda (2004), Whatever Works (2009)
Approach with Caution: Interiors (1978), September (1987), New York Stories (1989) [co-directed by Francis Ford Coppola & Martin Scorsese], Alice (1990), Manhattan Murder Mystery (1993), Hollywood Ending (2002), Scoop (2006), Midnight in Paris (2011)
Duds: Anything Else (2003), Cassandra's Dream (2007), Vicky Cristina Barcelona (2008), You Will Meet a Tall Dark Stranger (2010)
* Listed in TSPDT's 1,000 Greatest Films section.

 
 
 
Links: [ Amazon ] [ IMDB ] [ TCMDB ] [ All-Movie Guide[ Senses of Cinema: Great Directors ] [ Film Reference ] [ Woody Allen.Com ] [ Wikipedia ] [ Another Woody Page ] [ Woody Allen Movies ] [ The Australian (2010) ] [ New York Sun Article (2006) ] [ Guardian Articles ] [ Cineaste Interview (2008) ] [ Google Books: Woody Allen Interviews ] [ Film Comment Interview (2011) ] [ LA Weekly Interview (2012) ]
Books: [ Woody Allen and Philosophy: You Mean My Whole Fallacy is Wrong? ] [ Conversations with Woody Allen: His Films, the Movies, and Moviemaking ] [ Woody Allen on Woody Allen ] [ Woody Allen: A Biography (Eric Lax) ] [ Love, Sex, Death and the Meaning of Life ] [ Woody Allen: A Life in Film ] [ The Films of Woody Allen ] [ Woody from Antz to Zelig: A Reference Guide to Woody Allen's Creative Work, 1964-1998 ] [ Woody Allen: A Biography (John Baxter) ] [ Woody: Movies from Manhattan ] [ Woody Allen at Work ] [ Everything You Always Wanted to Know About Woody Allen: The Ultimate Quiz Book ] [ Woody Allen: Interviews ] [ Dread & Superficiality: Woody Allen as Comic Strip ]
 
Manhattan (1979)Annie Hall (1977)Bullets Over Broadway (1994)Hannah and Her Sisters (1986)
 
     
  "While most other recent screen comics have aimed their lamebrain, slapdash spoofery at teenage audiences, Allen Stewart Konigsberg, as he was born, has alone been consistent in catering to more adult tastes. His is a comedy increasingly defined by character: notably, his own." - Geoff Andrew (The Film Handbook, 1989)  
     
  "Allen's genuinely original voice in the cinema recalls writer-directors like Buster Keaton, Charlie Chaplin, and Preston Sturges, who dissect their portions of the American landscape primarily through comedy. In his creative virtuosity, Allen also resembles Orson Welles, whose visual and verbal wit, though contained in seemingly non-comic genres, in fact exposes the American character to satirical scrutiny." - Mark W. Estrin (International Dictionary of Films and Filmmakers, 1991)  
     
  "Great comedians almost always portray little men attempting to cope with the trappings of a civilization that is a bit too much for them, and Woody Allen is no exception. His insecurities - physical, sexual and emotional - are truly of monumental proportions." - (The Movie Makers, 1974)  
     
  "Blends nightclub jokes, visual humor, and literary references into a wild sense of comedy. Has a good pictorial sense." - William R. Meyer (The Film Buff's Catalog, 1978)  
     
  "If my films don't show a profit, I know I'm doing something right." - Woody Allen  
     
  "If my films make one more person miserable, I'll feel I have done my job." - Woody Allen  
     
 8+
 

"After Charlie Chaplin, Woody Allen is the most significant comedy auteur in American film history. For more than thirty years Allen, like Chaplin, has written, directed, and starred in groundbreaking comedies at the rate of nearly a film a year since his first movie, What’s New, Pussycat? (1965). Allen also has demonstrated a gift for literary humor, and his writing for The New Yorker magazine resulted in three well-received books: Getting Even (1971), Without Feathers (1975), and Side Effects (1980)." - Wes D. Gehring, Schirmer Encyclopedia of Film

 
 
Top 250 Directors 
100 Essential Directors (Pop Matters)
The 23rd Most Influential Director of All Time (2002 MovieMaker Poll)
501 Movie Directors: A Comprehensive Guide to the Greatest Filmmakers
 
See Also
Noah Baumbach
Ingmar Bergman
Albert Brooks
Charles Chaplin
Federico Fellini
Buster Keaton
Neil LaBute
Paul Mazursky
Leo McCarey
Rob Reiner
Herbert Ross
Whit Stillman
 
Woody Allen's Favourites
Bicycle Thieves (1948) Vittorio De Sica, Citizen Kane (1941) Orson Welles, Double Indemnity (1944) Billy Wilder, The 400 Blows (1959) François Truffaut, La Grande illusion (1937) Jean Renoir, The Hill (1965) Sidney Lumet, The Informer (1935) John Ford, Los Olvidados (1950) Luis Buñuel, Rashomon (1950) Akira Kurosawa, The Seventh Seal (1957) Ingmar Bergman, Shane (1953) George Stevens, Throne of Blood (1957) Akira Kurosawa, The Treasure of the Sierra Madre (1948) John Huston, White Heat (1949) Raoul Walsh, Wild Strawberries (1957) Ingmar Bergman. Source: New York Times (2001)
 
 
 
         
         

 

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