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| Kathryn
Bigelow |
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| Director /
Screenwriter |
| 1951 - |
| Born November 27,
San Carlos, California, USA |
| Key
Production Country: USA
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| Key Genres:
Action
Thriller, Action, Horror |
| Key
Collaborators: Howard Smith (Editor),
Steven-Charles Jaffe
(Producer), Eric Red (Screenwriter), Tom Sizemore
(Character Player), James LeGros (Character Player) |
| Worth
a Look: Near
Dark (1987), Blue Steel (1990) |
| Approach
with Caution:
Point Break (1991),
Strange Days (1995) |
| Links: [
IMDB ] [
TCMDB ] [ All-Movie
Guide ] [
Film Reference] [ DGA
Article ] [ MovieSeer
Profile ] [
1995 Interview ] [
IMDB ] |
| Books: [
The
Cinema of Kathryn Bigelow ] |
| DVD's:
[
Amazon
] |
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"Kathryn
Bigelow is one of the few women directors working successfully
in Hollywood today. She is certainly exceptional in that much of
her work has been made within the traditionally male-dominated
arena of big-budget action movies, a choice of field that has
earned her a reputation as quite a maverick. However, Bigelow's
films often reflect a different approach to these genres because
she consistently explores themes of violence, voyeurism and
sexual politics; ultimately, she seems to be concerned with
questioning the very nature of the boundaries between particular
genres." -
Hannah Ransley (Contemporary North American Film Directors, 2002) |
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"At the rate she
makes films, this American director's career list is unlikely to
be counted on more than the fingers of two hands. What films she
has made have usually proved noisy, nasty and watchable: there
are few smiles in a Bigelow movie." - David
Quinlan (Quinlan's Illustrated Guide to Film Directors, 1999) |
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"Bigelow
has been quoted as saying that "action cinema is pure cinema."
To which one must add that it may only expose the dangers of
trying to do without character or good sense. Why does the
cinema need to be so pure? Has anyone ever observed that state
in its manufacture? Since Strange Days, she has made two
more films that struggled to get a proper release." -
David Thomson (The New Biographical Dictionary of Film, 2002) |
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