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| Fritz
Lang |
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| Director
/ Screenwriter / Producer |
| 1890 - 1976 |
| Born December 5,
Vienna, Austria |
| Key
Production Countries: USA, Germany |
| Key Genres:
Film Noir, Drama, Crime Drama, Thriller, Crime, Police Detective Film, Psychological Thriller, Adventure, Spy Film, Master Criminal Films, Psychological Drama, Melodrama,
Western |
| Key
Collaborators: Thea von Harbou
(Screenwriter), Rudolf Klein-Rogge (Leading Player), Dan Seymour (Character Player),
Joan Bennett (Leading Player), Theodor Loos (Leading Character Player),
Fritz Arno Wagner (Cinematographer), Karl Vollbrecht (Production
Designer), Otto Hunte (Production Designer),
Dan Duryea (Leading Character Player),
Arthur Hilton (Editor) |
| Highly Recommended: M (1931), Fury (1936), You
Only Live Once (1937), The Woman in the Window (1944), Scarlet Street
(1945), Secret Beyond the Door (1948), The House by the River (1950), Clash by Night (1952), The Big Heat (1953), While the
City Sleeps (1956) |
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Recommended:
Destiny (1921), Dr. Mabuse, The
Gambler (1922), Die
Nibelungen (1924), Metropolis
(1926), Spies (1928), Western Union (1941), Ministry of Fear (1944), Rancho Notorious (1952),
The Blue Gardenia (1953),
Human Desire (1954), Moonfleet (1955),
Beyond a Reasonable Doubt (1956), The Tiger of Eschnapur (1958) |
| Links:
[
IMDB ] [
TCMDB ] [ All-Movie
Guide ] [ Senses
of Cinema: Great Directors ] [
Film Reference ]
[
Biography (Jeffrey Scheuer) ] [ British
Film Institute Feature ] [ Classic
Film and Television Home Page ] [
A Fritz Lang
Website ] [ Bright
Lights Film Journal Article ] [ 1967
BBC Interview by Alexander Walker ] [ Cineaste
Article (2005) ] [
Martin Scorsese on Fritz Lang ] |
| Books:
[
Fritz
Lang: The Nature of the Beast ] [ Fritz
Lang ] [ The
Films of Fritz Lang ] [ Fritz
Lang: Photographs and Documents, Vienna-Berlin-Paris-Hollywood ] [
Fritz Lang: Interviews ] [
Fritz Lang's Metropolis: Cinematic Visions of Technology and Fear ] [
Fritz Lang: Genre and Representation in His American Films ] |
| DVD's:
[ Amazon
] |
| 1,000
Greatest Films: Destiny (1921), Dr. Mabuse, The Gambler (1922), Metropolis (1926), Spies (1928),
M (1931), You Only Live Once (1937), The Woman in
the Window (1944), The Big Heat (1953), Moonfleet (1955),
Beyond a Reasonable Doubt (1956), While the
City Sleeps (1956), The Tiger of Eschnapur (1958), The Indian Tomb (1959) |
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250 Quintessential Noir Films:
Ministry of Fear (1944), The Woman in the Window (1944), Scarlet Street
(1945), Secret Beyond the Door (1948), The House by the River (1950),
Clash by Night (1952), The Big Heat (1953), The Blue Gardenia (1953),
Human Desire (1954), Beyond a Reasonable Doubt (1956), While the City
Sleeps (1956) |
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"Fritz
Lang's cinema is the cinema of the nightmare, the fable, and the
philosophical dissertation. Langs' apparent weaknesses are the
consequences of his virtues...His characters never develop with
any psychological precision, and his world lacks the details of
verisimilitude that are so important to realistic critics.
However, Lang's vision of the world is profoundly expressed by
his visual forms." - Andrew
Sarris (The American Cinema, 1968) |
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"Few
directors can have created so many images of entrapment as did
Lang during his long, distinguished career. Repeatedly, his
protagonists are imprisoned not only by an uncaring society or
by their own flawed nature, but by Destiny itself: Lang's
stories, which regularly return to the theme of crime and
punishment, have the rigorous logic of a philosophical theorem." -
Geoff
Andrew (The Director's Vision, 1999) |
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"Lang's continuing obsession with the psychology of human
weakness made him the ideal thriller and film noir
director, with masterpieces such as The Big Heat (1953),
Clash by Night (1953), and While the City Sleeps
(2956) to his credit." -
Mario Reading (The Movie Companion, 2006) |
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"A world of paranoia, fear and evil fills the work of Fritz
Lang. His early German films (Dr. Mabuse, 22;
Metropolis, 26; M, 31) are subtle, yet striking
illustrations of those preoccupations, while later American
works (Man Hunt, 41; The Big Heat, 53) are more
explosive." -
William R. Meyer (The Film Buff's Catalog, 1978) |
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"There's
something which you should get out from an actor, something
which is under his skin, something which he himself maybe
doesn't know exactly. I hate - and I never did - to show an
actor how to play a role. I don't want to have twenty-five
little Fritz Langs running around. I have too much respect for
an actor." - Fritz
Lang (Directing the Film, 1976) |
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