| Edward
Dmytryk |
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| Director
/ Producer / Editor |
| 1908 - 1999 |
| Born September 4,
Grand Forks, British Columbia, Canada |
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Key
Production Countries: USA, UK |
| Key Genres:
Drama, Mystery, Thriller, Romance, Film Noir, Melodrama |
| Key
Collaborators:
Joseph MacDonald (Cinematographer), Albert S. D'Agostino
(Production Designer), John Paxton (Screenwriter), Adrian Scott
(Producer), Harry Gerstad (Editor), Arthur Franz (Character Player), Roy
Webb (Composer), Harry Wild (Cinematographer), Frank Bracht (Editor), Joseph Noriega (Editor) |
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Highly Recommended:
Murder,
My Sweet (1944), Warlock (1959) |
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Recommended:
Cornered
(1945), Crossfire (1947), Obsession (1949), The Sniper (1952), Broken Lance (1954), The Caine Mutiny (1954),
Mirage (1965) |
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Worth a Look:
Christ in Concrete (1949), The Mountain (1956), Raintree County (1957),
The Young Lions (1958) |
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Approach with Caution:
Hitler's Children (1943), Till the End of Time (1946), So Well
Remembered (1947), Walk on the Wild Side (1962), The Carpetbaggers
(1964) |
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Duds:
Where Love Has Gone (1964) |
| Links:
[
IMDB ] [
TCMDB ] [
All-Movie
Guide ] [
Film Reference ]
[
Wikipedia ] [
Dmytryk
Profile ] [
Screen Online Biography ] [
Well
Known Canadians ] [
Noir
Filmography of Edward Dmytryk ] [
Obituary ] |
| Books:
[
Odd
Man Out: A Member of the Hollywood Ten ] [
On
Film Editing: An Introduction to the Art of Film Construction ] [
On Screen Writing ] [
It's a Hell of a Life, But Not a Bad Living ] [
Cinema: Concept and Practice ] [
On Screen Directing ] [
On Filmmaking ] [
Hollywood's Golden Age: As Told by One Who Lived it All ] |
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DVD's:
[
Amazon
] |
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250 Quintessential Noir Films:
Murder, My Sweet (1944), Cornered (1945), Crossfire (1947), The Sniper
(1952) |
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"Independent
American director who has tackled a wide range of subjects with
uneven results...He made several provocative early features,
including Hitler's Children (1943), Farewell, My
Lovely (1944), and Crossfire (1947), before being
caught up in the McCarthy witch-hunt investigations. A period of
exile followed. Returning to Hollywood he made a number of
prestigious films which lacked the forthright impact of his
earlier, smaller films." -
(The International Encyclopedia of Film, 1972) |
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"In the mid-'40s,
Edward Dmytryk made several superior B-movies that mixed
suspense with social comment; but after a clash with the House
UnAmerican Activities Committee, he went into artistic decline,
ironically with more expensive, prestigious projects." -
Geoff
Andrew (The Film Handbook, 1989) |
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"His
early films were mostly routine action and light fare. His first
interesting work was Hitler's Children (1943), an
engrossing anti-fascist drama. Next he directed two exciting
suspense thrillers, Murder, My Sweet and Cornered,
both starring Dick Powell. Dmytryk win respect among film
critics with his 1947 Crossfire, Hollywood's first
serious attempt to deal with the subject of racial
discrimination." -
(The
MacMillan International Film Encyclopedia, 1994)
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"Action films with extreme tension and characters motivated by
obsession and neurosis characterize Dmytryk's style." -
William R. Meyer (The Film Buff's Catalog, 1978) |
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"Technical
skill counts for nothing if it is used only to manufacture films
which have little to do with humanity." -
Edward Dmytryk |
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