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Darren Aronofsky
Director / Screenwriter
1969 - 
Born February 12, Brooklyn, New York, USA
Key Production Country: USA
Key Genres: Drama, Thriller, Science Fiction
Key Collaborators: Mark Margolis (Character Player), Clint Mansell (Composer), Matthew Libatique (Cinematographer), Eric Watson (Producer), Ellen Burstyn (Leading Player), Sean Gullette (Leading Character Player), Jay Rabinowitz (Editor), Andrew Weisblum (Editor), Ben Shenkman (Character Player), James Chinlund (Production Designer)

Worth a Look: Pi (1998), Requiem for a Dream (2000)*^, The Wrestler (2008)^, Black Swan (2010)^
Approach with Caution: The Fountain (2006)
* Listed in TSPDT's 1,000 Greatest Films section; ^ Listed in TSPDT's 21st Century's Most Acclaimed Films section.

Links: [ Amazon ] [ IMDB ] [ TCMDB ] [ All-Movie Guide ] [ Darren Aronofsky.com ] [ Wikipedia ] [ Film.com Interview (2009) ] [ indieWIRE Interview ] [ Flickering Myth Profile ]
 
Pi (1997)Requiem for a Dream (2000)The Wrestler (2008)The Black Swan (2010)
 
     
  "Aronofsky is drawn to characters in the grip of compulsion and addiction. Requiem for A Dream, like Pi, is powered by its protagonists' desperation and their descent into various private hells... Like Pi and Requiem for a Dream, The Fountain centers on the self-isolation of a character trapped in his own bubble of existence. Whether by choice or compulsion, Aronofsky's films ask if everyone is fatally trapped in their own private worlds." - Matt Hills, 501 Movie Directors: A Comprehensive Guide to the Greatest Filmmakers (2007)  
     
  "The unifying theme of Aronofsky's work – epitomised by The Wrestler – is a fixation on the body and its fragility. Mickey Rourke's character is unable to surrender the spotlight despite the havoc his vocation wreaks on his ageing body. The obsessions of Pi's protagonist are manifested in crippling migraines. Requiem for a Dream's haunting depiction of drug addiction makes it an ultra-effective, 102-minute public health warning: one character loses his arm, another her sanity." - Tim Walker, The Independent (2011)  
     
  "Darren Aronofsky secured a reputation as a brash, intelligent filmmaker at the age of 29, with Pi, his 1998 feature directorial and screenwriting debut... A self-described "Brooklyn hip-hop kid," Aronofsky was born in the borough on February 12, 1969. His upbringing was marked by his Jewish heritage, painting graffiti art on subway cars, and filmgoing in Times Square. An alumnus of the New York public school system, he attended Harvard, where he studied live action and animation and met future collaborator and Pi star Sean Gullette." - Rebecca Flint Marx (All-Movie Guide)  
     
  "To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don't think is a good ride." - Darren Aronofsky  
     
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"Though none of his features to date fit then genre per se, Darren Aronofsky is in some ways a horror director at heart, given his films' fascination with deranged paranoia and physical affliction, as well of his use of subjective camera and exaggerated sound design to mimic jumbled, monomaniacal and sometimes even psychopathic states of mind. Another Aronofsky trademark is the repeated, rapid-fire sequence deployed like a musical refrain: the trembling hand and gulping of pills that forecasts the protagonist's crippling headaches in [Pi], and the accelerated montage of needles, vessels and contracting pupils that shorthand administering a heroin fix in Requiem for a Dream. " - Jessica Winter, The Rough Guide to Film

 
 
21st Century Top 50
501 Movie Directors: A Comprehensive Guide to the Greatest Filmmakers
 
See Also
Danny Boyle
David Cronenberg
David Fincher
Terry Gilliam
David Lynch
Roman Polanski
Steven Soderbergh
Vincent Ward
Lars von Trier
 
Darren Aronofsky's Favourites
Brazil (1985) Terry Gilliam, Breaking Away (1979) Peter Yates, The Good, the Bad and the Ugly (1966) Sergio Leone, Once Upon a Time in the West (1968) Sergio Leone, Time Bandits (1981) Terry Gilliam, Yojimbo (1961) Akira Kurosawa. Source: First Showing.net (2008)
 
 
 
         
         

 

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