Shared Top Border

They Shoot Pictures, Don't They?

  WebTSPDT

[ Home ] [ Directors A-L ] [ Directors M-Z ] [ 1,000 Greatest Films ] [ 21st Century ] [ Film Noir ] [ Recommended Viewing ] [ About ] [ Links ] [ aStore ]
 
Paul Thomas Anderson

 

TSPDT Rating

Director / Screenwriter / Producer
1970 - 
Born January 1, Studio City, California, USA
Key Production Country: USA 
Key Genres: Drama, Ensemble Film, Comedy Drama, Period Film
Key Collaborators: Robert Elswit (Cinematographer), Joanne Sellar (Producer), Philip Seymour Hoffman (Leading Character Player), Philip Baker Hall (Leading Character Player), Luis Guzman (Leading Character Player), Dylan Tichenor (Editor), Jon Brion (Composer), John C. Reilly (Character Player), Julianne Moore (Leading Player), William Arnold (Production Designer)
Highly Recommended: Hard Eight (1996), Magnolia (1999), Punch-Drunk Love (2002)
Recommended: Boogie Nights (1997), There Will Be Blood (2007)
Links: [ IMDB ] [ TCMDB ] [ All-Movie Guide ] [ Wikipedia ] [ The Definitive P.T. Anderson Resource ] [ Movie Maker Article ] [ A.V. Club Interview (2007) ] [ Slate Article (2007) ] [ Guardian Interview (2008) ] [ LA Weekly Interview (2008) ]
DVD's: [ Amazon ]
1,000 Greatest Films: Boogie Nights (1997), Magnolia (1999), Punch-Drunk Love (2002), There Will Be Blood (2007)
21st Century's Most Acclaimed Films: Punch-Drunk Love (2002), There Will Be Blood (2007)
 
Hard Eight (1996)Magnolia (1999)Punch-Drunk Love (2002)Boogie Nights (1997)
 
     
  "Paul Thomas Anderson emerged as one of the most exciting young directors in Hollywood, with two epics as vast and sprawling as the San Fernando Valley in which they are set - Boogie Nights (1997) and Magnolia (1999). His films already show the hallmarks of a distinctive vision and are marked by a surprising maturity, delving deep into themes of family, loneliness and the ghosts of the past." - Andrew Syder (Contemporary North American Film Directors, 2002)  
     
  "No other American director working today has such sad, tender, and smart ways of looking into the depths of society, or for feeling out their poignant juxtapositions. He writes great, ragged speeches, and he is like a fond parent with his family of actors." - David Thomson (The New Biographical Dictionary of Film, 2002)  
     
  "Perhaps the most ambitious American filmmaker of his generation, Paul Thomas Anderson grew up around movies and worked as a production assistant from a young age...Influenced above all by Robert Altman, Anderson has two wildly ambitious, panoramic ensemble movies to his name (Boogie Nights, Magnolia)." - Ronald Bergan (Film - Eyewitness Companions, 2006)  
     
  "I have a feeling, one of those gut feelings, that I'll make pretty good movies the rest of my life. And maybe I'll make some clunkers, maybe I'll make some winners, but I guess the way that I really feel is that Magnolia is, for better or worse, the best movie I'll ever make." - Paul Thomas Anderson (IMDB Biography)  
     
  "I try and balance it out. I mean, I don't want to be blabbermouth-young-white-director-guy, but I gotta help. You just don't want to get a disgusting sheen on yourself." - Paul Thomas Anderson  
     
 
 
 
 
 
 

[ Home ] [ Directors A-L ] [ Directors M-Z ] [ 1,000 Greatest Films ] [ 21st Century ] [ Film Noir ] [ Recommended Viewing ] [ About ] [ Links ] [ aStore ]
[ Recommended Reading Archives ] [ The Shooting Gallery ]
 
Last updated: 22/02/2010 06:30 PM.  Contact Us: bill@theyshootpictures.com.
©2002-2009 They Shoot Pictures, Don't They?
"A film is a petrified fountain of thought." - Jean Cocteau   "If it can be written, or thought, it can be filmed." - Stanley Kubrick