| Richard
Fleischer |
|

Key
Noir Filmmaker
Strained
Seriousness |
| Director |
| 1916 - 2006 |
| Born December 8,
Brooklyn, New York, New York, USA |
| Key Genres:
Drama, Crime, Adventure TSPDT Rating:
8 |
| Key
Collaborators:
Albert S. D'Agostino (Production Designer), Earl
Felton (Screenwriter), Lyle Wheeler (Production Designer), Richard H. Kline
(Cinematographer), Elmo Williams (Editor/Producer), Samuel E. Beetley (Editor), Jack
Martin Smith (Production Designer), Herman Schlom (Producer), Ernest Borgnine
(Leading Character Player),
Robert de Grasse (Cinematographer) |
|
Recommended:
Armored
Car Robbery (1950), The
Narrow Margin (1952), Violent Saturday (1955), The Vikings (1958),
Barabbas (1962) |
| Worth
a Look: Child of Divorce
(1946), The Clay Pigeon (1949), Trapped (1949), 20,000 Leagues Under the Sea (1954), Compulsion (1959), These Thousand Hills (1959), Fantastic Voyage (1966), 10 Rillington Place
(1971), Soylent Green (1973), Mandingo (1975) |
| Approach with Caution:
Bodyguard (1948), Follow Me
Quietly (1949), The Girl in the
Red Velvet Swing (1955), Bandido (1956), Between Heaven and Hell (1956), The Boston Strangler (1968), Tora! Tora! Tora! (1970) |
| Duds:
Doctor Dolittle (1967), Mr. Majestyk (1974), Ashanti (1979) |
| Links:
[
IMDB ] [
TCMDB ] [
All-Movie
Guide ] [
Film Journal Director
Retrospective ] [
Classic
Film and Television Home Page ] [
Wikipedia ] [
New York Times Obituary ] [
Guardian Obituary ] |
| Books:
[
Just
Tell Me When to Cry: A Memoir ] |
|
DVD's:
[
Amazon
] |
|
250 Quintessential Noir Films:
Follow Me Quietly (1949), Armored Car Robbery (1950), The Narrow Margin
(1952) |
|
Ain't Nobody's Blues But My Own:
These Thousand Hills (1959) |
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