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| Rainer
Werner
Fassbinder |
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| Director
/ Screenwriter / Producer / Editor / Actor / Production Designer /
Cinematographer |
| 1945 - 1982 |
| Born May 31, Bad
Wörishofen, Bavaria, Germany |
| Key
Production Country: Germany |
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Key Genres: Drama,
Melodrama, Psychological Drama,
Gay & Lesbian Films, Crime Drama |
| Key
Collaborators: Peer Raben (Composer/Producer),
Irm Hermann (Character Player), Hanna Schygulla (Leading Character
Player), Kurt Raab (Production Designer/Screenwriter), Ingrid Caven
(Character Player), Michael Ballhaus
(Cinematographer), Thea Eymesz (Editor),
Karl Scheydt (Character Player), Dietrich Lohmann (Cinematographer), Julianne Lorenz
(Editor) |
| Highly Recommended:
The Merchant of Four Seasons (1971), Ali: Fear Eats the Soul (1974),
Fox and His Friends (1975), In a Year with 13 Moons (1978), Berlin Alexanderplatz (1980) |
| Recommended:
Love is Colder Than Death (1969), Gods of the Plague (1969), The
Bitter Tears of Petra von Kant (1972), Martha (1973), I Only Want You to Love Me [TV] (1976), The Marriage of Maria Braun (1978), Lola (1981), Veronika Voss (1982) |
| Links: [
IMDB ] [
TCMDB ] [
All-Movie
Guide ] [ Senses
of Cinema: Great Directors ]
[
Film Reference ]
[
The Fassbinder Foundation ] [ Bright
Lights Film Journal Feature ] [
Wikipedia ] [
The Film
Journal Article (2006) ] [
New German Cinema
] [
Biography/Filmography
] [
GreenCine Article (2007) ] |
| Books: [
Fassbinder's
Germany ] [ Rainer
Werner Fassbinder ] [ The
Anarchy of the Imagination: Interviews, Essays, Notes ] [
Fassbinder: Life and Work of a Provocative Genius ] [
Rainer Werner Fassbinder: Plays ] [
Chaos as Usual: Conversations About Rainer Werner Fassbinder ] [
Understanding Rainer Werner Fassbinder: Film As Private and Public Art
] [
Rainer
Werner Fassbinder and the German Theatre ] |
| DVD's:
[
Amazon
] |
| 1,000
Greatest Films: The
Bitter Tears of Petra von Kant (1972), Ali: Fear Eats the Soul (1974), In a Year with 13 Moons (1978), The
Marriage of Maria Braun (1978), Berlin Alexanderplatz (1980), Veronika Voss (1982) |
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"Fassbinder's
most distinguishing trait within the tradition of
"counter-cinema," aside from his reputation for rendering
fragments of the new left ideology of the 1960s on film, was his
modification of the conventions of political cinema initiated in
the 1920s and subsequent tailoring of these conventions to
modern conditions of Hollywood cinema. He did this to a greater
degree than Godard, who is
credited with using these principles as content for filmic
essays on narrative." -
John O'Kane (International Dictionary of Films and Filmmakers,
1991) |
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"The bare fact is
enough: Fassbinder died well short of forty, the maker of at
least half a dozen extraordinary pictures: The Bitter Tears
of Petra von Kant still has no equal in its simultaneous
delight in "style" while pouring acid over the image; Beware
of a Holy Whore, Fear Eats the Soul, The Marriage of Maria Braun,
and Lola (at least) are outstanding examples of how
contemporary history can be focused on the screen in short,
tough tales." - David
Thomson (The New Biographical Dictionary of Film, 2002)
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"One
of the finest directors working in the '70s, Rainer Werner
Fassbinder ranged widely through genre and style, but consistent
through his prolific career (he made over 40 films in 13 years)
was an ironic approach towards often melodramatic subjects, and
an abiding interest in the despair underlying the material
affluence and bourgeois moral conformism of postwar German
society." - Geoff
Andrew (The Film Handbook, 1989) |
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"Violence, psychosis, repression, and anxiety fill the work of
Fassbinder. He is one of the premier European directors to
emerge in the last decade." -
William R. Meyer (The Film Buff's Catalog, 1978) |
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"The
best thing I can think of would be to create a union between
something as beautiful and powerful and wonderful as Hollywood
films and a criticism of the status quo. That's my dream, to
make such a German film." - Rainer Werner Fassbinder |
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