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George Cukor

 

TSPDT Rating

Director
1899 - 1983
Born July 7, New York, New York, USA
Key Production Country: USA 
Key Genres: Drama, Comedy, Romance, Romantic Comedy, Sophisticated Comedy, Melodrama, Comedy Drama, Musical, Musical Comedy, Period Film, Coming-of-Age
Key Collaborators: Cedric Gibbons (Production Designer), Katharine Hepburn (Leading Player), Spencer Tracy (Leading Player), Donald Ogden Stewart (Screenwriter), Gene Allen (Production Designer), Henry Daniell (Character Player), Bronislau Kaper (Composer), Garson Kanin (Screenwriter), Ruth Gordon (Screenwriter), William Daniels (Cinematographer)
Highly Recommended: Holiday (1938), The Women (1939), The Philadelphia Story (1940), Adam's Rib (1949), A Star is Born (1954), Bhowani Junction (1956), My Fair Lady (1964)
Recommended: Dinner at Eight (1933), Little Women (1933), David Copperfield (1935), Camille (1936), A Woman's Face (1941), Gaslight (1944), Born Yesterday (1950), The Actress (1953), It Should Happen to You (1954), Heller in Pink Tights (1960)
Links: [ IMDB ] [ TCMDB ] [ All-Movie Guide ] [ Senses of Cinema: Great Directors ] [ Film Reference ] [ Bright Lights Film Journal Feature ] [ Classic Film and Television Home Page ] [ Reel Classics Page ]
Books: [ George Cukor: A Double Life ] [ George Cukor: Interviews ] [ On Cukor ] [ George Cukor, Master of Elegance: Hollywood's Legendary Director and His Stars ] [ George Cukor: A Critical Study and Filmography ]
DVD's: [ Amazon ]
1,000 Greatest Films: Camille (1936), Holiday (1938), The Philadelphia Story (1940), A Star is Born (1954)
 
Holiday (1938)The Philadelphia Story (1940)A Star is Born (1954)My Fair Lady (1964)
 
     
  "Stylistically, his films are defined by their unshowy sophistication, with the discreetly fluid camera focused firmly on the dazzling performances; he was particularly adept with and sympathetic to actresses, and made numerous films with women centre-stage. Fittingly, the secret of Cukor's eminently civilised artistry lies in its deceptive ease." - Geoff Andrew (The Director's Vision, 1999)  
     
  "Although most of Cukor's films are adaptations of preexisting novels and plays, he has always chosen material that has been consistent with his view of reality. Most often he has explored the conflict between illusion and reality in peoples' lives. The chief characters in his films are frequently actors and actresses, for they, more than anyone, run the risk of allowing the world of illusion with which they are constantly involved to become their reality." - Gene D. Phillips (The St. James Film Directors Encyclopedia, 1998)  
     
  "George Cukor's filmography is his most eloquent defense. When a director has provided tasteful entertainment of a high order consistently over a period of more than thirty years, it is clear that said director is much more than a mere entertainer. Mere entertainers seldom entertain for more than five years, and then only intermittently...He is a genuine artist" - Andrew Sarris (The American Cinema, 1968)  
     
  "One of Hollywood's best directors of women and women's films (Little Women, 33; The Women, 39). His comedies (Adam's Rib, 49; Born Yesterday, 50) are generally rich in the real humor of life." - William R. Meyer (The Film Buff's Catalog, 1978)  
     
  "Alas, I am not an auteur, but damn few directors can write. They're very clever and they can go through the paces. As a director, you've got to think of your own limitations. There are certain things you're sympathetic with, and there are certain things you say to yourself. "Well, I can do it because I'm perfectly competent, but there's so many people who can do it much better than I can." I've been sent a script I think is charming and I said, "I think you ought to get an Italian director; it's madness to ask me to do it." - George Cukor (Directing the Film, 1976)  
     
 
 
 

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"A film is a petrified fountain of thought." - Jean Cocteau   "If it can be written, or thought, it can be filmed." - Stanley Kubrick