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| Pedro
Almodóvar |
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| Director
/ Screenwriter / Producer |
| 1951 - |
| Born September 24,
Calzada de Calatrava, Ciudad Real, Spain |
| Key
Production Countries: Spain, France |
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Key Genres:
Drama, Melodrama, Comedy Drama, Black Comedy, Psychological Drama, Comedy,
Sex Comedy |
| Key
Collaborators: Jose
Salcedo (Editor), Agustin Almodovar (Producer), Chus Lampreave (Character Player), Alberto Iglesias
(Composer), Carmen Maura (Leading Player), Rossy De Palma (Character Player),
Antxon Gomez (Production Designer), Kiti Manver (Character Player), Antonio Banderas (Leading Player),
Jose Luis Alcaine (Cinematographer) |
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Highly Recommended: All
About My Mother (1999) |
| Recommended: Live
Flesh (1997), The Flower of My Secret (1995), Talk to Her (2002), Volver
(2006), Broken Embraces (2009) |
| Worth
a Look: What
Have I Done to Deserve This? (1985), Matador (1986), Tie Me Up! Tie Me Down! (1989), Bad Education (2004) |
| Links: [
IMDB ] [
TCMDB ] [
All-Movie
Guide ] [
Senses of Cinema: Great Directors ] [
Film Reference ] [
Wikipedia ] [ Official
Spanish Page ] [ NPR
Interview (Audio) ] [ Sony
Classics Profile ] [
New York Sun Article (2006) ] [
Close-Up Film
Interview (2006) ] [
Guardian Article (2008)
] [
Almodóvarlandia ] |
| Books: [
Almodóvar on Almodóvar ] [
Pedro Almodóvar (BFI World Directors) ] [
All About Almodóvar: A Passion for Cinema ] [
IMDB ] [
IMDB ] [
A
Spanish Labyrinth: The Films of Pedro Almodóvar ] [ Desire
Unlimited: The Cinema of Pedro Almodóvar ] [
Pedro Almodóvar (Contemporary Film Directors) ] |
| DVD's: [
Amazon
] |
| 1,000
Greatest Films:
Law of Desire (1987), All
About My Mother (1999), Talk to
Her (2002) |
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21st Century's Most Acclaimed Films:
Talk to Her (2002),
Bad Education (2004), Volver (2006) |
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"A
maverick talent, he worked in the theatre before beginning to
make short films on Super 8, and graduated to features in 1978.
He took full advantage of the post-Franco cultural freedom to
develop a distinctive directorial style, and has matured from
the 'bad boy' of Spanish cinema into a sophisticated European
auteur. He is noted for creating sublime melodramas and writing
superb roles for women." -
(Chambers Film Factfinder, 2006) |
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"Luridly
improbable plotting may evoke Buńuel's
surrealist legacy, but Almodóvar's vision of Spain is
determinedly post-Franco: more concerned with the heady pursuit
of pleasure than politics, and gleefully amoral - rather than
genuinely shocking - in its celebration of all forms of sexual
preference (his early films were mostly bawdy sex comedies)." -
Geoff
Andrew (The Director's Vision, 1999) |
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"Pedro
Almodóvar's
outrageous and provocative films have made him the most
internationally acclaimed Spanish filmmaker since the death of
Franco in 1975...Almodóvar's forté is in incorporating elements
of underground and gay culture into mainstream forms with wide
crossover appeal, thus redefining perceptions of Spanish cinema
and Spain." -
Ronald Bergan (Film - Eyewitness Companions, 2006) |
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"Yes,
women are stronger than us. They face more directly the problems
that confront them, and for that reason they are much more
spectacular to talk about. I don't know why I am more interested
in women, because I don't go to any psychiatrists, and I don't
want to know why." - Pedro
Almodóvar |
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"I
also wanted to express the strength of cinema to hide reality,
while being entertaining. Cinema can fill in the empty spaces of
your life and your loneliness." -
Pedro
Almodóvar |
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