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| Akira
Kurosawa |
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| Director
/ Screenwriter / Editor / Producer |
| 1910 - 1998 |
| Born March 23,
Omori, Tokyo, Japan |
| Key
Production Country: Japan
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Key Genres: Drama,
Samurai Film, Period Film, Psychological Drama, Medical Drama, Ensemble Film, Family Drama, Urban Drama |
| Key
Collaborators:
Yoshiro
Muraki (Production Designer), Toshiro
Mifune (Leading Player), Takashi
Shimura (Leading Character Player), Hideo Oguni (Screenwriter), Minoru
Chiaki (Leading Character Player), Shinobu Hashimoto (Screenwriter), Asakazu Nakai (Cinematographer),
Takao Saito (Cinematographer), Masaru Sato (Composer), Kamatari Fujiwara
(Character Player) |
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Highly
Recommended:
Rashomon
(1950), Ikiru (1952), The Seven Samurai (1954),
Ran (1985) |
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Recommended:
Stray
Dog (1949), Throne of Blood (1957),
The Hidden Fortress
(1958), High and Low (1963), Dodes'ka-den (1970) |
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Worth a Look:
Drunken Angel (1948), The Idiot
(1951), I Live in Fear (1955), The Lower Depths (1957), Yojimbo (1961),
Red Beard (1965), Dersu Uzala (1975), Kagemusha (1980), Akira Kurosawa's
Dreams (1990), Rhapsody in August (1990), Madadayo (1993) |
| Links:
[
IMDB ] [
All-Movie
Guide ] [
Senses
of Cinema: Great Directors ] [
Film Reference ]
[
Wikipedia ] [
BFI
Feature ] [
Zhang
Yimou Article on Kurosawa ] [
Chris
Fujiwara Article ] [
Pop
Matters Feature ] [
PBS
Feature ] [
Strictly Film School ] [
Time Asia Tribute (2006) ] [
Books and Writers
Biography ] [
AkiraKurosawa.com ] [
Kurosawa and the Spaghetti Western ] |
| Books:
[
Something
Like an Autobiography ] [
The
Films of Akira Kurosawa ] [
Akira
Kurosawa and Intertextual Cinema ] [
Waiting on the Weather: Making Movies with Akira Kurosawa ] [
The Warriors' Camera: The Cinema of Akira Kurosawa ] [
The Emperor and the Wolf: The Lives and Films of Akira Kurosawa and
Toshiro Mifune ]
[
Akira Kurosawa: Interviews ] |
| DVD's:
[
Amazon
] |
|
1,000
Greatest Films: Stray
Dog (1949), Rashomon (1950), Ikiru (1952), The Seven Samurai (1954),
The
Hidden Fortress (1958), Yojimbo (1961), High and Low (1962), Red Beard
(1965), Dodes'ka-den
(1970), Dersu Uzala (1975), Kagemusha (1980), Ran (1985) |
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"If in
the more deliberately humanist dramas his sentimentality seems
sometimes contrived and maudlin, his feel for action and his
concern for historical authenticity reveal a talent that both
delights in and transcends genre limitations. Certainly, his
best work merges psychological precision, narrative subtlety and
visual bravura to extraordinary effect." -
Geoff
Andrew (The Film Handbook, 1989) |
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"Like
his counterparts and most admired models,
Jean
Renoir, John Ford, and
Kenji
Mizoguchi, Kurosawa has taken his cinematic inspirations
from the full store of world film, literature, and music. And
yet the completely original screenplays of his two greatest
films, Ikiru and Seven Samurai, reveal that his
natural story-telling ability and humanistic convictions
transcend all limitations of genre, period and nationality." -
Audie
Bock (International Dictionary of Films and Filmmakers,
1991) |
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"The
current awareness of Japanese cinema in the West began with
Kurosawa, even if he has now been surpassed...Despite his
appetite for disparate subjects in the 1950s, his period films
look insubstantial against Mizoguchi's,
just as Rashomon's debate on truth is trite beside Ugetsu.
As to the contemporary Japanese experience, Kurosawa now trails
behind a new generation." -
David
Thomson (The New Biographical Dictionary of Film, 2002)
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"The
term 'giant' is used too often to describe artists. But in the
case of Akira Kurosawa, we have one of the rare instances where
the term fits." -
Martin Scorsese |
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"A great director of wit, irony, and passion, Kurosawa has
lensed some of the greatest Japanese films." -
William R. Meyer (The Film Buff's Catalog, 1978) |
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"Movie
directors, or should I say people who create things, are
very greedy and they can never be satisfied... That's why
they can keep on working. I've been able to work for so long
because I think next time, I'll make something good."
- Akira Kurosawa |
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