| Roy Del Ruth |
Jean-Pierre Melville's 64 Favourite Pre-War American Filmmakers (Cahiers du Cinema, October 1961) |
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| Director / Producer | ||
| 1893 - 1961 | ||
| Born October 18, Delaware, USA | ||
| Key Genres: Comedy, Drama, Crime TSPDT Rating: 7 | ||
| Key Collaborators: Robert Haas (Production Designer), Ernest Haller (Cinematographer), Marjorie Gateson (Character Player), Warren William (Leading Player), James Cagney (Leading Player), Joan Blondell (Leading Player), Loretta Young (Leading Player), Virginia Mayo (Leading Player), Melville Shavelson (Screenwriter), James Gibbon (Editor) | ||
| Recommended: Employees Entrance (1933) | ||
| Worth a Look: Blonde Crazy (1931), The Maltese Falcon (1931), Blessed Event (1932), Lady Killer (1933), Private Number (1936), Topper Returns (1941), Red Light (1949) | ||
| Approach with Caution: Upperworld (1934), Born to Dance (1936), Always Leave Them Laughing (1949) | ||
| Duds: On Moonlight Bay (1951) | ||
| Links: [ IMDB ] [ TCMDB ] [ All-Movie Guide ] [ Wikipedia ] [ Classic Film and Television Home Page ] [ MUBI ] | ||
| DVD's: [ Amazon ] | ||
| 250 Quintessential Noir Films: Red Light (1949) | ||
